Leo and a guy named Joe in

Yeah, I’m really late on this — blame a big press day yesterday and three deadlines today and you’ve got your reason. On the upside, for once, we’re dealing in “actuals” from Box Office Mojo, not estimates. However, I’ll keep things short, which will be sweet.

Yes, Christopher Nolan fans, his thriller is apparently not at all too smart for movie audiences, once again showing some real legs with a nice weekend total for “Inception” of roughly $27.5 million. (I really need to see it, don’t I? You know I just caught up with “Kick-Ass” last week, however…) In second place, the new wide release, which might not be great cinema but which I found actually funny, “Dinner for Schmucks,” did a decent $23.5 million, though the movie feels pricey at a $69 million budget.

The week’s other new releases, which really did look weak to me on Friday, proved to be just that, coming in behind two other solid hits, “Salt” and “Despicable Me.” “Charlie St. Cloud” and “Cats vs. Dogs: The Revenge of Kitty Galore” had a photo finish at the fourth and fifth place spots, making roughly $12.4 and $12.3 million, respectively. Since “St. Cloud” cost about half as much to make as “Kitty Galore,” it’s definitely the lesser loser, but at $44 million it’s still got a long way to go to profitability.

I’m running out of steam quickly, but that’s not true for either of the two limited releases I’ve been dealing with here to various degrees, “Get Low” (which I seem to like the least of any critic) and “The Extra Man,” where I’m a tad more positive than most.  On the other hand, “The Kids Are All Right” performed well, but not brilliantly, in its first weekend in semi-wide release. (I need to see that, too.) Indiewire has the details for those of you who need specifics, like numbers and stuff.