Tag: Sawyer (Page 2 of 2)

Lost 5.3 – Jughead

Last week’s season premiere was one of the most complicated episodes that “Lost” has ever produced, so it was sort of nice to just sit back and take it easy for once without having to think too much. Of course, though a lot didn’t really happen plot-wise tonight (the Islanders were nearly killed only to be whisked away to safety by the white light), we did learn quite a few interesting things along the way.

For starters, Faraday’s Oxford experiments were being completely funded by Charles Widmore. That probably isn’t as much of a surprise as it was meant it to be, since it was Faraday who volunteered to join Widmore’s future expedition, but Desmond was plenty intrigued. Then again, Charles Widmore is right up there with Satan on his list of the World’s Evilest Beings, so I’m not exactly sure what to think of his reaction. My first thought was that Desmond was mad at himself for not making the connection earlier (I mean, of course Widmore would be responsible for funding something like that), but it also looked like he might have gained a little compassion for the guy when he discovered that he was helping to keep one of Faraday’s comatose lab rats alive. Then again, maybe not, because he burst into Widmore’s office and demanded information about Faraday’s mother without as much as an “Oh yeah, and Penny just gave birth to our son, and we named him after Charlie, brother!”

Lost 5.3

And while I’m on the subject of Faraday, does anyone else find it curious that he’s gone from timid physicist to team leader in a matter of days? I don’t want to complain too much, because he’s my favorite character on the show, but it just seems odd that someone so twitchy could become so confident all of a sudden. Nevertheless, after evading a mine field (did anyone else yell “holy shit” when those two red shirts went flying?) and being captured by the Others, Faraday took control of the situation by admitting (read: lying) to Richard Alpert that they’re part of a military invasion. Clearly, Alpert isn’t as smart as he seems, because as one of the Others so bluntly pointed out, there’s no way that Faraday, a British girl and a Chinese guy are members of the U.S. Army; at least, not in 1954.

I’ll be curious to see what more is made of this development in the coming weeks, because with the exception of the dead U.S. soldiers that Miles “heard” and the giant Hydrogen bomb that’s sitting in the middle of the island, there doesn’t seem to be much of a connection to the rest of the mysteries. There is, however, a possible connection to Faraday himself, and it’s the Other named Ellie. Not only does he mention that she looks familiar, but the rat in Faraday’s time travel experiment was named Eloise. Coincidence? I think not. Furthermore, Fionnula Flanagan’s character, the one working with Ben to help the Oceanic 6 get back to the island, is credited as Eloise Hawking. Could Ellie be Faraday’s mother, and if so, how will she factor into the story?

It’s anyone’s guess at this time (heck, Flanagan’s character hasn’t even been formally introduced), and I’m not going to worry about it when there’s far juicier stuff to discuss like, oh I dunno, that Charles Widmore used to be an Other! Go ahead and mark that up as most surprising reveal of the night, because while I knew that that smartass kid had to be someone important, I never imagined it would be Widmore. It makes total sense, though, because how else would he know about the island? Why he left and wanted to come back, however, is a completely different matter, but he clearly still has a few things to learn in the meantime. “What, you think he can track me? You think he knows this island better than I do?” Um, yeah, it’s John Locke, dude. That’s a guy you definitely don’t want to mess with, even if he’s kinda, sorta already dead.

Lost 5.1 / 5.2 – Because You Left / The Lie

It’s funny to think that a show that was initially about a group of people trying to get off a mysterious island has suddenly become about those very same people trying to get back, but credit Carlton Cuse and Damon Lindelof (the brilliant masterminds behind the series) for one thing: they sure know how to keep it interesting. “The Constant,” one of last season’s best episodes (and arguably one of the best the series has ever produced), changed the show forever when it brought the concept of time travel into the fold. So when it was announced that the series would be using this complicated storytelling device even more in the final two seasons, it was pretty much a given that the writers couldn’t wait to blow the collective minds of its audience. And as it just so happens, my mind has been officially blown.

As far as this whole island-moving, time travel thing is concerned, let me express my absolute gratitude over the decision to set some ground rules from the get-go. You see, it’s very easy to introduce something like time travel into a sci-fi story, but it’s even easier for it to get out of hand and come back to bite you in the ass later on. This has been a recurring problem on “Heroes” lately, and unfortunately, the more that they mess with the space-time continuum, the more the series digs itself into a hole it’s never going to be able to climb back out of. I mean, seriously, how many different futures are they on now?

Lost 5.1

Thankfully, “Lost” has a character like Daniel Faraday among its ranks, who is quick to point out to anyone who challenges him (ahem, Sawyer) not to try and change the future. Because no matter how hard you may try, you can’t undo anything that has already happened, even if, y’know, it hasn’t actually happened yet in relation to when you are. How funny, then, that the minute Sawyer gives up on trying to contact Desmond through the hatch door, Faraday does exactly that. It just so happens that Desmond’s time travel powers allows him to converse with Faraday without him actually knowing it (Penelope suggests it’s a dream, but Desmond says it’s a memory), and I wouldn’t be surprised if this ended up playing a major role in the Oceanic 6’s eventual return to the island.

Of course, the Others (as they’ll now be known) are hardly given a second to adapt to their new surroundings when they’re thrust once again into a different time. Faraday likens the whole phenomenon to a record skipping, and though they’re transported back and forth several times in a matter of hours, their final destination (or what seems like their final destination anyway) is most certainly pre-crash. I’m not sure exactly what time period that is, but online reports seem to indicate that it’s sometime in the 1970s, which sounds about right, except for the fact that Dharma workers are running around the woods shooting fire arrows at unsuspecting trespassers like they’re living in the Middle Ages. And on that note, a brief moment of silence for poor Frogurt (er, Neil), who was turned into a human shish kabob before he could even speak his peace.

All this talk about the past and there’s so much happening in the present. Okay, maybe not, but one thing that did pop into my head while watching tonight’s episode was a) how would the Oceanic 6 return to the island if it’s constantly moving through time, and b) what happens if they return during present time, but the Others are still “trapped” sometime else? Maybe the island hasn’t even begun to stop moving and Jack and Co. have to figure out how to fix that before they even try to return, but if that’s the case, Charlotte is in serious trouble, because it doesn’t look like her nosebleeds will be getting better any time soon.

Plus, before they even attempt to stop the island from moving, Jack and Ben have to convince the other four (Kate, Sun, Hurley and Sayid) to go back with them. That’s going to be pretty difficult considering that Sun wants Ben dead, Kate is on the run from the law (again), Sayid doesn’t trust anyone, and Hurley has just turned himself over to the police for killing three men that Sayid is responsible for. Oh yeah, and not only is Hurley still seeing dead people (cue Michelle Rodriguez cameo), but they’re giving him instructions on how to avoid the authorities. “Lost” is back folks, and it’s even trippier than usual.

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