Tag: TCA Blog 2009 (Page 3 of 7)

TCA Tour: Fox Executive Session

This morning, Peter Rice, Fox’s Chairman of Entertainment, and Kevin Reilly, Fox’s President of Entertainment, sat down for their network’s executive session, and you will be unsurprised to learn that they were positively bombarded with questions about Paula Abdul’s departure from “American Idol.”

“Paula is the only member of ‘American Idol’ whose contract was up this year,” said Rice. “We have been talking to her about it for most of the season, and we very much wanted her to return. In the past few weeks, the negotiation came to a conclusion, we made an offer that was fair to Paula, a substantial raise on the money she made in past, but Paula decided not to return. It was not our choice. We wanted her to come back to the show.”

Rice admitted that, given the short amount of time since Abdul’s announcement of departure, they didn’t have any big announcements to make about what they’d be doing, aside from the fact that
they would be focusing on the auditioning process and that it was their intention to have guest judges at each audition.

“We are talking to people now, a couple are confirmed, and we are talking about dates with others,” said Rice. “It’s our intention to have the guest judges be female pop stars, female performers, female artists.” Minutes later, he acknowledged that they had indeed gotten commitments from two such judges already: Katy Perry and Victoria Beckham.

“Between now and January,” said Rice, “we will come up with a more permanent solution on what we’ll do,” but of the inevitable change in dynamic with a new judge, he admitted, “There’s something exciting about that.”

Seriously, though, isn’t there still a chance she could still be back in the “Idol” fold come January?

That’d be a “no,” according to Rice. He says that the negotiations have concluded and that Paula Abdul is not returning.

“The expectation and hope was that Paula would come back,” he reiterated. “I think that when her current agent made a statement to the press two weeks ago, we thought, ‘What if she doesn’t come back?’ But we had no contingency. There is going to be a change, and we have to look at it as a positive change now, an opportunity for the show, to bring a different energy to it.”

Reilly, who had let Rice run with the ball, did finally chime in and remind us that, ultimately, the show is about the contestants. But I don’t think anybody bought that for a second.

Okay, that’s enough about Paula, but there was one more “Idol” note that came up during the session: no matter what you may have heard, Fox is not paying Ryan Seacrest $15 million to host “American Idol.” Seacrest’s $15 million deal is with CKX, Inc., which encompasses much more than “American Idol.” His original contract for “AI” remains in place.

Frankly, there wasn’t much time left after all of the Paula Abdul questions were asked and answered, but somewhere in the midst of it all, a few more random facts did slip out:

* The renewal of “Dollhouse” for a second season was due to the die-hard Joss Whedon fans, but Reilly swears that “it didn’t factor in from a fear place. It was more from a positive place. Those fans were there every week, and they stuck with it in a way that a lot of television fans don’t.” Now that he’s worked out the hiccups in the show, the official mandate for Season 2 of “Dollhouse” is for Joss to keep doing what he does.

* The decision to air the pilot of “Glee” as a standalone episode several months before its formal series premiere was “a marketing stunt,” one that did better than they ever imagined. Rice admits that the show’s a bit unique. “It’s definitely not saccharine, but every episode ends in an uplifting manner,” he said, going on to describe the series variously as “upbeat,” “subversive,” “sweet,” “emotional,” and “aspirational.”

* And, lastly, there are currently no plans to air the final six episodes of “King of the Hill.” Nice one, Fox. The series was always treated like the bastard child of the Sunday night animated line-up, so way to keep it that way to the very end.

TCA Tour: “Bones” set visit

Of the set visits I’ve done this trip, the one to “Bones” was the most disappointing one to date. Don’t get me wrong, the Q&A with stars David Boreanaz and Emily Deschanel and producers Hart Hanson and Stephen Nathan made for a good time. The disappointment came from the fact that we’d been told that we’d be touring Dr. Brennan’s lab at the Jeffersonian, only to arrive and find that, due to filming commitments on that set, we’d be stuck hanging out at the FBI. I’m not saying it wasn’t cool to see that set, but…well, it’s like if someone told you that you were going to get to walk onto the field of Yankee Stadium, only to find out that you were actually only going to get to go into the locker room: they’re both cool in their own way if you’re a fan, but one’s definitely a damned sight more impressive than the other.

Okay, I know, I’m complaining about not getting to see my favorite set when you’re probably saying, “Yeah, but, still…Bones and Booth were right in front of you!” And you’ve got a point: that was pretty cool. I’ve never actually had a chance to chat with Ms. Deschanel before, but I’ve talked to David before, and he’s always a lot of fun to talk with. And if you’ve never seen him do an interview before, let me assure you that, for as much characterization as the writers have brought to the table at “Bones,” there’s still a heck of a lot of Seeley Booth in David Boreanaz, and vice versa.

So, of course, if we’re talking about the upcoming season of “Bones,” then what you really want to know is if Bones and Booth are finally going to get together.

“Do you honestly think I am going to answer that question after what I went through last season?” asked Hanson, with a laugh.

“We did end up in bed together,” Deschanel reminded us. “It was in our minds, but that changes our relationship, and you will see that going into season 5. That changes our relationship for good. Basicall,y he wakes up and you don’t know whether it was his coma or my books or both, in some way. The fact that it was in our minds does in fact change your relationship, and you will see it changes our relationship even more than just being in our minds.”

“You look at each other differently,” acknowledged Hanson, “and it’s quite evident, especially in the first episode. You see the relationship has evolved because of that experience.”

“Well, I’m just trying to get my memory back, so that’s probably what you’re seeing,” said Boreanaz, with a grin.

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TCA Tour: “Dollhouse” set visit

Last year, I had a chance to visit the “Dollhouse” set, and it was absolutely breathtaking. This year, I went to visit it again, and the effect was the same. I just wish I liked the show as much as I like the Dollhouse itself. But, hey, maybe that’ll change when I finally get a chance to sit down and watch the Season 1 set in its entirety…particularly the bonus 13th episode, “Epitaph One,” which the show’s creator, Joss Whedon, describes as “an incredibly strange sort of bookend to the show.”

When we first arrived on the set, the actors were still shooting elsewhere on the Fox lot, so Whedon held court before the assembled throng of critics (some of whom may or may not have actually been bowing before him) and spoke to the second season of “Dollhouse” all by his lonesome, which he described as “the biggest surprise of my career.”

“What can I say?” asked Whedon. “I really didn’t expect to be sitting here again for a while. This has been like skiing in a cartoon where you go up the mountain and down the mountain and up and down. Right now, we are pretty high up on it because we realized that we were actually going to have to work for a living this summer.”

Okay, I’m sure the Whedon-ites will want to know every last word that Joss had to say, but for the sake of those who – like myself – still have good intentions of playing catch-up before Season 2 begins, I’ll do you the favor of waiting ’til post-jump to offer up his comments.

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TCA Tour: “NCIS: Los Angeles” set visit

I’m a big fan of CBS’s “NCIS,” but I’ll freely admit that I didn’t get in on the ground floor. I didn’t find my way into the series until the second season of the show was released onto DVD, but once I started working my way through the set, I found that it was almost impossible to stop. Ever since then, I’ve been making it a point of watching the show…though, of course, I’m far from the only one at this point. Back then, it was still kind of an under-the-radar series, but, really, how far under the radar can a show possibly fly when the USA Network is running three back-to-back episodes every weeknight?

This heightened off-network profile, combined with the remarkable accomplishment of having its new episodes grow in popularity with each subsequent season, is no doubt why CBS has decided that the time is finally right to gift the show’s fans with a spin-off: “NCIS: Los Angeles.” It’s probably also why the new series has no less than three instantly recognizable faces – Chris O’Donnell, LL Cool J, and Oscar winner Linda Hunt – within its cast.

It’s gotta be tough to break out from a series like “NCIS,” where the fans are about as die-hard as they come, but at least the cast is aware of their responsibilities.

“My biggest concern, and I think for most of us, is to please the current ‘NCIS’ fans first and foremost, because they’re very loyal fans and a huge following,” said O’Donnell. “And, you know, if new people tune into the show, that’s great, but I feel more pressure to live up to their expectations than I do maybe to the network or the studio expectations, to be honest with you. I was overwhelmed how many people were watching the show. It was a similar reaction to when I went on ‘Grey’s Anatomy,’ and I would go through the carpool line, and every mom wanted to know what was happening in the show. Everywhere I’ve gone this summer, you know, it’s just…I’m overwhelmed. People that I don’t even think watch TV are coming up to me. ‘What’s going to happen? I love her. I love him.’ It’s amazing. You look at the numbers there, and everyone says, ‘Well, his TV numbers are pulling back, and not as many people are watching network TV.’ I’ve got to tell you, so many people are watching ‘NCIS.’ It’s amazing.”

“I think the main thing for us is just approaching it with humility and being clear that nothing is guaranteed and that our job is to do the best work that we can,” said Mr. Cool J. “We depend on Shane (Brennan, the show’s executive producer) to bring the best stories to the table, and then we will try to bring those stories to life in a great way. And I think that that, for us, is the main focus. Obviously, we want to maintain the current ‘NCIS’ fan base and all of those people that are joining the show. We don’t want to, you know, make them have an allergic reaction to what we’re doing on screen. But I think it’s just about having fun. You know, the pressure part of it…I don’t think anyone here is being arrogant. We’re not making any guarantees or predictions for the playoffs. We’re cool. We just want to do a great show, and we hope that you guys like it. That’s the real thing.”

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TCA Tour, Day 3: “Head Games”

I walked into the panel for the Science Channel’s new game show, “Head Games,” with considerable excitement. In earlier drafts of the schedule for the TCA Press Tour, we’d been told that the show’s executive producer, Whoopi Goldberg, would not be in attendance, but somewhere along the line, plans changed and Goldberg apparently decided that she would be able to make it to Pasadena. I’m still very much the kind of critic who gets excited about big names being in attendance for the tour, and although Whoopi might not have been the most famous Comic Relief host to turn up that day (a few hours later, Robin Williams had a panel for his upcoming HBO stand-up special), c’mon, she’s still Whoopi! Plus, the host of “Head Games” is Greg Proops, and I’ve been a fan of his since his days as a regular on the original British version of “Whose Line Is It, Anyway?”

So why, then, did I walk away disappointed?

Because, frankly, Whoopi was a grouch.

Believe me, I’m still very excited about the series itself, and it’s impossible not to get behind Whoopi’s personal mission to inspire more people, especially women and girls, to share her love of learning, but did she really have to start out by insulting us?

“I’m sure most of you had no idea that if you put a gummi bear in a test tube, what would happen to it,” she said. “I’m pretty sure none of you knew that a flea can jump with a velocity higher, faster than a shuttle. Now, you can sit there and be cool because I know you’re all from L.A., but you didn’t know this, and you know you didn’t.”

Well, I’m not from L.A., so maybe that’s why I did know the thing about the flea. But when someone tried to remind her that quite a lot of people in the room weren’t actually from L.A., she replied, “Wherever you’re from, you were not into this, but I want you to be into this now.” Why all the insistence that we’re not into science? Is it really so hard to believe that TV critics might actually have interests outside of television?

What really got me, though, was her rather snippy response to a question that was clearly intended to be funny. Someone asked her which member of the “View” team could most do with a lesson in science from “Head Games,” and she replied, “I am not here…you know what? I know that’s supposed to be a provocative question, but I’m here to talk about my science show, which is separate from ‘Whoopi Goldberg, producer.'” A beat. “Also, Academy Award winner, Grammy winner…”

I guess you have to give her some credit: it’s not easy to make a joke within seconds of seeming to have no sense of humor.

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