Tag: cabaret (Page 2 of 2)

Stop me before I give casting news again!

I thought I was done with these kinds of tidbits last night, but I can’t resist this one.

Stanley Tucci, one of my everyone’s favorite character actors who I featured here recently in a great bit from 1996’s “Big Night,” is joining the cast of a musical, “Burlesque!” The movie will also star Cher and Christina Aguilera, who presumably will be doing most of the singing between the two of them. To be helmed by actor-writer turned first-time director Steve Antin, the production is described by Variety‘s Mike Fleming as follows:

Aguilera plays an ambitious small-town girl with a big voice who finds success in a neo-burlesque club reminiscent of the nightclub in Bob Fosse’s “Cabaret.” Tucci will play the manager of the Sunset Boulevard club and the best friend and confidante of Tess (Cher), a former dancer who takes the young girl under her wing.

I’ve lived within a few miles of the Sunset Strip the vast majority of my life and, as far as I know, there is no club remotely like the Weimar-era Kit Kat Club on the strip or anywhere in Los Angeles — except, of course, if they’re actually doing a production of “Cabaret.” If I’m wrong and there is one, I definitely want to go. Now.

From Toronto to Hogsmeade, Metropolis, and the vid store

Colin Firth and Matthew Goode in "A Single Man"

Wake up. It’s been a busy day in movie world.

* Plenty of festival happenings up are in the offing up in Toronto, the most high profile of which is the famously award-savvy Weinstein Company’s pick, for a reported $1-2 million, of “A Single Man.” This is a sort of film that would be strictly art-house fare, and low profile art-house fare at that, if it weren’t also potential Oscar fare. From fashion designer-turned director Tom Ford, it’s a drama about a college professor (Colin Firth) dealing with the death of his lover over the course of a single day in 1960s Los Angeles. The film also stars Julianne Moore and Matthew Goode (Adrian Veidt in “Watchmen“) and is based on a novel by Christopher Isherwood, the openly gay mid-century English-born writer whose stories about Wiemar-era Berlin eventually became “I Am a Camera” by playwright John van Druten, which eventually became the movie and stage musicals, “Cabaret.” Variety has the details along with more about the activity surrounding a number of other new movies.

The most interesting of these to me is “Harry Brown,” which stars Michael Caine in a film that’s going to be plugged, probably inaccurately, as the Brit “Gran Torino.” I’ve always liked Caine’s movie work, but he became something of a personal hero of mine while I was researching a Bullz-Eye look back at his career not so long ago. If you’ve never seen the original version of “Get Carter,” it’s important to know Caine is capable of being at least twice as tough as Mr. Eastwood or just about anyone else this side of Lee Marvin. That’s largely because he’s an extremely disciplined film actor and also probably partly because his pre-stardom life was, really and truly, no picnic. The man’s known grinding poverty, serious action in the Korean War, and the down and dirty truth of crime in his native London. His acting only gets better as such relatively recent films as “The Quiet American” and “Children of Men” proves. This one really has my attention.

Alan Rickman exerts his control over Daniel Radcliffe and Rupert Grint* The new head of DC Entertainment, Diane Nelson, made her rep partly as the manager of the Harry Potter “brand” for Warner Brothers. No word on whether and/or how much she was involved, but Warners is annoucing a deal with the Universal Orlando Resort for a Harry Potter theme park. Nikki Finke has the press release and videos showing the basic layout (it’s essentially Hogsmeade, the town adjacent to Hogwarts from the books and movies), as well as plugs from Daniel Radcliffe, Rupert Grint, and Emma Watson.

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American Idol: Say hello to Hollywood

Mercifully, the audition rounds of “American Idol” Season 8 are in the books. We have endured eight stops and seven episodes in the last few weeks, and now the scene is shifting to the Kodak Theatre in Hollywood next Tuesday. Last night they lumped two audition stops into one, and those were New York City and San Juan, Puerto Rico. The back and forth during the episode was a little confusing, but the talent was as bad and as good in both places as it had been in Kansas City or Salt Lake or Phoenix or wherever else. Here were the good and bad of the ones who had the most airtime on Thursday night….

THE BAD

Adeola, who had quit her job because she was so sure she was going to Hollywood, sang a Jennifer Hudson song and was just awful, and I mean every note was off-key. Lucky for her, Simon Cowell was nice enough to call her former employer and get Adeola her job back. Who said Simon was a tool? That was classy…..Jessica Byers, a 20 year old who sang Celine Dion, was so loud and emotive that she made the audition uncomfortable for everyone. She claimed she was just nervous, but no, she just wasn’t good….Joel Contreras was a crazy rocker dude from San Juan who called himself the “human iPod” and was more talented at being nuts than at singing…Alexis, who auditioned last season and was also a bit of a wack job, returned to the New York City auditions and claimed to have toned down her act through stuff like yoga. Yeah, okay. Alexis attempted Madonna’s “Like a Prayer” and let’s just say she can also go back to being nuts, because she is better at that than at singing. Also true to form, she gave the judges the finger on the way out. Nice.

THE GOOD

Jorge Nunez, a 20 year old from Puerto Rico, sang “My Way” and had a nice Latin flair about him. The judges started saying he may have trouble singing in English, but Simon correctly pointed out that they came to San Juan to find Puerto Rican natives with talent, otherwise they would have gone to Omaha…..Melinda Camille, who admitted she likes to dance naked in her bedroom while singing, sang “Feeling Good” and had a really great voice. No confirmation on whether or not she will bring her clothes to Hollywood….Jackie Tom, who sang Jason Mraz’ “I’m Yours,” picked an odd song but had a nice tone to her voice and got through….Nick Mitchell, who goes under the moniker “Norman Gentle,” had this cabaret thing going on, and tried to inject humor into everything he did. This pissed off Simon to no end, but even he laughed when “Norman” made a crude joke about Simon and Ryan Seacrest. Anyway, when dude stopped joking and sang “Amazing Grace,” I think I speak for all of America when I say it was a pleasant surprise. Norm is off to Cali, and he will no doubt be polarizing to everyone there….after a medley of good auditions and yellow tickets, things were winding down. Next up was Monique, a 16 year old who brought along her 9 year old brother, Christopher. The kid was like a used car salesman to the judges, and since Monique was above average but not great, an assist goes to young Chris for sending his sis to Hollywood….finally there was Patricia, a 20 year old who took on Whitney Houston. That’s never a good idea, because artists like Whitney or Stevie Wonder or Aretha Franklin are just so hard to live up to vocally for an amateur. Anyway, Patricia did earn her ticket, but barely.

So our initial auditions are over, and now we head to Hollywood for the next round. Soon we will have our Top 24 and a clearer picture of who some of the contenders will be. See you all next week!

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