Tag: Indie Spirit Award

A chat with Joshua Leonard of “Humpday”

Joshua LeonardWhen you’re dealing with the press, what topic could possibly overshadow your new, Indie Spirit award-nominated and generally very well received comedy about two more or less ordinary straight dudes who decide to make a porno of themselves having sex…with each other? Well, “Humpday” star Joshua Leonard has had to deal with one of those “be careful what you wish you” show business situations in that the second film he was in about ten years back was an enormously profitable, zero-budget worldwide hit and horror pop-culture phenomenon – one that happens to be referenced in nearly every review of a certain recent zero-budget DIY horror hit.

Still, as one of the three actors/cum camera people/cum screenwriters who endured a deliberately scary and uncomfortable shoot in “The Blair Witch Project,” Leonard has leveraged his decade old flavor-of-the-month status into a solid career as a working actor with scores of credits ranging from the HBO movie “Live from Baghdad” to recent episodes of the new TV series, “Hung,” also on HBO. He’s also become a director. “Beautiful Losers,” a documentary he co-directed, is just hitting home video after a run on the festival circuit, and he recently completed shooting his dramatic feature debut as a writer-director, “The Lie.”

Still, he’s clearly very proud of his involvement in writer-director Lynn Shelton’s “Humpday” alongside costar and previously interviewed fellow film-maker Mark Duplass – now a very close real-life buddy — and happy to have contributed to a new tightly-plotted but improvised movie where there was absolutely no attempt made to convince the world he was dead. His portrayal of Andrew – puppyish Peter Pan, would-be artiste and compulsive traveler/bohemian – remains the extremely funny heart of the film. He’s also, I was happy to find, a really fun guy to talk to. He’s obviously a lot more smarter and 10,000 times more mature than his movie alter-ego, but he’s every bit as easy to hang out with – even on a twenty-minute phone call set up by a publicist.

PH: I don’t always say this, but I really did like “Humpday.” I thought you guys were great.

JL: Thanks, man. What have you hated recently?

PH: [Laughs] I’m a critic, we could blow out entire time talking about that.

JL: [Laughs] That’s what I want to know.

PH: Fortunately, nothing of yours. Okay, so I’m going to ask everyone I talk to on the movie this question….

Just before I saw the movie at the L.A. Film Festival, I had reviewed the DVD for “The Odd Couple.” It was kind of interesting because it was sort of two of the poles of the male bonding thing and of course the whole idea of “bromance” has been  out now. I was just wondering how you thought “Humpday” fit in with all these movies that have been out there on this general topic.

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A chat with Mark Duplass of “Humpday”

Mark DuplassMark Duplass, along with Joshua Leonard (“The Blair Witch Project”), is one of the two stars of one of the funniest and just plain nicest movies I’ve seen in awhile. If you haven’t yet read my review, writer-director Lynn Shelton’s Indie Spirit award-nominated “Humpday” is a really funny comedy about two completely heterosexual best friends who become possessed by the idea of making an art-porno in which the two of them take their bromance to its highly illogical extreme.

Duplass may be best known as one half of the film-making Duplass Brothers, who had a big indie/festival hit with “The Puffy Chair,” one of the most acclaimed films in the so-called “mumblecore” movement — improvised, usually comic, films in which no one actually mumbles much but in which the dialogue is largely improvised. While the “mumblecore” tag has become more than a little dated, the Brothers D are currently completing their first movie with big-name stars (specifically, Jonah Hill, Marisa Tomei, and John C. Reilly), which was without a title when this interview was conducted but we’ve just learned via Anne Thompson is going to be named “Cyrus.”

“Humpday” technically could be considered mumblecore because, while it was for the most part tightly plotted, the dialogue was improvised. It’s a technique Duplass was clearly comfortable with as he has acted in the films he has been making with his brother, Jay Duplass, for over a decade, as well as in such other ‘core hits as “Hannah Takes the Stairs.” We caught up with Mark via phone a bit early in the day (my time), one recent Friday morning…

PH: Just before I saw “Humpday,” I reviewed the DVD of “The Odd Couple.” I was just thinking, now that you’ve had time to think about the movie and everything, and we have this recently coined word “bromance,” which this movie obviously deals with – how do you think “Humpday” fits in with all these other movies that have been out there?

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