Tag: Fox (Page 6 of 31)

American Idol: going home is good

For the contestants who have made it this far on “American Idol,” going home has a different meaning than being eliminated. That’s because the top three finalists get to go home and enjoy a special day in which they perform in front of fans in their city, appear on radio and TV and usually have the mayor of said city give them a “key” to said city. Pretty heady stuff. But as always, it took the producers an hour to tell us the result that they could have delivered in a few seconds. And without DVR, it would have been excruciating.

To kick things off, Season 3 champ Fantasia performed her new single, “Bittersweet.” It was pretty good and she no doubt has a remarkable voice, but other than that, the performance was sort of bland.

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American Idol: how serious are you?

To the contestants on “American Idol,” if you’ve made it to this week’s Final Four, you’re either on the verge of winning it all, or of being a pretender and fading into the show’s collective oblivion soon. Mentor Jamie Foxx signified as much when he had t-shirts made up that said “contestant” and “artist,” and told each one of them that they had to earn their artist shirt this week to prove they are ready. Corny, yes, but effective and correct. The theme this week was songs from movies, which is about as vast a catalog as there is.

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No box office surprises: “A Nightmare on Elm Street” tops the charts; “Furry Vengeance” bites it

A Nightmare on Elm StreetI’m going to keep in short and snappy, especially since things have worked pretty much they way they looked to way back on Thursday night. So, yes, as expected, the critically dissed remake/reboot of “A Nightmare on Elm Street” did scarily well for Warners, earning an estimated $32.2 million or so as detailed by Box Office Mojo. At the #2 and #3 spot are the leggy successes of the moment, Paramount/Dreamworks “How to Train Your Dragon” and Fox’s “Date Night.” They earned estimates of $10.8 and $7.6 million respectively.

In other news…Oh, for a universe where someone not named Frank Miller made “The Spirit” and cast Brendan Fraser in the part he was born to play as Will Eisner’s affable-but-tough Denny Colt.  In that universe the accomplished actor wouldn’t have to take parts in apparently horrid comedies like Summit Entertainment’s “Furry Vengeance,” which climbed all the way up form 0% on Rotten Tomatoes earlier to a rocking 02% here on Sunday nigh because of a positive review from voice-in-the-wilderness Chris Hewitt. Still, the other 48 RT critics apparently spoke for the majority of filmgoers. The comedy earned a fairly pitiful estimated $6.5 million on its opening weekend to hit the #5 spot, despite plenty of publicity and screens for a wide release family film.

In the world of limited releases, the top per-screen earner was the extremely well-reviewed comedy-drama from critical favorite Nicole Holofcener and star Catherine Keener, “Please Give,” which earned a rocking estimated $25,600 or so for Sony Classics on five art-house screens over the weekend. Among other indie films doing notable business was the offbeat comic documentary, “Exit Through the Gift Shop” which earned an estimated $182,000 on 20 screens. “Harry Brown” starring Michael Caine also debuted strongly, earning an estimate $180,000 on 19 screens for Samuel Goldwyn, who is doing very well for a mogul whose been dead since 1974.

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American Idol: uh-oh

I didn’t think I’d be writing about something like this in Season 9, but here it is. No one on last night’s “American Idol” gave a performance worthy of getting booted off the show. In fact, now more than ever, you could point to the judges’ save of big Michael Lynche a few weeks ago as being premature, because they surely are going to want that save back tonight. Why? Because everyone brought it last night, to the point that the judges and host Ryan Seacrest wondered out loud how anyone could be eliminated. But it has to happen. So let’s look at the way it all played out, and this week’s mentor was country superstar Shania Twain. You may remember Shania was one of the judges for this season’s initial auditions. Now she had the pleasure of watching the contestants perform her songs. Would they butcher those songs or make her proud? Let’s read on….

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Conan lands on…TBS?

Can’t say as I saw that one coming, but, hey, fair enough: I always knew I’d watch him wherever he turned up, and it’s not like there’s anything inherently wrong with TBS…well, not anything that a purge of any and all series containing the words “Tyler Perry’s” in its title couldn’t fix, anyway.

Here’s the story, straight from TBS:

Comedy icon Conan O’Brien is joining TBS to host a late-night talk show that is expected to debut in November. The Emmy-winning comedian’s new program will be followed by “Lopez Tonight,” which will shift to a midnight time slot.

O’Brien began talks in earnest with TBS just last week, after George Lopez personally called him to ask that he consider joining the network’s late-night line-up.

“I can’t think of anything better than doing my show with Conan as my lead-in,” Lopez said. “It’s the beginning of a new era in late-night comedy.”

Said O’Brien: “In three months I’ve gone from network television to Twitter to performing live in theaters, and now I’m headed to basic cable. My plan is working perfectly.”

O’Brien and Lopez will give TBS a dynamic lineup in late-night television. TBS – which has built a programming slate that appeals to a young, diverse audience – expects O’Brien to be a long-term addition to the network’s late-night landscape. O’Brien will host his hour-long, yet-to-be-titled show Mondays through Thursdays at 11 p.m. (ET/PT).

“Conan has been the comedic voice for a generation. TBS already has a huge audience of young comedy lovers, and Conan’s show will give these fans even more reasons to watch our network,” said Steve Koonin, president of Turner Entertainment Networks.

With the addition of O’Brien’s show, TBS will establish two hours of late-night talk. “Lopez Tonight,” while just a few months old, has already become a destination show for a diverse audience. The “Lopez Tonight” audience is young as well, with a median age of just 34.

“For decades, late-night TV has been dominated by broadcast television,” Koonin said. “Now, with a young audience and a growing late-night lineup, TBS is set to be the choice of comedy fans for years to come.”

So what are your thoughts on Conan’s move to TBS? From my perspective, it was becoming increasingly clear that Fox was never going to successfully clear the hurdles set by their affiliates, and even if they had, they probably wouldn’t have been nearly as tolerant of fluctuating ratings – huge numbers upon his return, a probable big drop immediately thereafter, then middling out as people figure out which host they want to watch regularly – as TBS almost certainly will be. TBS can afford to let Conan build a presence on their network, whereas Fox…well, I think we all know how forgiving Fox is with their low-rated series.

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