Tag: Dennis Hopper (Page 2 of 3)

A Chat with Dean Stockwell (“Battlestar Galactica: The Plan”)

Dean Stockwell is one of those generational actors, the kind who’s known for a different project for every decade that he’s been in the business…and since he was playing against the likes of Frank Sinatra and Gene Kelly by the time he was ten years old, that’s a lot of projects. Maybe you know him from “The Boy with the Green Hair” or “Gentleman’s Agreement,” or perhaps from his work as Al on “Quantum Leap,” or as Ben in David Lynch’s “Blue Velvet.” In short, the guy gets around. As of late, he’s been picking up raves for his portrayal of the Cavil model of Cylon in “Battlestar Galactica,” a role which he has reprised for the new film, “Battlestar Galactica: The Plan.” We chatted with him about just how evil Cavil is, of course, but we also learned about his connection to Neil Young, his longtime friendship with Dennis Hopper, and that, once upon a time, there was actually a chance that a film entitled “Werewolf of Washington” could’ve been a classic.

Join us now for…

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Starz series “Crash” does its inspiration justice

After mowing through the first season of “Crash” on the Netflix streaming service, I have to say that I was pleasantly surprised. The series is based on the same concept as the 2004 film of the same name — the lives of otherwise disparate Angelinos are ultimately connected.

It stars Dennis Hopper as Ben Cendars, a past-his-prime record mogul. In reality, Hopper is playing the same role he always plays — a man with great presence and intelligence who may or may not be totally insane. He takes a young wannabe rapper (Jocko Sims) under his wing as he tries to wrest control of his record company from his resentful daughter (Kari Matchett).

Another (and more dominant) storyline revolves around a married police officer (Ross McCall) who, via a car crash, gets involved with a beautiful but dangerous gypsy (Moran Atias). His partner (Arlene Tur) is having an affair with a dirty detective (Nick Tarabay) who is moonlighting for a Korean kingpin. A gang-banger-turned-paramedic (Brian Tee) gets tangled in this web, and a detective from another precinct (Tom Sizemore) is called in to investigate.

The series also follows a Guatemalan immigrant who makes the trek through Mexico to the U.S., a married couple that loses their life savings in the real estate market, and a homicide detective who is tasked with keeping a young witness alive long enough to testify against a murder suspect.

As we learned on “The Shield,” dirty cops make for excellent television, and while “Crash” isn’t quite as gritty, it serves as a nice fix for those missing Vic Mackey and Co. I’d also recommend it to those that liked “Southland” in that it’s successful in telling a big story that involves a lot of different moving parts. Unlike these two series, “Crash” is on pay cable, so the creators have even more freedom to tell their story.

Season 2 debuts on Starz on September 18. Between this series and the excellent comedy “Party Down,” Starz has something going.

TCA Tour – You Asked For It: Ira Steven Behr’s opening remarks

I guess one person’s request doesn’t necessarily qualify as “clamoring,” but since it’s been requested, I thought I’d go ahead and offer up Mr. Behr’s opening remarks from the TCA Press Tour panel for Season 2 of “Crash.” Truth be told, it’s as educational a lesson about what to expect from the show’s sophomore season as one could possibly have hoped for…and if he’d just sent this off in an E-mail or letter to all of the writers in attendance rather than delivered it orally, he probably would’ve found a lot more people saying, “Say, I am curious to check out this show!”

Okay, here we go…

“Crash,” Season 2.

L.A.

Los Angeles.

Okay, we’re in Pasadena, but pretend.

Los Angeles is paradise, but paradise comes at a price and everybody pays, and that’s the new season of “Crash.” So I’d like to introduce some of the new characters who will be paying that price this year along with the wonderful Dennis Hopper as Ben Cendars, Ross McCall as Kenny Battaglia, and Jocko Sims as Anthony.

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TCA Tour, Day 2: “Crash”

Hey, wanna see a panel come to a screeching halt before it even gets rolling? Just ask Ira Steven Behr to step up to the mike.

I’m a big fan of Behr’s work, particularly on “Star Trek: Deep Space Nine” and “The 4400,” but, holy cow, Starz main man Bill Hamm has got to still be kicking himself over his decision to say, “Before we open it up for questions, I want to ask Ira to give us some details about the direction of the second season and some of our exciting additions to the cast.” There’s no way I’m going to offer up everything Behr had to say, but I’ll tell you that, having copied and pasted the text of his comments into a Word document, it totals out at over 600 words, and his halting delivery made it seem as though it lasted forever. I’d actually been excited about the panel, which was to provide details about the upcoming second season of “Crash,” but I quickly found myself within an inch of standing up and yelling, “Geez louise, Ira, wrap it up, wouldja?”

Eventually, of course, Ira did wrap it up, and things moved onto the most obvious new development about the new season of “Crash”: the addition of Eric Roberts to the cast.

This isn’t the first time that Eric Roberts and Dennis Hopper have worked together, but it’s the only time that Roberts is interested in talking about, even if Hopper seemed to enjoy needling his new co-star about it.

Dennis Hopper: We did a movie together, too.
Eric Roberts: We don’t want to talk about that, Dennis.
Dennis Hopper: Okay. It was the first…
Eric Roberts: We don’t talk about that, Dennis. Terrible movie. (Shrugs) I made a couple.
Dennis Hopper: I made more than a couple!

Actually, Roberts tried his best not to say anything at all during the panel, as was further evidenced when a writer asked him and Hopper about the differences between working on television versus working in motion pictures.

Dennis Hopper: Well, you don’t have as much time, but I’ve worked in a lot of independent films through the years, so it doesn’t get that much different. I’ve had a lot of dialogue in this series, so that’s been the most difficult part for me. Beyond that, we work 15, sometimes 17 hours, but we have a great crew. Never heard anyone complain, except me. But nobody listens to me, so it’s okay. But the crew and the cast are just wonderful. Yeah, I’m having a joyous time, even though it’s difficult. But since we’re shooting other episodes, we have our three days off and four days off, you know, every two weeks, whatever. So it’s a nice schedule.
Eric Roberts: What he said.

Now, here’s the big question: how many of you even watched “Crash”?

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Hell Ride

There’s a rule of thumb to follow regarding movies involving Quentin Tarantino: those he writes and directs are usually good, and those he produces are usually bad. There are a few exceptions to both sides of this rule (perhaps most famously Zhang Yimou’s “Hero”) which led me to believe that “Hell Ride” could be a fun little film, but as it turns out, it’s yet another low-rent vanity project from one of QT’s less-talented friends. Larry Bishop writes, directs and stars as Pistolero, president of the Victors biker gang. When one of their own is tortured and killed by rival gang member Billy Wings (Vinnie Jones) of the Six Six Sixers, Pistolero teams up with his two most trusted members, The Gent (Michael Madsen) and Commanche (Eric Balfour), and sets out to exact revenge.

Hell Ride

Unfortunately, the film isn’t even remotely as entertaining as the red band trailer makes it out to be, and in the process, puts some really cool characters to waste. Bishop sure has the look of a badass biker, but he can’t act the part, nor can he write the kind of dialogue Tarantino is famous for. He certainly tries with these silly rhymes and play-on-word conversations that he must think sound ultra-hip, but they only make the boring mess of a plot even that much more difficult to sit through. Only Dennis Hopper and David Carradine (as veteran members of the rival gangs) truly deliver performances worth remembering, and it’ll make you wish the film spent more time developing their characters instead of focusing so much time and energy on Bishop getting his freak on with a horde of naked chicks. “Hell Ride” may sound like one hell of a time, but you’d be better off checking out FX’s “Sons of Anarchy” instead.

Click to buy “Hell Ride”

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