Tag: Headlines (Page 145 of 146)

Weekend box office: “Zombieland” to lift horror comedy curse, apparently

zombieland-movie-image-woody-harrelson-jesse-eisenberg-abigail-breslin-emma-stone

There was a time — I think it was, I don’t know, two weeks ago — when horror comedies were supposed to be, now and forever, box office poison. “Too funny to be scary and too scary to be funny” was the not so intelligent line. Such was the Hollywood conventional wisdom, until someone went and made a horror comedy that struck a chord.

So, apparently the peanut butter of horror can be blended with the chocolate of comedy if you have lots of action and sufficient gore, the trailer for the movie in question is funny enough that audiences will be sold on it as a more or less straight comedy…and, oh yeah, almost everybody who can stomach seems to love it. Such certainly seems to be the case with “Zombieland.” The flick, which features indie stars Jesse Eisenberg and Abigail Breslin, is eliciting excitement both from industry types and critics who have graced it with an 89% “Fresh” Rotten Tomatoes rating (just two points shy of 2004’s instant zombie comedy classic, “Shaun of the Dead.”)

Still, for yours truly who loves comedy horror but has a well documented issue with gore, particularly of the zombie variety, this means a probable long period of movie procrastination followed by a small bonanza for our nation’s distillers. For top-billed costar Woody Harrelson, though, it means a comeback. Jolly Carl DiOrio of THR and Andrew Stewart of Variety guess that it will gross somewhere around $20-$25 million or perhaps further north in over 3,000 theaters. If it wasn’t such a busy weekend, I might think it could do even better.

As for the number two spot, I gather most of the prognosticators expect yet another very good weekend for the animated family hit, “Cloudy With a Chance of Meatballs,” but after that, the playing field gets a bit crowded. For one thing, Pixar is making things interesting with 3-D redoes of “Toy Story,” and “Toy Story 2” being released as a double feature. It’s a pretty awesome package of family entertainment and I could see it cutting into this weekend’s “Meatballs” take.

Continue reading »

Crime and punishment, Hollywood style

I’m going to defer this weekend’s box office preview for the morning because we have several fairly major breaking developments that probably shouldn’t wait. Guess who figures in the first item…

* In the case that director Marina Zenovich built in “Roman Polanski: Wanted and Desired” — that the world-class director was both a criminal perpetrator and victim of legal malfeasance — one damning element was an interview with a former D.A. who was not supposed to have been involved in the case. As recounted by the L.A. Times’s Jack Leonard, David Wells said that he suggested to Judge Lawrence Rittenband that he could effectively sentence Polanski to jail time by ordering the accused director to undergo “diagnostic testing” in Chino State Prison, overruling the determination of a probation officer.

As described in the documentary this is, to say the least, outside the bounds of what is permitted in a situation like this. (In the context of the film it comes off as almost a petty vendetta.) Now, Wells claims that he lied. I’m not sure how to take that except that it’s never a good situation to be in when something you said may get you into trouble, and you suddenly claim that you were lying. At that point, you’re an admitted liar, the only question remaining is a matter of timing.

Roman Polanski, Douglas Dalton...and Neil Diamond?

At the same time, my own position on this case could be changing to the point where I may disagree with some of what I wrote in my review of the Zenovich film. I commend you to two extremely thoughtful posts on the matter: one by Anne Thompson (who also gets a huge h/t for this item) and the other by Karina Longworth. Karina’s take on the film was quite different from mine, but all of her points are at least valid and some may well be a lot more than that.

* A horrifying story I’d forgot all about reemerged today, as if to coincide with the Polanski matter. Roger Avary, who shared story credit and an Oscar with Quentin Tarantino on “Pulp Fiction,” co-wrote the screenplay for “Beowulf, and wrote and directed 1993’s “Killing Zoe” and the 2002 Bret Easton Ellis adaptation, “The Rules of Attraction” and also used to have a pretty lively blog, has been sentenced to a year in prison for gross vehicular manslaughter and driving while intoxicated.

Although Avary previously argued he was not drunk at the time of the accident which killed one friend and severely injured another, his blood alcohol level was reportedly above the legal limit. (No stories I can find say by how much, though legally and morally, I’m not sure if it matters.) He was also reportedly driving over 100 miles per hour. I wouldn’t want to live with what he must have on his conscience. Use a designated driver, wait several hours, if need be, until you are completely sober, take a cab, drink at home, or don’t drink at all.

* On a vastly lighter note, Nikki Finke broke the news today that cinephile-bane Michael Bay will be back at the helm for “Transformers III” with a presumably chastened Megan Fox. In this case, the crime will be on the screen and the punishment will be endured by critics.

* Also another “toldja!” from the mighty Finke: Leo the MGM lion may be a shadow of his former, but he will live to roar another day.

Zombies, Ondie, Polanski, and a neglected cell phone

Movieland abides.

* Anne Thompson thinks “Zombieland” just may break the horror comedy curse — given the success of “Shaun of the Dead,” there may be something about zombies that just somehow outweigh today’s horror fans’ fear of anything remotely humorous. Anyhow, the short clip and others (Ms. Thompson has some more) looks good. Still, as Mr. Squeamish guy who had to get dead drunk to watch the original “Dawn of the Dead,” every time a movie with a certain amount of gore gets good enough word-of-mouth/reviews, I get conflicted. Not easy being me. Right now, though, I’m thinking this one might be worth sneaking the contents of my bar into the theater for, even if I’m already concerned the “nut up or shut up” catchphrase could get very old very quick.

* Ondie Timoner’s terrific and ominous new documentary, “We Live in Public,” opened in L.A. last week. I wrote a mammoth interview post on it, it did good business this weekend according to Box Office Mojo and, dang it, I’m claiming I gave it the PH bump! (If it’s good enough for Colbert….) Anyhow, you still have time to check it out before the run ends Thursday.  With some decent luck, many more engagements all over the country may follow.

* If you’re a member of the “lock ’em up now and show no quarter” side of the Roman Polanski debate, you’ll be happy to know that the 76 year-old director is likely to be in a Swiss jail for a period of weeks as he fights extradition.

* The video of Hugh Jackman skillfully dealing with the incessant ringing of some fool’s cell phone during a live performance as co-star Daniel Craig waits patiently has been everywhere. Since “here” is part of “everywhere,” here it is, via Cinematical.

“Cloudy” with a certainty of poor news for new releases

Cloudy With a Chance of Meatballs

Never bet against family entertainment, especially when it’s in 3-D and generating strong word of mouth. “Cloudy with a Chance of Meatballs” declined a very small 19% and collected an estimated $24.6 million over the weekend, which puts it at a $60 million “cume” or thereabouts according to Bruce McNary of Variety. Not bad.

I’m not one one bit surprised that the new Bruce Willis science-fiction tale, “Surrogates,” didn’t get the over-fluffed $20+ million that was expected, despite the help of costar Radha Mitchell. The movie hasn’t generated much excitement, is getting “meh” to bad reviews, and the appeal of older stars like Willis just doesn’t seem to be that powerful at the box office these days.  Does Bruce Willis even register that much with people under thirty? If it wasn’t for the success of the last “Die Hard” flick, I think this would have done significantly less than the non-terrible estimated $15 million it actually netted for the #2 slot. On the other hand, the film cost $80 million. How much of that was Willis’s salary?

Fame

The remake of Alan Parker’s “Fame” got mostly bad reviews, and the box office wasn’t too exciting either with a mere $10 million estimated. Though the film apparently attracted a youngish audience — a possible reflection of the film being perceived as not very good since it’s a well known property to we mid-lifers — apparently most of them were taken up with other films. The week’s other major new release, the Dennis Quaid sci-fi horror entry, “Pandorum,” did a predictably awful estimated $4.4 million.

In more positive news, “The Informant!” held better than expected with roughly $6.9 million in the #4 spot and a mere 33% decline according to the Box Office Mojo chart. An interesting real life story, a funny trailer, an imaginative director, and more youngish star power may still count for something.

The week’s highest per screen average was documentary superstar Michael Moore’s latest, “Capitalism: A Love Story,” earning about $60,000 each in four theaters before going wide next week. The French language biopic, “Coco Before Chanel” starring Audrey Tautou (“Amelie”), earned a stylish estimated $35,000 average on five screens.

coco_before_chanel02

Roman Polanski arrested in Switzerland

Roman Polanski in 1978

I’ll be getting to the weekend box office fairly soon but we have some breaking news today. Kind of a bombshell, actually.

As if to fill the void left by the conclusion of the Phil Specter case, a long-running Hollywood legal drama of some real significance has reemerged this morning and is almost certain to be filling the gossip and news pages for some time. As I write this, arguably one of one of the world’s five or so greatest living directors, whose resume includes “Chinatown,” “Rosemary’s Baby,” 2002’s “The Pianist” and the psychological horror classics “Repulsion” and “The Tenant,” is under arrest at age 76 and may be extradited back to L.A. county. This one could get messy and makes yet another painful and extraordinary chapter in the life of a director and occasional actor who escaped the Holocaust as a child, became an internationally famous filmmaker during the sixties, lost his pregnant actress wife in one of the most brutal murder rampages in U.S. history, and then nearly lost everything else over a inexcusable drunken encounter nearly a decade later.

Younger readers may not be aware how, in 1978, 45 year-old director Roman Polanski was arrested after having sex and sharing champagne and part of a Quaalude — a tranquilizer and de riguer party drug of the time — with 13 year-old Samantha Geimer. The victim’s name has only become public knowledge in recent years when, now middle-aged, she has come out publicly to forgive Polanski and call for a conclusion to the extremely muddy and muddled case which, however you come down on it, has more sides to it than you are likely aware of.

Indeed, though you may be hearing now end of moral grandstanding this week, this is no simple case. Even as someone who literally grew up with the matter and with Polanski’s career, I really knew very little about it before seeing and reviewing Marina Zenovich’s outstanding film about the matter: “Roman Polanski: Wanted and Desired.” As Zenovich said in the film’s commentary, Polanski was both a perpetrator and a victim of a publicity hungry judge who used to case for his own ends and drew out the case needlessly. The real heroes of her film were, ironically, both the prosecutor and the defense attorneys in the case. Yes, Virginia, there may be two honest lawyers in greater Los Angeles.

Anyhow, there are any number of questions at this point, including how did Polanski’s lawyers not know what the Swiss authorities might do? (Polanski has been able to live peacefully in France because the U.S.-France extradition treaty does not cover his particular crime and he is highly regarded there. He has carefully avoided being seen in countries such as England where the laws are different.) Nikki Finke calls it a double-cross.

This case is huge and has already been condemned by French Culture Minister Frederic Mitterrand who is in communication with President Nicolas Sarkozy. No doubt, even as we speak poor Robert Gibbs is probably trying to figure what President Obama’s answer should be when he’s asked about it. Maybe he can use the whole “ongoing legal matter” construction to avoid it. That’s what I’d try to do.

Whatever happens, we certainly won’t be avoiding the case here. Stay tuned.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders Noren — Up ↑