Tag: Cherry Jones (Page 9 of 9)

24 7.3-4: Tony’s the dude playing the dude, disguising an undercover dude.

It turns out our conversation about Tony Almeida pulling a Harvey Dent was one of two “Batman” references that this season of “24” would boast. Yes, he switched teams for a few years, and did some bad stuff. But the business with General Candyman reset his moral compass. So if the FBI has no record of him working undercover, then who is he working for?

Why, Big Balls Bill Buchanan, of course, who has also recruited Chloe – presumably after he hit up Vidal Sassoon for a makeover – in a quest to expose government corruption on a massive scale. So who is Bill working for? This is where it gets a little fuzzy – he doesn’t work for anyone, since no one can be trusted. Doesn’t this mean that Bill, Tony and Chloe are just vigilantes, and their acts against the government could be classified as treason? How is their operation funded? And what exactly do they plan to do with the evidence that they obtain? Take it straight to the President? What if she’s one of the dirty ones?

Actually, one of the things that I like about these first four hours is that there are no clear-cut bad guys. There are lots of stupid guys – Renee knows there is a leak in her department, but that doesn’t stop her from having a candid conversation about it in a crowded hallway – but at the moment, everyone looks like they could be in on it. That’s the point, of course, and odds are that none of the truly suspicious characters are bad (I’m reserving judgment on Ethan Kanin, a.k.a. Warden Norton, for the moment). But I like the paranoia that floats around the new characters. Is Morris the leak? Janis? Surly Sean? The First Husband’s Secret Service agent? Have we even met the leaks yet? There are still 20 hours to go, which is plenty of time to meet a whole new group of scumbags. Odds are, though, we know half of them already. Remember, this is the show that dangled Nina Myers in front of us early on in Season One, at a time when we didn’t want to believe it. There is no reason to think they wouldn’t do that again.

“Guys, someone’s hacking into our mainframe. Oh, and they’re sending me catty, passive-aggressive comments while they do it.”

Something just occurred to me: someone at the FBI called Tony to tell him that Jack and Renee (new nickname forthcoming) were on their way to see Gabriel Schecter. Doesn’t that mean that Tony knows who the leak is? If so, why is everyone still in the dark about the rogue agent’s identity? Perhaps the turncoat only deals with Emmerson, who forwarded the message to Tony. Some clarification on this point is in order.

Is anyone else as surprised by Renee Walker’s sudden metamorphosis from contemptuous do-gooder into a results-only renegade? (Until she gives me reason to do otherwise, she will henceforth be known on this blog as Jacqueline Bauer.) You can count the minutes since she first met Jack, and like some traumatized Stockholm Syndrome victim, she seems to have fallen in love with him, or at least his methods. She watches Jack deprive Tony of oxygen in the interrogation room, then employs the same technique to Schecter’s killer as he lies in a hospital bed in critical condition. She says she wants to make things right by bringing Bauer in after he knocked her out and took her gun – gotta say, that garage escape is one of the more plausible and exciting shootouts the show’s ever done – but on a subconscious level, she has to know that Jack is the reason for, well, every single piece of intel they’ve acquired since they brought him in. And you have to know that once he sees her implement his techniques, he’s going to be on one knee in a nanosecond. Girls like that don’t come around every day, you know.

Small conversation about the B-story: it turns out the First Husband isn’t nuts, and his son was in fact murdered. No shocker here, but one small (which is to say, HUGE) question: how did Samantha come into possession of a flash drive that contains every piece of incriminating evidence that got her ex killed, yet she lives? Ugh.

With tonight’s two hours, the “Damn it” counter is at nine, by my count. Props for giving one of them to a nurse. Why should the leads have all the fun?

One last thought: doesn’t the Prime Minister of Sangala look like he could be Angela Bassett’s brother? Just sayin’.

24 7.1-2 – I see dead people

First off, a thousand lashes to the exec at Fox who thought it would be a good idea to run the season premiere of “24” opposite the Golden Globes. I don’t care if you had the date booked years before NBC decided to host the awards that night; you move the show back a week. Or even a day. But you don’t run a premiere against an awards show, and not just an awards show but one of the biggies. Dumb, dumb, dumb. Having said that, hats off to Mickey Rourke and “Slumdog Millionaire” for their wins.

As season premieres go, “24” has certainly had more explosive openings, but I liked what they did here, and also what they didn’t do. The show had gotten way too insular in terms of everything happening in Los Angeles, so moving the show to the east coast is a nice change of pace. Even better, the terrorist plot involves a threat that would actually affect the entire country. (No power or drinking water? Yikes.) Yes, it’s a riff on the plot from “Live Free or Die Hard” – and there is absolutely no way that they would ever get those planes synced up so that they would both hit the crossing point of two runways at the exact same time – but if it means that we don’t have to worry about a nuclear weapon this season, that can only be a good thing. They were also smart to acknowledge what a walking cliche Jack Bauer had become. “WHO ARE YOU WORKING FOR?” (*stabs man in genitals with spork*) That couldn’t have been easy for the producers to admit, but it needed to be done.

“Mr. Bauer, do you swear to kick the butt, the whole butt and nothing but the butt, so help you God?”

However, I’m still trying to wrap my head around Tony Almeida as this year’s villain. We still don’t know why he switched teams – and that’s good that they haven’t revealed that yet, that was the ‘what they didn’t do’ that I was referring to – but I’m not sure they can possibly come up with a rationale that will satisfy me. At the moment, he appears to be a free agent of sorts, a contract guy that offers his services to anyone willing to pay for them. God knows he wouldn’t be doing the bidding of a mass murderer like General Candyman any other way, right? And are we really to believe that Jack is only now learning that Tony is still alive? Yes, he was kidnapped by the Chinese hours after Tony’s supposed death, but he came back…years ago. I’m thinking the first thing someone at CTU would have told him is that Tony is not dead. They better have an answer for that as this season unfolds.

And man, did they stunt-cast the bejeezus out of this season. Janeane Garofalo as an easily stressed techie? Please tell me that Chloe O’Brien literally eats her alive at some point in the season. Bob Gunton, aka the warden in “The Shawshank Redemption,” is on Madame President’s staff, and Colm Feore is the First Man? There’s no way I’m looking at him without thinking of “Storm of the Century.” Bonus points if they work the phrase “Give me what I want, and I’ll go away” into the dialogue. Lastly, the great Kurtwood Smith is the senator that is trying to bring Jack to “justice.” Now, I like Kurtwood Smith, but did they really need him to play that part? You get the sense that the suits were nervous, so they snagged as many name actors as they could. It’s overkill, of course, but that’s Hollywood for you.

For those of you playing the “24” drinking game, The “Damn it” counter is at three, though Jack only said one of them.

All in all, not a bad way to start the season. Not great, but who knows, maybe that’s a good thing; in years past, they would blow the doors off the show in the premiere, only to implode six episodes later (ahem, abandoned plot involving Jack’s “nephew” in season six). The ads for hours three and four even hint at a big bombshell dropping. Maybe they finally get it now: the premiere is useless if everything that follows is shit. Yep, that’s what blogging a show will do to a person: turn them from a fan to someone who simply hopes that he’s not blogging about shit. Sigh.

24: Redemption: Escape 2 Africa

Somebody on the “24” staff is clearly a music fan. The first sign of this was when a sinister corporation was named McLennan & Foster, after the leaders of the late, great Go-Betweens. (A moment of silence, please, for Grant McLennan, who passed away in 2005. Thank you.) In “24: Redemption,” tonight’s bridge episode between Day 6 and the long-gestating Day 7, the President-elect’s son is named Roger Taylor (double word score, as the drummers for both Queen and Duran Duran share that name), and Roger’s trader friend is named Chris Whitley. You’ll appreciate the irony of that one later. And now that we think about the music references, this might explain why Jon Voight’s evil schemer has the first name of Jonas. Roger’s wife, meanwhile, is named Samantha. Pity her last name isn’t Fox.

Anyway, the story begins in Afrika-ka-ka-ka-ka – hey, if the show’s producers are throwing in musical references, I may as well throw in a shout-out to the Chemical Brothers – where Jack is helping out Carl Benton, a former soldier buddy, run a state-funded school in Sangala as a means of doing penance for his many, many crimes against humanity. The problem is that the brutal Colonel Juma (played by Tony Todd, and henceforth known as Colonel Candyman) is planning a coup, thanks to a generous donation by the aforementioned Jonas brother (Jonas Hodges, technically). Candyman is stealing children and “enlisting” them to fight for him. He catches two kids from Benton’s school and comes a-calling for the rest. Jack had just been served with a subpoena by Frank Tramell (Gil Bellows, sporting a tragic widow’s peak) and was about to go dark again – this is at least his third stop since he left Big Dick Heller’s house at the end of Day 6 – when the Colonel’s men show up. Benton tells Jack where the dynamite is. Sweeeeet.

I’m gonna blow shit up! Mama said blow shit up!

After singlehandedly killing half of the henchmen sent to abduct the boys, Jack is naturally captured and tortured – the show maintains its one-torture-per-hour requirement, don’t worry – and while that red-hot sword to the ear had to hurt, we were surprised that the guy didn’t just cut off one of Jack’s arms. He was planning to kill him anyway, and even said he would make it as painful as possible. Jack has four limbs, just sayin’. Jack ultimately used two of those limbs to snap the guy’s neck…and they weren’t his arms. I have to learn how to do that.

The most important things to take away from this episode as we head into Day 7 is that newly inaugurated President Allison Taylor has one hell of a mess waiting for her, and it’s quite possible that Senator Roark (outgoing President Noah Daniels for newcomers) is in cahoots with the mysterious Jonas brother, because one of his last Presidential orders was to evacuate Sangala, rather than call in some nearby troops and fight the insurgence. Jonas brother, meanwhile, saw to it that Chris Whitley, the trader assigned to erase Jonas’ ties to Colonel Candyman but suspected something was amiss, was thoroughly examined (read: tortured) and then buried in cement. I will admit that I do not know the real Chris Whitley’s music very well, but he surely deserved a better fictional death than that.

The other thing to remember is that Jack agreed to surrender to authorities in order for the boys in Benton’s school to gain entry into Sangala’s US embassy, which serves as the redemption part of the episode title and the reason that Jack was seen in those teasers a year ago explaining his actions to an indifferent, if not hostile, government committee. Damn paper-pushing bureaucrats. They have no idea what it means to be Jack freaking Bauer. Maybe they’ll get some perspective when they realize that their next supervillain is…Tony Almeida? Whaaaaaa? Yeah, we’re just as curious as you are as to how they explain that. See you in January.

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