Tag: The Weinstein Company (Page 2 of 4)

News flash from Hollywood — it’s raining!

We Southern Californian’s are easily freaked out by this occasional phenomenon where water inexplicably falls from the skies. It’s a good thing so many of us like to ski or snowboard up at Big Bear or Tahoe, or there’d be a vast wave of weather-related depression unsettling the entire area. Of course, those of us who live on hillsides have something to worry about, but since L.A.-area seasons are basically labeled as “fire” and “flood,” it’s not like this is a surprise. Still, a good chunk of the town is going off to Park City, Utah for Sundance and its sisters festivals, where you actually need boots and overcoats and stuff like that.

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And now, here’s the big movie news, assuming this half of the state doesn’t simply slide into the ocean or anything overnight.

* Jolly Carl DiOrio writes on THR’s Heat Vision blog that Warner Brothers is trying to decide whether or not to do a 3-D retrofit on Louis Leterrier’s upcoming version of “Clash of the Titans.” This 3-D madness for genre films has been spreading. Some months back, “The Cabin in the Woods,” a collaboration between TV cult king Joss Whedon and his one-time staff writer, Drew Goddard (“Cloverfield“), was delayed from February 2010 to January 2011 to three dimensionalize the meta-horror film — and perhaps help stabilize Universal’s depleted coffers by delaying the marketing costs for eleven months.

* Despite some of the setbacks the Weinstein Company has been suffering lately with a number of commercial disappointments and too few hits and some layoffs, they’re still bringing in new people for acquisitions prior to tomorrow’s Sundance kick-off, writes La Finke.

* Meanwhile, over at CinemaBlend, Josh Tyler contemplates the possible 3-D status of “Ghostbusters 3.”

Johnny Depp
* In case you haven’t heard it already, no, Johnny Depp will not be starring in Terry Gilliam’s upcoming second attempt at filming his “The Man Who Killed Don Quixote.”

* The Oscar’s announced their nine film short list for the foreign language film category today. It’s basically a bunch of movies you have almost no chance of having seen, or even heard all that much about, if you’re not a pretty serious film festival goer — and Michael Haneke’s Golden Globe winning dark period drama, “The White Ribbon.” Even the folks at The Playlist had only seen “Ribbon” and were only familiar with a total of three of the films.

If an outstanding foreign film you’ve seen recently is not on the list and you’re wondering why, you can likely blame the extremely byzantine and highly politicized rules in this category, which involves countries selecting official entries, which often exclude seemingly obvious choices. Romania’s “4 Months, 3 Weeks and 2 Days” was an extraordinary work that recently made it to the top of many Best Of lists for the entire past decade. It was not nominated last year, — along with two other widely acclaimed non-English-speaking movies of 2007, “Volver” and “Persepolis.” At least the latter film was nominated in the animation category.

(500) days of Spidey news?; all together now in the uncanny valley…and a whole lot more

Yes, we ‘ve got movie news…

Peter Parker/Spiderman
* Nikki Finke’s new best friend, Mike Fleming (or someone, it’s written in the third person), writes tonight that director Marc Webb of the very popular indie relationship comedy, “(500) Days of Summer” is right now the most likely director for the just announced “Spiderman” reboot.  Fleming, or whomever, writes that  Webb has “no superhero experience,” which is not really the issue. The issue is that, while he’s quite capable of making an okay indie comedy (I’m not the movie’s biggest fan), he has no action experience and Sam Raimi had obviously quite a bit before attempting “Spiderman.” Still, the choice of Webb wouldn’t be half so strange as another one mentioned by Fleming (or whomever) apparently in all seriousness: Wes Anderson.

I wish we lived in a universe where studio executives would be so weirdly brave. And, hey, if Anderson’s not available, they could try David Lynch. I don’t know about the masses, but I’d definitely pay to see either movie.

Fleming (or whomever), however, is absolutely correct that, if he were just a bit younger, Joseph Gordon-Levitt would be the guy to play the new Peter Parker. Oh, well.

* Fleming also has it that Daniel Craig is “in talks” to replace a vacating Robert Downey, Jr. on the comic book adaptation, “Cowboys and Aliens.” Interesting transition. Downey seems more alien than cowboy; Craig is definitely more cowboy than alien.

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Okay, I think we can agree that “Avatar” is a success now

If anyone out there is still hoping for a publicly humbler James Cameron, maybe it’s time to set your sites elsewhere. Despite what you might have read on geek comment threads a few months back, the box office for “Avatar” is only going to bolster the filmmaker’s not entirely unearned overconfidence. Indeed, Cameron’s boot is likely to be mighty wet for a might long time with the pug-like slobber of worshipful suits. Nikki Finke, quoted a Fox executive, thusly:

“Mr. Cameron was king of the world but now has dominion over the universe. And he will own the top two slots on the worldwide all-time box office list!

Sam Worthington and Zoe Saldana, enhanced, in

In its third weekend, “Avatar” raised an estimated $68.3 million, with an outlandishly small 9.7% drop from its take of $75.6 million last week, as calculated by Box Office Mojo. The cumulative domestic box office take for the ecological/human rights themed action fable is now roughly $352.1 million, which I suppose might be a complete recoup of the film’s budget and at least some of the marketing expenses.

That also means it’s already the 15th top grossing domestic film of all time, with an awful lot of commercial life left in it, as the film will almost certainly linger in theaters through Oscar time and beyond. It seems that there is every chance it will overtake the $533.3 million of “The Dark Knight” and I certainly wouldn’t rule out it taking the #1 spot from Cameron’s $600.78 million grossing “Titanic.”

Remember, that mega-melodrama was released in 1997, when the most anyone paid to see a movie was, if memory serves, maybe $7 or $8. I saw “Avatar” over the weekend at Hollywood’s top-of-the-line Arclight complex, where the ticket price on Friday night was $18.50. That’s unusually expensive, but only a few bucks more than a lot of folks are paying nationwide, particularly on Imax screens. Adjusted for inflation, no movie has yet to sell more tickets than the periodically re-released “Gone With the Wind, which was shrewdly withheld from TV screens until the mid-seventies.

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Movie news for a dying decade

It’s the very last day of the aughts, the noughties, or the 2000s, whichever term you prefer, and there’s some movie news to pass along.

* It’s a funny day to have a stockholders meeting, but that’s appears to be what Marvel Entertainment did and, yes, they approved the widely heralded Disney merger. Russ Fischer at /film has the details.

* With, as far as I can see, no major wide releases or, as I far as I can tell, even large expansions to talk about and not much other information available, I’m dispensing with this week’s box office preview. However, Jolly Carl DiOrio is here to tell us that this weekend is going to look a little something like last weekend.

That’s not to say there aren’t some new movies out that you can see this week — though you’ll possibly have to live in New York or L.A. to see them. Since I dig Tennessee Williams, I’m sorry to see the bad reviews for “Loss of a Teardrop Diamond. South Korea’s “The Chaser” was a hit at home for director Na Hong-Jin and looks intriguing to me. It has also been optioned for a high profile American remake, possibly involving Leonardo DiCaprio and screenwriter William Monahan of “The Departed.”

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* Speaking of box office, I’m not sure this is exactly news, but, get this, “Avatar” is doing really well — it just passed the $800 million mark worldwide — and looks likely to continue to do extremely well for quite a long time. Even the busiest man in the world apparently couldn’t wait to see it in the White House movie theater (I wonder if it can show digital 3-D?) Also note that eight year-old Sacha and 11 year-old Malia were allowed to see it even though it has a PG-13 rating . Expect this to be discussed at length on the Sunday shows.

* I had to update yesterday’s post to correct this. Apparently, The Weinstein Company is going to leave “Nine” in the roughly 1,400 theaters it’s in, despite last week’s poor showing.

* It’s now “Sir Captain Picard” to you. Alongside Patrick Stewart, film and theater director Nicolas Hytner (“The Madness of King George”) just got an excuse to be extra snooty.

* Neil Blomkamp of “District 9” wants to make original films that aren’t based on older franchises and, so, has said he’ll stay away from large budgets. He’s not dumb.

Mid-holiday week movie news report (updated)

Somewhat to my surprise, given how slow Monday and Tuesday was, we have some movie news to report. Sadly, the first item is a bummer.

* Our very sincere condolences to the friends, family, and avid readers of writer and horror/gore maven Chas Balun, who died of cancer on December 18th. Probably mostly because of my phobia of the kind of movies he championed, Balun’s name wasn’t immediately familiar to me before this, but clearly the author and longtime contributor to Fangoria and Gorezone was a writer whose work meant a great deal to genre fans as well as a very sincere film geek/cinephile, and for that he has my respect. The Fangoria blog has a very good obituary.

* Sony has not been including a screener DVD for Duncan Jones’ highly regarded science fiction film, “Moon,” in its pre-Oscar promotional package. The result: “Twitter storm“!

Moon

* It’s now Sir Peter Jackson to you.  Considering the positive impact his LOTR tour de force must have had on the New Zealand economy, they might have considered making him king. Okay, New Zealand doesn’t have one. Also, I gather it’s more of a British Commonwealthy kind of a thing.

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