Tag: Colm Feore (Page 4 of 5)

24 7.8: Would you kill for love?

If last week closed to the sound of the studio blinking – we can’t show a chemical factory meltdown, there would be panic! – tonight’s episode featured the jarring sound of metal on metal as the show hit its first real snag. Dudley Do-Right uttered one of the most painful Straw Man lines in the show’s history (“The rules are what make us better,” ugh), and Jack winds up killing yet another person that could have blown the case wide open. For as much as we love Jack’s tendency to torture first and follow protocol later, would it kill them to have him bring the authorities a living bad guy once in a while?

Actually, that whole conversation by the pool was laughable. DDR is all upset about Jacqueline’s willingness to do things Jack’s way, but not once did either Jack or Jackie say to DDR, “We’re not going to hurt the wife or the child! We just have to make Vossler think we’re going to hurt them.” Jesus, that’s Negotiation 101, isn’t it? I thought that Jackie was being hard on the woman at first, but then I realized that if she’s too nice and explains everything, it won’t put the proper fear of God in Vossler. When his wife/widow says to her afterward, “You’re a monster,” I was hoping Jackie would return with something along the lines of, “Your husband is a traitor to his country, takes his orders from a brutal African dictator, and just participated in the kidnapping of the First Man, so you can suck it. Oh, and he’s dead now. Smooches.”

“Can you do me a favor and give me that smoldering stare just long enough for everyone in the office to know that we’re sleeping together? There, that’s perfect, thanks.”

I was amused at the sister of Col. Ike Turner’s girlfriend – her real name is Marika, but you just know that we have to call her Tina – blackmailing Ike. I’m surprised he didn’t laugh out loud when she did it, since he knows she’s in a wheelchair and was probably thinking about feeding her to dogs the entire time.

Once again, President Taylor shows tremendous stones for realizing that what Ike Turner is asking of her is no different than what she asked of the people who lost loved ones on the colliding planes. I was also glad that they had one of Ike’s henchmen remind him that if they kill the First Man, they will have played all their bargaining chips. Ike’s willingness to do it anyway leads me to believe that the show is about to abandon this entire plot – and two things in the scenes for next week’s episode confirm that – and I gotta say, I’m not sure how I feel about that. This isn’t going to turn into Jack Bauer Week on Court TV, is it? God, how boring would that be? But you just know that the rabid Attorney General is looming off camera with the pitchfork and the torch. If they don’t pick that thread back up, it will be a tremendous oversight. When they do pick it up, it’ll be sanctimonious and dull.

So the First Man takes a gunshot to the midsection and is going to live, while Vossler takes a knife to the stomach and dies instantly. Hmmm. Yes, the First Man’s shot is off to the left, but that means it punctured a kidney and would speed up the organ failure, yes? I don’t know much about that sort of thing, to be honest – just that a lack of a kidney is what saved John Locke on “Lost” a while back.

And sure enough, just as I predicted (not that it was a stretch, I know), Janis is wise to Billy Walsh’s philandering ways. Of course, there is no reason for us to witness that exchange unless it leads to something down the road, so what could that something be? Is Erika the mole, and using Billy’s clearance to set him up? That’s the most obvious answer, so let’s come up with a better one: Janis is the mole, and will use Billy’s affair as a means to pin the whole thing on Billy by saying, “He’s cheating on his wife, he can’t be trusted.” Nah, that’s just as lame as Erika using Billy for clearance. They should just have Billy be the mole, hiding in plain sight. No one expects him to actually be the bad guy, right? So make him the bad guy.

One last thought: Ike Turner has proceeded to screw up a whole bunch of stuff in the last two hours. The location of their ops center was blown, he didn’t pull the trigger on the chemical plant failure, and the CIP device has been destroyed. His attempt to use the First Man as leverage has failed, and now his backup hideout has been ransacked and the First Man recovered. This man works for, as we mentioned, a brutal dictator. Isn’t he as good as dead right now? Anyone remember the shot in “The Last King of Scotland” of what Amin did to his wife when she tried to hide the evidence of her infidelity? Isn’t that what’s waiting for Ike? If his head isn’t on a stake by season’s end, we’ve been gypped.

The ‘Damn It’ counter went into overdrive this week. I counted four, which puts us at 14 for the season, far behind where I thought we’d be after eight hours. Pick up the pace, you slackers.

24 7.7: If they dare touch a hair on your head, I’ll fight to the last breath

We are an hour away from the unofficial end of Act I, and while I’m shocked that they have suddenly discarded the most formidable weapon that any President in the show’s history has had to face – fare thee well, CIP device – I applaud and understand the decision to move the show to the next arena. The FBI weren’t going to remain in the dark forever, so it was only a matter of time before they were able to figure out the next target. Likewise, the Scoobies weren’t going to be able to do this on their own forever, so as risky as the move is to reveal their identities to the President, to have them continue to operate so efficiently, without tipping off the authorities to either their identities or location, would have been silly. So good for them for acknowledging that and moving on.

Of course, I reserve the right to change my mind about any of this if they take the show somewhere I don’t like. It’s my right as its blogger. So mleah.

So Colonel Ike Turner, aware that the FBI had figured out his next target but unaware that they didn’t know where he was or how to stop him (why not make a call to your well-placed source and find out the dilleo?), pulled the plug on his chemical plant attack with only minutes to go. Hmmm. Why not just let it play out, even if you think your location has been compromised? May as well hit them hard one last time, right? My inner paranoid – which is a flattering way of just saying ‘I’ – wonders if the Fox censors stepped in and said, “Uh, no, you’re not wiping out a small town in Ohio. They vote Republican, Murdoch won’t have it.” Just a thought.

“Hot damn, Tony, I finally get to shoot me some bad guys.” “I’m happy for you, Bill.”

Luckily for Turner, he now has the First Man as a hostage, so if he was able to freak out Madame President with the threat of massive casualties, he can now freak her out with the threat of one extremely important casualty. At the same time, Turner has lost an incredible amount of leverage in the process. I picture their next exchange to go something like this:

Dubaku: You will meet my demands.
Taylor: No, I won’t.
Dubaku: (*BANG*) Your husband is dead.
Taylor: Way to go, genius. I’m now going to bomb your army back to the Stone Age, steal your diamonds, and rename the country Taylorville.
Dubaku: *Shit.*

Yes, he can take away the love of her life, but as cynical as this may sound, that’s all he can do. Dubaku is no longer in a position to threaten the nation’s security, so how badly can he really hurt her? His only recourse after playing the First Husband card is to coerce his US government recruits to step up their complicity. But they’ll get caught, because they were all stupid enough to get into bed with General Candyman in the first place. Hopefully, they have something planned that we can’t predict at the moment. Hopefully.

God, how much does Jack love Jacqeline right now? She holds her own in a huge gunfight and takes out a bunch of Dubaku’s men. Next week’s scenes show a shot of Jack speaking with the President in the Oval Office, and I’m waiting to hear Jack say, “You can trust us, Madame President, but first thing’s first.” (drops to one knee, looks at Freckles) “You are going to marry me. The only question is how much you want it to hurt.” That’s truth. That’s love.

24 7.6: Sweet dreams and flying machines land in pieces on the ground

Come on out, you tinfoil-wearing conspiracy theorists. After playing coy for the first six seasons, “24” has finally delivered an episode that does what the show had previously been reluctant to do: hit us where we live. Where we all live.

But first thing’s first: Save Freckles! (Insert Ferris Bueller water tower joke here.) Her predicament was actually more dire than I made it out to be, and she had stopped breathing by the time 4B and Chloe arrived. The scene created a clip show of sorts in my head, a History of Cinema Resuscitations. I thought of Ed Harris pounding the bejeezus out of Mary Elizabeth Mastrontonio in “The Abyss,” which is still one of the most powerful scenes I think I’ve ever seen. Then Chloe pulls out the syringe filled with adrenalin, and I thought: what on earth did we do before “Pulp Fiction”? That movie really did rewrite the rules, didn’t it?

My next thought, by the way, was of Nicolas Cage injecting himself in the heart with the VX gas antidote in “The Rock.” Anyone else have that same thought?

Emerson is taken out after foolishly putting a gun to Jack’s head, which did not surprise me one bit. Jack and Tony were asking way too many questions, and it was only a matter of time before Emerson decided to call them on it. Tony’s now in charge, but he also knows, after the botched attempt on his life, that Col. Dubaku has no further use for him. Prime Minister Matobo/Bassett is now in play with a wire (Chloe, once again, gets the line of the week with “No, I’m a stay-at-home-mom” as she’s putting the chip on one of his teeth), but something tells me that Jack and Tony need to worry more about Freckles than they do the Prime Minister. You just know that she’s going to spill the beans to someone before the next hour is over, and blow their cover.

“Seriously, did you read my file? If I wanted you dead, you’d be dead. Now shut up and marry me.”

As for the other B-story, I was stunned when SS Agent Gedge actually succeeded with half of his plan to kill Samantha and the First Man, and man, was his murder of Samantha brutal. I hate seeing pretty girls die, but to be fair, she was a dead girl walking from the very beginning. At the same time, I watched Gedge throwing the rope over the rafters and thought, “Isn’t this crime scene going to look just a tad suspicious?” Seriously, you just know that the forensics people on any of the “CSI” staffs would see right through that ruse and suspect foul play. But hey, Gedge was young; maybe he hadn’t done enough killing yet to have a feel for the subtle.

And now, the main story: President Taylor knew an attack was imminent, and refused to stand down to a butcher, even though doing so meant risking the lives of innocent Americans. This is about as unwinnable a position as one person can be in. If she capitulates to General Candyman, then she’s admitting that terrorism works as a form of diplomacy, and opens the door for anyone to take a shot at squeezing us for this or that. If she holds her ground, and lives are lost – and they were, in the form of two colliding planes, and possibly a power plant somewhere in Ohio (I’ve never heard of the city, and I live in Ohio) – then she’s the President that had the chance to stop it but chose not to.

Sound familiar? The President that had a horrific attack happen on their watch, with the world speculating how much they knew before it happened? Uh huh, they just went there.

Granted, the circumstances are much more black-and-white here – Bush wasn’t dealing with rampant corruption, or the dreaded CIP device – but I never thought “24” would get this close to real life, ever. I have to think that an episode like this is going to get the 9/11 conspiracy chatter going again. I’m not sure there is a point to getting it started again, but I don’t expect that to stop people from wondering what Bush “knew.” Mind you, I was not W’s biggest fan, but here’s the thing: whatever it is that Bush knows, you can bet that it’s something you don’t ever want to know. Just sayin’.

I either wasn’t paying enough attention, or there wasn’t a single “Damn it” this week. Can anyone confirm this?

Jack finally killed someone, yay! The streak is over. And from the looks of the preview for next week, he makes up for lost time. Ehhhhhxcellent….

24 7.5: Bury my lovely

If you gave me an endless amount of bullets and bodies, I don’t think there is any way that I could “nick” someone with a gunshot. I’m either missing them completely, or splitting their head in two. Of course, that’s because I’m not as awesome as Jack Bauer, who manages to get just enough skin to make Jacqueline bleed, but steers clear of those pesky veins that would cause her to, you know, bleed out. Is there anything this man can’t do?

They used the silent clock tick at the end of the hour. The last time I remember them using that was Day Three, when Jack was forced to kill his former director Chappelle. I’m sure I’m wrong about that, but that’s the last time I can think of right now. It’s a powerful way to end an episode, yes, but did they really feel this episode deserved it? Come on, does anyone really think that Freckles is not going to survive? And how long do you suspect it will take before the decision to spare her bites Jack square in the ass? Once Jackie goes back to the bureau, General Candyman’s source will tell Emerson that Jack didn’t kill her, not to mention she’ll then have to answer to the Attorney General, who’s practically carrying a torch, a cross, and a pitchfork. The only way Candyman’s people do not find out that she’s alive is if she goes dark, which she will never do. Bonus points for the death scene, though. It couldn’t have been easy to pretend to die when every nerve in her body had to have been screaming, “HOLY SHIT! I’VE BEEN SHOT!”

“Hey, boss. I’m just calling to tell you that I’m about to do something colossally stupid. Bye.”

Just when we thought that we couldn’t think any less of Billy Walsh, he finds a way. He clearly married out of his league, but that didn’t stop him from hooking up with a co-worker. (This subplot sponsored by Bad Idea Jeans.) Maybe Billy’s guilt is what drove him to get his wife out of the sky? Look for Janis’ “instinct” to kick in on his budding affair before the day is done.

I had a feeling that we couldn’t trust the First Husband’s bodyguard. He just had that look, literally. It was his eyes; they were always too squinty. His plan to kill both Henry and Samantha, and frame Henry for it, is sure to go horribly wrong, though. Should be amusing.

It was an off week for the “Damn it” counter, which only goes up one for a total of ten. Slackers.

Finally, as a tip of the hat to the song I stole for this week’s column title:
October Project – Bury My Lovely

24 7.3-4: Tony’s the dude playing the dude, disguising an undercover dude.

It turns out our conversation about Tony Almeida pulling a Harvey Dent was one of two “Batman” references that this season of “24” would boast. Yes, he switched teams for a few years, and did some bad stuff. But the business with General Candyman reset his moral compass. So if the FBI has no record of him working undercover, then who is he working for?

Why, Big Balls Bill Buchanan, of course, who has also recruited Chloe – presumably after he hit up Vidal Sassoon for a makeover – in a quest to expose government corruption on a massive scale. So who is Bill working for? This is where it gets a little fuzzy – he doesn’t work for anyone, since no one can be trusted. Doesn’t this mean that Bill, Tony and Chloe are just vigilantes, and their acts against the government could be classified as treason? How is their operation funded? And what exactly do they plan to do with the evidence that they obtain? Take it straight to the President? What if she’s one of the dirty ones?

Actually, one of the things that I like about these first four hours is that there are no clear-cut bad guys. There are lots of stupid guys – Renee knows there is a leak in her department, but that doesn’t stop her from having a candid conversation about it in a crowded hallway – but at the moment, everyone looks like they could be in on it. That’s the point, of course, and odds are that none of the truly suspicious characters are bad (I’m reserving judgment on Ethan Kanin, a.k.a. Warden Norton, for the moment). But I like the paranoia that floats around the new characters. Is Morris the leak? Janis? Surly Sean? The First Husband’s Secret Service agent? Have we even met the leaks yet? There are still 20 hours to go, which is plenty of time to meet a whole new group of scumbags. Odds are, though, we know half of them already. Remember, this is the show that dangled Nina Myers in front of us early on in Season One, at a time when we didn’t want to believe it. There is no reason to think they wouldn’t do that again.

“Guys, someone’s hacking into our mainframe. Oh, and they’re sending me catty, passive-aggressive comments while they do it.”

Something just occurred to me: someone at the FBI called Tony to tell him that Jack and Renee (new nickname forthcoming) were on their way to see Gabriel Schecter. Doesn’t that mean that Tony knows who the leak is? If so, why is everyone still in the dark about the rogue agent’s identity? Perhaps the turncoat only deals with Emmerson, who forwarded the message to Tony. Some clarification on this point is in order.

Is anyone else as surprised by Renee Walker’s sudden metamorphosis from contemptuous do-gooder into a results-only renegade? (Until she gives me reason to do otherwise, she will henceforth be known on this blog as Jacqueline Bauer.) You can count the minutes since she first met Jack, and like some traumatized Stockholm Syndrome victim, she seems to have fallen in love with him, or at least his methods. She watches Jack deprive Tony of oxygen in the interrogation room, then employs the same technique to Schecter’s killer as he lies in a hospital bed in critical condition. She says she wants to make things right by bringing Bauer in after he knocked her out and took her gun – gotta say, that garage escape is one of the more plausible and exciting shootouts the show’s ever done – but on a subconscious level, she has to know that Jack is the reason for, well, every single piece of intel they’ve acquired since they brought him in. And you have to know that once he sees her implement his techniques, he’s going to be on one knee in a nanosecond. Girls like that don’t come around every day, you know.

Small conversation about the B-story: it turns out the First Husband isn’t nuts, and his son was in fact murdered. No shocker here, but one small (which is to say, HUGE) question: how did Samantha come into possession of a flash drive that contains every piece of incriminating evidence that got her ex killed, yet she lives? Ugh.

With tonight’s two hours, the “Damn it” counter is at nine, by my count. Props for giving one of them to a nurse. Why should the leads have all the fun?

One last thought: doesn’t the Prime Minister of Sangala look like he could be Angela Bassett’s brother? Just sayin’.

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