We’ve only got news on one remake, one sequel, and few odd cultural jeremiads on the same theme.
* I’ve just barely finished my decades-long personal boycott of the original, and now there they’re talking about a remake of John Milius’s “Red Dawn”. The 1984 film may seem a bit quaint now that it’s old enough to be ready to finish grad school but at the time it seemed to me an irresponsible act of cultural provocation with potentially catastrophic impact if people took it too seriously. Fortunately, few did and most took its absurd plot about a Soviet land invasion as the balderdash that it was. Back then, Republicans and Democrats alike knew that World War III would last about 90 minutes and result in the destruction of most everyone and everything. (This was before the tinfoil hate hat era of Glenn Beck and Sarah Palin.)
Ladies and gentlemen, with the cooperation of Paddy Chayefsky and Sidney Lumet, Peter Finch as Howard Beale is terribly irked, and he is no longer going to accept the usual state of affairs. In other words…
A little cynicism for a Sunday night in line with Will Harris’s ongoing coverage of the TCA confab and pow-wow. Written by Paddy Chayefsky and directed by Sidney Lumet, “Network” is one of the movies that really started me thinking seriously about movies and other media when I first saw as a person who was maybe a little young to be seeing it. I may show you one of the better known scenes from this now-classic film a bit later (“I’m mad as hell…”…”You are meddling with the primal forces of nature”…, etc.), but right now I’m going with this equally crucial scene because it gets to the heart of the real-life media trend Chayefsky was attacking.
As the MPAA likes to say, this scene includes “language,” so it’s NSFW for anywhere F-munitions are unappreciated. On the other hand, if you work at a television network, it probably won’t be noticed.