Tag: HBO (Page 8 of 12)

TCA Tour, Day 3: “Bored to Death”

HBO’s “Bored to Death” panel wins the award for Most Likely To Make Me Want To Watch My Advance Screener When I Get Home, but, then again, it’s already a testimony to how freaking busy I was before I left for California that I couldn’t find the time to check out a series that features a triple-threat cast of Jason Schwartzman, Ted Danson, and Zach Galifianakis. When the panel kicked off with this trailer, however, I knew that, even though much of my pre-TCA time was spent trying to help my wife put together our daughter’s 4th birthday, I’d clearly spent that time poorly.

By the way, that was obviously a joke about spending my time poorly (the party was a huge success), but I’m completely serious about wanting to watch the screener as soon as I get home. In addition to the trailer, though, every single person on the panel was hilarious…even Schwartzman, who appeared via satellite due to filming commitments on “Scott Pilgrim vs. the World.”

HBO’s nutshell synopsis of the series…or, at least, the opening paragraph of the press release for the show, which generally tends to be about the same thing…reads as follows: “Jonathan Ames, a young Brooklyn writer, is feeling lost. Heʼs just gone through a painful break-up, thanks in part to his drinking, canʼt write his second novel, and carouses too much with his magazine editor. Rather than face reality, Jonathan turns instead to his fantasies – moonlighting as a private detective – because he wants to be a hero and a man of action.” The idea of Schwartzman as a man of action is funny enough in and of itself, but then you’ve got Danson as the aforementioned magazine editor, Galifianakis as Ames’s eccentric best friend, and a premise (and cast) which lends itself to high-profile guest stars. Basically, if this show isn’t a hit, then it’s at least destined to be remembered as one of the greatest cult sitcoms of all time.

Oh, and did I mention that Jonathan Ames is actually a real person? True story. He’s apparently a rather prolific author, in fact. (My apologies: I wasn’t familiar with him before this.) Having listened to him chat during the panel for “Bored to Death,” I think it’s fair to say that the stars of the shows are going to be in good comedic hands. Personally, I was convinced of this when he was asked to explain why the show – which would appear on the surface to be anything but boring – was given a name which so readily offers journalists a chance to fire back with snarky punchlines.

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True Blood 2.7 – Her Lips Are Warm (While Yours Are Cold)

There are no two ways around it: last night was a very strange night.

I’ll post more details about it later, but in a nutshell, the Television Critics Association Awards took place on Saturday, Aug. 1st, where “True Blood” was named Outstanding New Program. As with all good awards shows, there was a pre-show party and a post-show party, and although neither Anna Paquin nor Stephen Moyer were available to stand with executive producer Alan Ball as he accepted the award, several of their fellow cast members were in attendance, including Sam Trammell, Nelsan Ellis, Rutina Wesley, and Michelle Forbes. Actually, Alexander Skarsgard and Deborah Ann Woll were there for awhile, too, but Mr. Skarsgard disappeared moments after the ceremony was over, and although Ms. Woll stuck around for a bit longer, she managed to slip out before I ever had the chance to speak with her. I hope you’ll enjoy the photos of the folks I did manage to chat with, though. They’re scattered throughout this week’s entry.

Speaking of that, I should probably offer one small warning: I’m out in L.A. for the TCA press tour, and although I had an advance copy of tonight’s episode to watch, I’ll be the first to admit that my mind was going a dozen other places while I was watching it. So if I missed out on anything or perhaps misinterpreted something, let me go ahead and apologize right now.

And, now, on with the show…

Well, obviously, we knew Sam was going to find a way to escape from his captivity, but they managed to wring the suspense out of it nonetheless; we even saw him manage to transform into something other than a dog – a significant accomplishment, I dare say – and fly away to safety. From there, Sammy got his gun and made it quite clear that he wasn’t afraid to use it, but…am I the only one who thought he was heading off to find Maryann? Not that it didn’t make sense that he’d go after Daphne, given that she’d committed such a personal betrayal, but I was still figuring that he was heading to take down the big dog. Daphne managed to stay pretty cool for somebody who was having a gun waved in her face, but Sam was plenty emotional for the both of them. How could you not feel bad for the guy? He thought he’d found his soulmate. Instead, he got stabbed in the back…which is why there was a certain temptation to cheer a short while later, when Daphne got stabbed in the front. Not that you didn’t know it was coming. I think we can all agree that there has rarely been a scene featuring the line “thank you for your service” which has ever ended well for the person being thanked. As far as Maryann, she’s clearly not God, but…what is she? A maenad? Well, I can’t say as I expected Greek mythology to tie into this storyline, but it’s certainly getting more intriguing all the time, that’s for sure.

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TCA Jump-Ahead: “Curb Your Enthusiasm”

It occurs to me that, although I’m trying my best to cover the TCA tour in a chronological manner, there are some panels that you’d like to know about more quickly than I might otherwise get to them. As such, I’m instituting a new category called the TCA Jump-Ahead.

First up: “Curb Your Enthusiasm.”

It’s kind of a running joke in the entertainment industry about how every season of “Curb” should be considered the last season of “Curb” until Larry David says otherwise…and, generally, Larry David is glad to tell you that he’s done, he has no more ideas, and he can’t be bothered to try and think of any. Thankfully, David announced last year that he would indeed be moving forward with a seventh season of the cringe-worthy comedy (and I mean that in the best possible way), and since then, there have been multiple rumblings about how various members of the cast of “Seinfeld” would be popping up. In the “Curb” panel yesterday, David finally provided some context to exactly how they’d be appearing.

“For years, I’ve been asked about a ‘Seinfeld’ reunion, as has Jerry and the other cast members,” explained David, “and I would always say, ‘No, there’s no reunion. There’s not going to be a reunion show. We would never do that. It’s a lame idea.’ And then I thought, ‘But it might be very funny to do that on ‘Curb.’ And I kept thinking about the idea. I started to think of different scenarios and how we could pull this off. I called Jerry, and Jerry was game. And I said, ‘Well, I’ll call the others,’ and I did. And we did it. So we’re doing a ‘Seinfeld’ reunion show on ‘Curb.’ We’re going to see writing. We’ll see aspects of the read-through, parts of rehearsals. You’ll see the show being filmed. And you’ll see it on TV.

What will you see? You won’t see the entire show; you’ll see parts of the show. You will get an idea of what happened 11 years later. And within the show, it will be incorporated into regular ‘Curb’ episodes. So the cast members will be playing themselves on ‘Curb’ while all this is going on. You’re not going to see a ‘Seinfeld’ show from beginning to end, but you will see parts of the show.”

And will there be any reference to Michael Richards’ sordid post-“Seinfeld” problems?

“It’s possible.”

The reunion is scattered through the season, and by David’s admittedly questionable recollection, the cast will be on five shows, though they won’t all be on the five shows. (“Jerry’s on five shows, I think,” he said. “The others will be on at least four. Maybe one or two of the others will be on five. I’m not sure.”) The season finale will be about the reunion show and will possibly be an hour long, though David admits that he hasn’t finished editing it yet and can’t say for sure.

There’s just one thing, though: anyone who’s been watching “Curb” for the previous six seasons has to figure that the odds look good for Larry – the TV Larry, that is – to somehow screw up this reunion.

“He might,” said David. “Do you need a staff job for next season? My guy might consider wrecking something like that, yeah. We’ll see what happens. My guy could very well wreck it. I’m not saying he did…”

Want a few more tidbits about the upcoming season…?

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True Blood 2.6 – Tease ’em, Thrill ’em, Torture and Kill ’em

All right, kids, I’m back to blogging, though given the amount of responses Jamey got from his stint as my substitute, maybe he should be the one doing this on a regular basis. Or not. (I’d be quite glad to let him do it, but I know that – like myself – there are never enough hours in the day for him to accomplish the tasks he already has on his plate, so adding one more would just be cruel.) Fortunately, I’ve had time to play catch-up, so I know what I missed last week…which, as it turned out, was quite a lot.

We didn’t see much of Eric this week, but his scene with Lorena at the beginning of the episode was certainly a crucial one, setting up a lengthy flashback to Chicago in 1926, where Bill…oh, sorry, make that Guillaume…is tickling the ivories as Lorena tries to pick up a beautiful blonde who’s hanging on the arm of a complete boor. Fast-forward a bit, and things have gone horribly wrong for the two non-vampires in the equation. Isn’t that always the way? God damn, Bill was a nasty son of a bitch back in the ’20s. I have to say, though, that I’m still not a fan of those blood-laden sex scenes, so I just focused on the importance of the necklace. It’s clear that there’s still a bond between Lorena and Bill, and despite her actions toward him later in the episode, I still think that her feelings for him are going to come back into play and hose up Eric’s plans.

Jason seemed scared to death that maybe his relationship with Sarah might have been discerned by Rev. Steve, but when the Rev copped a ‘tude toward his wife, you could sense that Jason suddenly wasn’t nearly as upset about the previous night’s actions as he might’ve been…and when Steve started talking about the whole “Meet the Sun” procedure, Jason’s disgust at the concept was evident. So there you go: a perfect excuse for him to hook up with Sarah in the church. Not that she didn’t need some sympathy, after what she’d just witnessed…

The dynamic between Sookie and Hugo was pretty funny, and his discussion about his experiences as a human dating a vampire certainly provided Sookie with a few new things to think about. I laughed when she said that, in person, Sarah looks like vanilla pudding, but there was a lot of tension in the scenes with Sookie and Hugo in Steve’s office, with the constant sensation that Jason could bust in at any time and ruin things for them. He didn’t, of course, but then the tension only got ratcheted up further when it became evident that Sookie and Hugo were on a collision course with oblivion, particularly when talk of the lock-in started. I really didn’t think they’d end up being taken down to the basement. That’s what I get for thinking, I guess.

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True Blood 2.4 – Put On Your Wig, Woman!

I don’t want to start any blasphemous rumours, but those guys from the Fellowship of the Sun have a sick sense of humor, don’t they? Criminey, talk about playing on poor Jason’s worst nightmares! Of course, he recovered pretty quickly, offering up that militaristic monologue (its effectiveness aided in no small part by the score) behind him. Come the next morning, he’s smirking like nobody’s business, offering up great lines about how maybe Jesus was the first vampire, what with all the blood drinking going on. It’s a pretty heavy debate for breakfast, with the discussion about the first evil – was it Cain, or was it Eve? – but it all comes to an abrupt end when Jason gets called off to see the Rev. It’s nothing ominous, though: he just wants to take Jason on a vampire target-practice run. Afterwards, it’s back to the Rev’s homestead for Ribs a la Sexy Sarah. Whew, was there any better song than Sammy Kershaw’s “Louisiana Hot Sauce” to serve as the soundtrack for that display of culinary excellence? I don’t know what kind of career Anna Camp has in store for her as an actress, but I think we can count on a couple of good Maxim layouts in her immediate future, don’t you? Obviously, the other guys in the Fellowship are jealous that Jason appears to be on the verge of sliding into Sarah’s good graces…and, yes, that is a double entendre…and when she turns up in his bedroom in her nightie, there’s every reason to believe that something is going to happen between them.

Sam and Daphne are still skinny-dipping when we pop back in on them, but Sam’s also laying bare his feelings a bit as well. Everything looks like it’s sittin’ pretty between the two of them until she climbs out of the water and Sam spies those nasty claw marks on her back. Still, it’s been the kind of evening that’s made him rethink his plans to depart…or, at least, it’s served to delay them slightly. Sookie’s ego forces her to presume that it’s because of her that he’s decided to leave, resulting in a angry conversation between them. Unsurprisingly, things at the bar remain a little tense for the rest of the night, though it’s also in no small part because of the total lack of customers (the exception being a highly drunk Detective Andy), and the evening takes a surprising turn when Tara’s apparently-still-sober mama turns up to deliver a birthday present for her absent daughter. When he gets over to Sookie’s place, he has brief words with Maryann before Daphne turns up, and he and Madame Clawback start to smooch. They stop briefly, but before Sam can reveal his secret to Daphne, she claims she already knows what he is. Why do I have this feeling that they might not be on the same wavelength?

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