Tag: SNL (Page 3 of 4)

Fat Tuesday at the movies

Do the bon temps actually roulez in Hollywood? It’s more like they just kind of unspool.

* My good friend, Zayne Reeves, was kind enough to make sure I didn’t miss this rather extraordinary Esquire piece by Chris Jones on Roger Ebert’s current life. I’ve been spending my share of time around illness myself over the last several weeks and I can’t think of a more quietly, beautifully sane way of dealing with the strange cards life can deal us. Though I’m just one among very, very many he’s shared kind words with, I’ve always felt lucky for the very brief e-mail correspondences I’ve had with Roger over the years, Now I feel luckier.

* Reviews of the fourth Martin Scorsese film to star Leonardo DiCaprio, “Shutter Island,” are starting to trickle out. Glenn Kenny has a good one. “Good” both as in “positive” and also as in “worth your time reading.”

shutter-island-2010-wallpaper

* Doug Liman will be directing a film about the 1971 Attica prison riot/revolt/uprising, now best remembered by film lovers as the chant from “Dog Day Afternoon.” It’s a story he has a personal connection with through his late father, attorney Arthur Liman. Nevertheless, the director of “Go,” “Mr. and Mrs. Smith” and “The Bourne Identity” seems to be moving in a sort of John Frankenheimer-esque direction overall, too.

* Speaking of the man who yelled “Attica! Attica!,” Al Pacino has stepped into a part recently vacated by Robert De Niro. You just can’t seem to keep those two guys apart for very long.

* Nikki Finke is having a very fat Tuesday indeed. Earlier today she reported on Carl Icahn trying to snap up Lionsgate for himself and a deal between Warner Brothers and video kiosk powerhouse Redbox, not to mention the news that the Oscars this year may not be including the original artists in the Best Song category.

There’s still more; a 3-D movie based on Erector Sets. Sure, why not. Next up: “Slinky 3-D,” I’m sure. Now, if they really want to get a rise out of the family audience, they might consider adopting Mickey Spillane’s novel, The Erection Set. From the description I just linked to, it would really be something in three-dimensions.

* Writer-director Paul Feig is reteaming with his old “Freaks and Geeks” colleague, Judd Apatow, for a film starring and cowritten by Dave Medsker’s-ultra-fave, Kristen Wiig writes Borys Kit. Let’s hope it’s better than a typical SNL skit these days.

* I started with Roger Ebert and I’ll end with an item via his must-read Twitter-feed: the Film Preservation Blogathon being organized by my old Chicago-based cinephile blogging mate, Marilyn Ferdinand. If you care about movies, this is the place. It’s also a fundraiser (a first for a blogathon, as far as I can remember) so if the idea of losing a film — any film — forever bugs you as it should, considering donating. You can do worse than starting with this post by Ferdy’s partner in good works, the Self-Styled Siren aka Farran Nehme. And, courtesy of another cinephile colleague from the days when I had time to blog about old movies all the live-long day, Greg Ferrera, we conclude with….a commercial.

The logic of casting

Yesterday, Mike Fleming reported that Nick Cassavettes was in talks to direct the fourth, or possibly fifth — depending on how you reckon it — version of “A Star is Born,” a perpetually successful property that dates back to the 1930s.

You can complain about remakes all you want, but this is one story that really begs to be remade with every generation, as it’s always pretty much always relevant and only more topical with each new decade. In case you’ve never seen any version, it’s the story of a young actress and/or singer on the way up who becomes involved with a star very much on the way down, mostly because of substance abuse. Apparently the thinking is to once again make the on-the-go female a singer, as in the now iconic 1954 version starring Judy Garland and James Mason directed by George Cukor, and the commercially huge but critically dissed 1976 Barbara Streisand/Kris Kritofferson version directed by Frank Perry and, perhaps, an uncredited Streisand. Names like Beyoncé and Alicia Keys are being mentioned for the female lead.

The two male stars Fleming mentions are interesting. I don’t need to say why Robert Downey, Jr. is either too on the nose or absolutely and utterly perfect for the role. Real-life parallels and method acting possibilities aside, he’s a intriguing choice also because of his own forays into singing. Could make for a dramatic duet or two.

The other name being floated according to Fleming is Jon Hamm of “Mad Men.” This would presumably take the film more in the direction of the 1954 version, which featured James Mason as the alcoholic movie star in love with Judy Garland’s singer. Hamm’s a terrific and versatile actor and I’m sure he’d be very good. I just hope, however, they’re not just mentioning his name because just he does a great impression of Mason.

This Mason, by the way, is mainly inspired by his “A Star is Born” character. In real life, it was Judy Garland who had the drinking and drug issues. As for Hamm, let’s hope we see his impressionistic skills again — and the writers can again figure out something funny for him to do with them — when he returns to SNL later this month.

TV/media in the 2000s: 10 (or so) key voices in left/right political media

Politically speaking, the aughts have been one long, strange trip. Just think about what we’ve seen this decade: a disputed presidential election in 2000, the largest terrorist attack in world history occurring on U.S. soil in 2001, followed by two wars, the partial erasure of New Orleans and much of the Gulf Coast, a congressional changing of the guard, the election of the first African-American president as well as the first with a foreign-sounding name, and the probable passage of a health care package which, depending on your point of view, is either historic, a mystery, a bit of a sham, or the first step on the road to a Stalinist U.S. of A.

Bubbling beneath all of this has been a series of remarkable changes in the world of media — television, movies, radio, and this thing we call the Internet — that have had a fairly profound impact on politics and, therefore, on real life. What follows are my choices for the ten most interesting and/or influential figures in the realm of political media. To try and slightly compensate for my obvious liberal bias (my side is far more facty, I tell ya!), I’ve got five spots each for conservative and liberal media figures respectively and I’ll be alternating and counting down from the bottom.

#5 Conservative

Trey Parker and Matt Stone — It’s possible that most regular viewers of “South Park” have little idea that Parker and Stone are self-described Republicans and I’m sure most of you don’t think of it as that much of a political show, even though rather subtle and often quite penetrating and/or infuriating thoughts about politics run through many, if not most, episodes. That’s because, like all great satirists, they are just as good at poking holes in the pretensions of their own side as that of the opposition, and their social liberalism puts them so at odds with the increasingly extremist faction that now controls much of the Republican party that some could easily mistake them for liberals. Actually, right now it’s easy to imagine them ditching the party indefinitely, along with any number of smart fellow conservatives who have already done so publicly.

parker-stone

Still, conservative and/or anti-liberal messages are often found on episodes of “South Park,” including attacks on such personal friends of the pair as George Clooney. Indeed, as early as 2001, famed blogger Andrew Sullivan described himself as a “South Park Republican.” (Sullivan is now one of those smart conservative ex-Republicans I mentioned above.) And, of course, there was no stronger, and certainly no funnier, attack on the antiwar efforts of the American left than “Team America: World Police” which had marionette versions of Michael Moore, Alec Baldwin, Matt Damon, and Janeane Garofalo working in tandem with North Korean madman Kim Jong-il in his plans to destroy Western civilization.

Since the film’s release in 2004, more doctrinaire conservatives have tried to follow suit with such liberal-bashing comedies as “An American Carol” and “The 1/2 Hour News Hour,” a truly wretched attempt to craft a conservative alternative to “The Daily Show,” but only Parker and Stone have been able to bash liberals and their ideas and make targets like Alec Baldwin love it.

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SNL adds two cast members

SNL

Saturday Night Live has decided to continue its quest of relieving Kristen Wiig from being the only funny female on the show. Last season, SNL added Casey Wilson, Michaela Watkins, and Abby Elliott. The public didn’t seem largely receptive to any of the new females, whether it’s because of the amount of air time received, the quality of the writing, etc. Still, that isn’t stopping the historic sketch program from bringing in Nasmin Pedrad and Jenny Slate. Both have spent time at the Upright Citizens Brigade Theatre, which has become SNL’s equivalent of a farm system.

As for the newcomers, Pedrad is familiar to Los Angeles audiences for her regular appearances with the Groundlings, the UCB Theater and Improv Olympic, as well as the stage show “After School Special.” She also staged a one-woman show, “Me, Myself and Iran,” and has had guest roles on primetime series such as “ER” and “Gilmore Girls.”

Slate is best known for her UCB New York show “Dead Millionaire,” in which she plays a woman who dies and leaves $300 million to her dog. She’s also half of the comedy duo Gabe and Jenny and has been a regular snarky commentator on VH1’s “Best Week Ever.”

No word yet on whether any members will be departing. The cast is the largest it’s been in recent memory and I’m sure Lorne Michaels will soon be trimming the fat.

Adam McKay has “The Goods”

You may not know Adam McKay by name, but you’ve almost certainly seen his work: the former “Saturday Night Live” writer has been virtually inseperable from Will Ferrell since the latter ankled “SNL” for a future in feature films, directing such comedy classics as “Anchorman,” “Talladega Nights,” and “Step Brothers.” And that isn’t all — McKay and Ferrell’s production company, Gary Sanchez Productions, is responsible for a long list of films and television shows, including “Eastbound and Down,” “The Foot Fist Way,” and, most recently, “The Goods: Live Hard, Sell Hard.” It’s that last project that has McKay making the publicity rounds these days, discussing the Sanchez-produced, Jeremy Piven-led comedy about a legendary car salesman.

Of course, with a resume — and list of upcoming projects — as intriguing as McKay’s, “The Goods” isn’t the only thing worth talking about, and during his recent chat with McKay, Bullz-Eye’s Will Harris made sure to pick his brain about a variety of topics, from how he and Ferrell met to the second season of “Eastbound and Down” to that oft-rumored “Anchorman” sequel. Which, McKay tells us, will happen…eventually:

We have a very clear idea for it, we want to do it, and we’ve talked to everyone, and everyone has said that they’re in, but everyone has schedules. Sadly, the second part after I say, ‘We’ll do it,’ is that it could be two or three years away.

With eight more episodes of “Eastbound and Down” on the way, it’s only natural to wonder how much McKay can spill about where the next season will take us — and just as natural for McKay to play it close to the vest:

Let’s see if I can give a clue without wrecking anything. I’d say the question for this season is, “Will Kenny return?” I don’t know, I don’t want to say anything. I don’t want to wreck it, because they have some cool ideas.

And that’s just scratching the surface of the interview. To read about McKay’s thoughts on the “SNL” years, his feelings about the impending DVD release of “You’re Welcome America: A Final Night with George W. Bush,” what to expect from Jon Heder’s upcoming sitcom, and more, click on the image above or follow this link!

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