Tag: Studio 60 on the Sunset Strip

TV in the 2000s: 15 Shows Canceled After Appearing in Bullz-Eye’s TV Power Rankings*

*Probably Coincidentally

Back in 2005, Bullz-Eye kicked off a regularly-recurring feature that’s become a staple of our site: the TV Power Rankings, which gives us a chance to offer up our opinions once every six months on the best that television has to offer. Now that we’re looking back at the entire decade in our TV in the 2000s feature, however, it gave us an opportunity to look back at all of the shows that have appeared within the Rankings over the course of its history, and when we did, it was a little eyebrow-raising to see how many of our favorite programs bit the dust almost immediately after receiving accolades from us. We’re pretty sure their cancellations weren’t our fault…or, at least, not entirely. Anyway, take a look back through the list with us, won’t you? If nothing else, it shows that we’ve got good taste, even if the average viewer doesn’t always share our opinions.

1. Arrested Development (Fox, 2003 – 2006) – “Even if this is indeed the end for one of Fox’s all time greatest shows, it is better to have loved and lost…oh, the hell with that, Fox is freaking nuts if they cancel this show.” So said David Medsker in February 2006. But did they listen to him? They did not. “We’re not ones to buy into the whole dumbing-down-of-society thing,” Medsker added, “but if this show gets canned while ‘According to Jim’ lives on, maybe there’s something to it after all.” Oh, yeah, there’s definitely something to it: “According to Jim” stayed on the air until June 2009.

2. Deadwood (HBO, 2004 – 2006) – When it was announced that Season 3 would be the last for the semi-historical look at the wild west, there was really only one name that John Paulsen could call the folks at HBO. We probably shouldn’t use it here, but if you need a hint, it starts with a “C” and rhymes with “sock pluckers.” “Everything about the show – the language, the acting, the story, the sets and the costumes – is colorful,” Paulsen observed in February 2007, “and whether or not HBO wants to admit it, they’re going to miss ‘Deadwood’ once it’s gone for good.” They must’ve been in some serious denial, then: creator David Milch reportedly agreed to do a proper wrap-up of the series through a pair of “Deadwood” movies” for the network, but things never really got beyond the discussion stage.

3. Invasion (ABC, 2005 – 2006) – The fall of 2005 was a good time in prime time for sci-fi fans, with each of the big three networks offering up an entry from the genre, but by the spring of 2006, their cheers had turned to tears. NBC’s “Surface” was permanently submerged after 15 episodes, while CBS’s “Threshold” crossed the point of no return after only nine episodes had aired. Give ABC some credit, however, for at least sticking with their entry for the full 22. “’Invasion’ started slowly, but has steadily ramped up the creepiness,” said John Paulsen in February ’06, acknowledging that, although it gave its audience lots of questions, at least it was providing them with more answers than “Lost” was. Unfortunately, there was still plenty to be answered when the show was canceled, and things got even more depressing when Tyler Labine talked to Bullz-Eye about what might’ve been. “(Creator Shaun Cassidy) had written this bible for the show, and he had written this amazing five-season arc,” said Labine. “We were just floored. Our jaws were literally on the floor after he explained it to us. We were, like, ‘Wow, we’re on for a really great ride!’” What a shame for us all that the ride ended as quickly as it did.

4. Studio 60 on the Sunset Strip (NBC, 2005 – 2006) – Well, you can’t say that we weren’t honest about offering up both the pros and the cons of Aaron Sorkin’s behind-the-scenes look into a late-night comedy series. “The show is pompous, unrealistic and ridiculously left-wing,” admitted Jason Zingale in February 2007, “but it also makes for some damn good television.” Unfortunately, with an awful lead-in – seriously, who thought that pairing the show with “Heroes” was a good idea? – “Studio 60” didn’t develop enough of a following to earn a second season.

5. Rome (HBO, 2005 – 2007) – In its first season, “Rome” turned up at #18 in the Power Rankings, but by the time Season 2 aired, it had leapt to #6. Not that such success earned the show a third season (it was apparently ridiculously expensive to produce, which you can absolutely believe if you’ve ever seen it, but at least the news of its cancellation came in time for John Paulsen to register his annoyance within the February 2007 Rankings. “As it turns out, ‘Rome’ isn’t the heir to the throne of ‘The Sopranos,’” he wrote. “Instead, sadly, it’s a bastard stepchild, just like ‘Deadwood.’” Creator Bruno Heller was probably even more pissed than Paulsen, having mapped out his vision of the series all the way through its fifth season, but as recently as December 2008, Heller was still sounding optimistic about the chances for a “Rome” movie. “I would love to round that show off,” he told the Hollywood Reporter. Hey, we’re behind you 100%, Bruno.

6. Four Kings (NBC, 2006) – If you don’t remember this sitcom, you’re forgiven, as it premiered in January 2006 and was gone by March. Still, it made enough of an impression to earn Honorable Mention status in the February 2006 rankings. “Four Kings” was created by David Kohan and Max Mutchnick, the duo behind “Will and Grace,” and featured Seth Green as one of its cast members, so you might think it surprising that it was off the air within seven episodes (and with a remaining six episodes still unaired). Looking back, however, the fact that the greatest praise Jason Zingale could heap upon the show in his write-up was that “it’s a worthy quick-fix until NBC finds a better alternative” should’ve given us a clue that it wasn’t long for this world.

7. Jericho (CBS, 2006 – 2008) – It was the little show that could, our “Jericho.” It started with an awesomely dark premise – a nuclear bomb goes off in the U.S., and we view the repercussions through the eyes of a small town in Kansas – and, after figuring out its direction (the attempts to meld some “Little House on the Prairie” aspects to the show were soon phased out), the series found its footing, kicked some creative ass, and was promptly canceled. But what’s this…? The show’s diehard fanbase made enough noise (and sent enough nuts) to get the show a 7-episode second season which lived up to everyone’s expectations and then some. Too bad the same couldn’t be said for the ratings, but those who actually tuned in for Season 2 know how many twists, turns, and outright shocks it included. There’s still talk of a possible “Jericho” movie. We can only hope.

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I heart Tina Fey.

Seriously, I really do. She’s totally the kind of woman who I’d make a fool of myself over if I were still single…but I’m not, so I won’t. And I was very proud of myself for keeping my cool when I got to talk to both Fey and her “30 Rock” co-star, Jane Krakowski, about their new show. Clearly, I was more focused on Tina than Jane, but, honestly, that’s more because – as I explain to Jane – I hadn’t yet seen the new version of the pilot when I was talking to the two of them. (Krakowski was added after the fact, as you’ll read below.) In closing, let me just say that it’s a good thing it was a phone call rather than an in-person conversation; it allowed me to get away with victoriously pumping my fist in the air whenever I succeeded in making Tina Fey laugh.

Bullz-Eye: Tina, do you happen to recall the obscenities that you uttered when you first heard about “Studio 60 on the Sunset Strip”?

Tina Fey: (Laughs) I swear so much all the time, anyway, that it probably wouldn’t even have interrupted my constant flow of swearing. That was probably happening over just the quality of my lunch.

BE: Did you find yourself a little disconcerted knowing that there was going to be a similar-premised show on the air at the same time?

TF: Well, it’s funny, because I had friends coming up to me, saying, like, “Oh, I’m so sorry that you’re not going to get to do your show!” And I said, “Well, y’know, I haven’t really heard anything…” And, really, within the same day, (NBC President) Kevin Reilly called me at home to assure me that we were still…because we were in pre-production for the pilot, and he assured me that we were still going to shoot the pilot and that he believed in both shows, and so I took him at his word. And so far, so good.

BE: And I’m one of those who has not seen the revised pilot yet, but I’m led to understand that, Jane, you’re taking over the role that more or less belonged to Rachel (Dratch) in the original pilot…?

Jane Krakowski: Um, well, I’m playing the star of “The Girlie Show,” which is the fictional show within the show. The role has been quite rewritten, I would say, and made a little bit different, but I love the show so much, and I was so thrilled to be asked to join into the cast.

TF: And what sort of what happened was, once we realized after doing the pilot that we were never going to see sketches, then we wanted to take Rachel, who’s a sketch player, and use her differently. She’s still in the show and she’s going to play a series of characters; if you do get a chance to see the revised pilot, you’ll see she plays a cat wrangler in that pilot, and then she’ll come back another week as a different character, and a week or two after that, she’ll come back as a different character.

BE: How much of Tracy Morgan’s character is inspired by Dave Chappelle?

TF: Well… (laughs) …I will say that I don’t know Dave – I’ve barely ever met him – but I do know Tracy, and, so, I would say that it’s primarily Tracy if Tracy were nuts, more than anybody else. But I think anything any celebrity does, let alone an African-American celebrity, is gonna be fair game for Tracy to do. Maybe Tracy will leave a bag with a million dollars in jewelry in the airport, I don’t know!

BE: Will “The Girly Show” have guest hosts or celebrity guests?

TF: I don’t think it will. I don’t think it’s that kind of show…unless all of us change our mind and it does. But I don’t think that’s really on the horizon right now. I’ve spent nine years writing for celebrity guest hosts, and I’m very excited to write for just my cast.

BE: Tina, what “Saturday Night Live” joke or sketch are you the most proud of?

TF: Oh, that’s a good question! Most proud of… (Pauses) I wrote a sketch once called “Census.” It was about a census taker, and it was just Christopher Walken and Tim Meadows, just the two of them, and that was maybe my favorite sketch that I ever wrote. Unfortunately, it was on the same show as “we need more cowbell,” so it has long since been forgotten! But that was maybe the best show that we had in the whole nine years that I was here, that show with Christopher Walken.

BE: Was there ever a sketch that didn’t make it on the air that you were really thought should’ve?

TF: Usually, the ones that don’t make it, it’s for very good cause! They’re usually pretty stinky!

BE: And a throwaway closer: has anyone ever approached you that was writing an unofficial biography of Lindsay Lohan, looking for dirt from the set of “Mean Girls”?

TF: (Laughs) No…but I am open to offers if they’re extremely lucrative.

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