Tag: Jason Segel (Page 2 of 3)

A really #@#$# afternoon outside the MTV Movie Awards

mtvcrop

I know, you all secretly envy the glamorous life of we entertainment writers. The high pay, the fast cars, the loose women, the expensive perks, the free bottled water — okay, it’s only really the last of those that I’ve come to expect as a matter of course. That’s especially the case when I’m in a red carpet line and expected to stand in direct sunlight on a very warm day for three hours waiting to talk to people of note who never stop by.

Yes, we entertainment writers do occasionally get  free food and beverages in return for showing up to cover red carpets and press days and the like.  It’s all part of the PR machine and I suppose you could argue that sometimes it goes too far. However, most of it is is far from gourmet quality, very few of us are well paid, and if all takes to influence you to cover something positively rather than negatively is a free hoagie, some pasta salad, and a cupcake, integrity wasn’t exactly your middle name to start with.

Still, if people are going to be forced to stand around outside on quite a hot day for close to three hours, quite literally risking a case of mild sunstroke (my mistake for not bringing a hat, I suppose — and thanks to the nice guy next to who allowed me to use his freebie sunblock), then providing access to water might be a good idea. No one I saw fainted or became ill, but no one around me seemed very happy either. Of course, what we all really wanted was a chance for some fun and shallow conversation with celebrities. Since I mainly cover movies, and this was, after all, the MTV Movie Awards, people somehow related to them would be nice. Television is good, too, though my knowledge is not as broad there. Reality television is something else again.

And this is  part where I have to confess that I went to the MTV Movies Awards Red Carpet and I only got a few odd celebrity photos and two brief interviews with young and, I’m sure, quite skilled young actors who are anything but household names. Considering the huge crush of better known media outlets, I wasn’t likely to get a moment with any genuine superstars — just, you know, someone. Okay, so Samuel L. Jackson, Scarlett Johansson, or Michael Cera or even Betty White or Zach Galifianakis or Ed Helms and Ken Jeong might be off the table, but, well, give me somebody or don’t bother to put me there at all. I’ve got better things to do than to make celebrities feel important by trying to get pictures of them as they rush into the air-conditioned confines of Universal’s Gibson Amphitheater.

Given the high ratio of big stars and the small number of mid-level personalities, interesting newcomers, or behind-the-camera talent, I had my suspicions early on. When I saw the costumed and photogenic young lady below, who turns out to ace celebrity stalker La Coacha, the “first protege” of Perez Hilton, I figured I’d better request a picture. It was just possible the attractive junior gossip hound would be the most famous person I’d meet. She was, as it turns out, definitely the prettiest.

100_0021

Continue reading »

“Shrek Forever Ever” threepeats, “Get Him to the Greek” wins silver amid box office malaise

Shrek Forever AfterThe numbers are out early this morning via Box Office Mojo and the Numbers, so I’m going to rush out the weekend box office news whilst I have time. Basically, it’s been a fairly slow couple of weekends with disappointing performances for movies like “Shrek Forever After,”  and, to a greater extent, “Prince of Persia: The Sands of Time” and “Sex and the City 2” — though I think most any sensible person could have told the studios these movies, suffering from overused or tired or just kind of lame concepts, never had much mega-blockbuster potential. Let’s see how things go when “Inception,” “Toy Story 3,” and, maybe, “Scott Pilgrim vs. the World” come out.

Anyhow, the news wasn’t all bad. The final “Shrek” production continues to capitalize on the fact that it’s been better received than the prior film in the hyper-extended series. It’s showing reasonable legs, earning an estimated $25.3 million for Dreamworks/Paramount in its third week and dropping a lower-than-average 41.6%.

Some seem to think it’s a disappointment, but “Get Him to the Greek” sure looks like a moderate success to me. It broke out from a pack of four new releases, two of which were supposed to earn more money than it, and earned a couple million more than some of the gurus were predicting on Thursday, an estimated $17.4 million. I guess the fact that some critics mentioned “The Hangover” in their reviews kind of ginned up expectations, but sleeper successes like that have their own surprising logic and always come out of left field. Universal needs a lot more than this to really break it’s losing streak, but it’s not a horrid start.

Russell Brand and Jonah Hill in

Nikki Finke, for some reason, expected “Greek” to make more than the movie it’s spun off from, “Forgetting Sarah Marshall.” However, the fact of the matter is that that film had more of an almost classical screwball romantic comedy premise that appeals to a wider audience of both men and women when done well, with more traditionally appealing leads — Jason Segal’s  unpretty but brilliant nude scenes notwithstanding. Even if Russell Brand and Jonah Hill were in the earlier film in scene-stealing supporting roles, the Mutt and Jeff twosome is still not all that widely known and a fairly unusual pairing for a mass audience movie in our time. Moreover, the $40 million budget is modest these days, making the very home-video friendly, Judd Apatow-produced, “Greek” a very probable nice earner over the long haul.

Moving on, things get worse. “Killers,” starring my least favorite male actor in the universe and Kathryn Heigl, came in third with an estimate of $16.1 million. With a budget of $75 million, this is obviously the opposite of a  homerun for Lionsgate. Despite being a family film, the CGI-aided talking dog movie, “Marmaduke”, had at least a certain degree of failure pretty much written all over it, coming in at sixth place with an opening weekend estimate of $11.3 million for Fox. Not quite in the basement, but with a $50 million budget and no reason to expect any kind of legs, this one looks (I cannot resist) like a bit of a dog.

Kim Cattrall in As for last week’s aforementioned debuts, it wasn’t pretty. Both Disney’s “Prince of Persia: The Sands of Time” and, more so, Fox’s widely reviled “Sex and the City 2” showed no legs this week, dropping by worse than average 54% and 59% respectively, and coming in fourth and fifth with $13.9 and $12.65 million respectively.

Though Nikki Finke and others are trumpeting the tale of how it even got a theatrical release at all, the creepy science-fiction thriller “Splice” pretty much died with $7.45 million estimated for Warners, which is keeping the project at arms length. It apparently did badly on Cinemascore, which I guess reflects my hunch that the modern blood-and-gore-thirsty, trauma-loving, horror audience was the wrong group to pitch the movie too, especially given its potentially misleading R-rating (as much for sexuality and language as “sci-fi violence”).  It should have been sold as more of an adult science fiction thriller and probably started out with more of a limited release. Instead, they promised the audience a chili-bacon cheeseburger and gave them Fettuccine Alfredo. Well, it only cost $30 million, it has its fans, and there’s always DVD/Blu-Ray.

Met Them at the Greek — a press day chat with Russell Brand, Jonah Hill, Rose Byrne and Nicholas Stoller of “Get Him to the Greek”

2384_D040_00087.jpg_cmyk

If you saw “Forgetting Sarah Marshall” — and I hope you have as its one of the stronger comedies to be made over the last several years — you’ll likely have noticed the strong comic chemistry between British comedy sensation Russell Brand as three-quarters insane, recovering addict rock star Aldous Snow and Jonah Hill (“Superbad“) as a resort waiter and somewhat overly devoted fan of Snow’s. Well, you’re not the only one, and so we have the somewhat slapdash, sometimes brilliant, and ultimately winning new comedy, “Get Him to the Greek,” which once again brings us Brand as Aldous Snow, who, since the events of “Sarah Marshall” has suffered a failed marriage to rocker Jackie Q (Rose Byrne), had a seven-year old son, and removed the “recovering” from his addiction — kind of impressive since “Sarah Marshall” was only two years ago.

Nevertheless, having fallen headlong off the wagon, Snow needs help arriving on-time and semi-cognizant for an important TV appearance, a sound check, and a special comeback performance at L.A.’s Greek Theater. The task falls to ambitious young record company assistant Aaron Green (Hill, playing a different character than in “Sarah Marshall”), a huge fan of Snow’s in a sweet but rocky relationship with his improbably adorable doctor girlfriend (Elizabeth Moss of “Mad Men“). Frequently vomit-stained hijinks ensue as Green and Snow barely survive a number of unfortunate events, including a nearly apocalyptic visit to the set of “The Today Show,” one of the most truly mad Las Vegas sequences in film history, and the kind of freaky three-ways that would make most porn producers blanch. It’s all wrapped up with the sort of good-hearted traditional morality which reminds us that the producer is the Walt Disney of male-centric, R-rated comedies, Judd Apatow.

Continue reading »

A Chat with Chris O’Dowd (“The IT Crowd”)

You lot over the UK may have been well familiar with “The IT Crowd” for quite some time now, but here the States, we’ve only just recently gotten the opportunity to be introduced to it. First, we had the Independent Film Channel (IFC) to thank, and now MPI Home Video has released Season 1 of the series onto DVD. Actually, there had been talk that the set would be released quite some time ago, but, then, that was back when NBC was still threatening to give us an Americanized version of the show. After those plans were canceled, so was the release of the set…’til now. We had a chance to chat with Chris O’Dowd, who plays Roy on “The IT Crowd,” about his experiences on the show, and we took the opportunity to quiz him a bit about a couple of upcoming film roles, including the re-telling of “Gulliver’s Travels,” starring Jack Black and Jason Segel.

Stay tuned for…

Continue reading »

Sneak Peek: “I Love You, Man”

As a film critic based in Ohio, it’s not very often that I get to see movies earlier than the week of release, but when I do, I’m usually not allowed to say anything about it. Case in point: Paramount Pictures’ “I Love You, Man.” Though I’m pretty sure there’s no review embargo preventing me from talking about the film, I’m going to play it safe and just say that I really liked it. This is one of the best buddy comedies I’ve seen in awhile (think “Swingers,” only a little rauncher), and though my review won’t officially go live until the night before release, Paramount has provided me with an exclusive clip to share with our readers. Check it out below and don’t forget to see “I Love You, Man” when it hits theaters on March 20th.

« Older posts Newer posts »

© 2023 Premium Hollywood

Theme by Anders NorenUp ↑