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TCA Tour, Jan. 2009: “American Masters: Hollywood Chinese”

As a profoundly white male, I watched the trailer for “American Masters: Hollywood Chinese” and listened to the actors on the panels discuss their respective careers, I couldn’t help but cringe at the treatment that the Chinese have received on television and in the movies.

Look at James Hong, for instance. The man has been a working actor since the 1950s, but when you check out his resume, the number of cliched and stereotypical roles is highly disconcerting. He played Charlie Chan’s son on TV, turned up as Hop-Sing’s cousin on “Bonanza,” has portrayed more waiters than you can imagine, and although it’s not technically a bad thing to play a wise old Asian, it’s a rarity for those sorts of roles to be particularly meaty.

Memorable, yes. But definitely not meaty. Hong worked on the pilot for “Kung Fu,” and he recalled the mindset of the industry at the time, which necessitated that a white guy – David Carradine, of course – play the Chinese lead character.

“As I recall, back in those days and even now, the producers would say the Chinese leads are not marketable, so that is the key sentence,” said Hong. “That means that there would not be enough audience watching the TV that will tune in on a Chinese playing the lead. They were just not accustomed to that. In a sense, they said, ‘Well, what should we do?’ I think what they did, and correct me if I’m wrong, they made the role sort of like a Euro-Asian person so that would bring David in to play the role. In that sense, I find it very pathetic that the producers were shortsighted not to cast one of the Asians to play that role because, like you saw, it is an Asian lead. That is only back during those periods, but it’s still being carried nowadays, because you don’t find many Chinese or Asian Americans playing any leads in TV series, a few in movies and so forth, but very far and few between, just a handful. I find that, after 55 years in this business, this still exists.”

Nancy Kwan, best known for her roles in “Flower Drum Song” and “The World of Suzie Wong,” had her own “Kung Fu” story, though it was in connection with the actor who was originally considering a role on the series.

“Bruce (Lee) and I were in Hong Kong at the time,” she said, “and we were having lunch, and Bruce said, ‘Nancy, I want to do this series called ‘Kung Fu.’” I said, ‘You are?’ He said, ‘Yeah. Yeah. I’m waiting to hear.’ I said, ‘I don’t know, Bruce. I don’t know the timing.’ David was actually a friend of mine at the time. We had worked together on another film. He said, ‘No. No. I’m going to do this.’ So I looked at him and I said, ‘Bet.’ He said, ‘Okay. How much?’ I said, ’10 bucks.’ All right. And I had to collect my 10 bucks.”

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TCA Tour, Jan. 2009: “Great Performances: ‘Chess’ In Concert”

Remember “One Night in Bangkok”? Good ol’ Murray Head. Everyone thinks of him as a one-hit wonder in the States, but he’s really a two-hit wonder, having scored a top-20 single back in ’71 with “Superstar,” from “Jesus Christ Superstar.” Possibly not coincidentally, both singles featured lyrics from Sir Tim Rice, though a lot of Americans don’t realize that “One Night in Bangkok” is from a musical as well…not that anyone would blame you, given that the show from which it originates – “Chess” – was a gargantuan flop when it made its Broadway debut.

Most would argue, however, that the problem lay not with the musical itself but, rather, with the decision to change “Chess” from its original West End set-up by changing the story, adding different settings, characters, and plot elements, re-ordering the score, and redesigning the set to make it all more cinematic.

Certainly, Sir Tim is less than complimentary when discussing the Broadway production.

“To be honest, it was not good,” he said. “A huge book was added in, and I’m not criticizing the writer of the book particularly, but it was already too long, and to stick in a whole new play on top of it…? It went on. You know, it was a long show: thermos, flask, and a razor. It was just…it was not right. And it flopped on Broadway, but there’s a huge interest in the show, because the songs were…you know, if I may be immodest, the songs were very good. And it kind of went out and every director said, ‘Well, I can improve on this.’ And I’m not sure…well, they probably improved on the Broadway version, but they didn’t really get back to what it was.”

Who better to finally succeed at doing so, then, than Sir Tim himself?

PBS will be airing “”Great Performances: ‘Chess’ In Concert,” and although it will probably still never quite be perfect in the eyes of its creators (Rice wrote the lyrics, Björn Ulvaeus and Benny Andersson – late of ABBA – wrote the music), it’s certainly a lot closer than it used to be.

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TCA Tour, Jan. 2009: “Masterpiece Classic: The Incomplete Dickens”

Charles Dickens is one of those authors whose works manage to be both a part of popular culture while still proving highly threatening to students everywhere. You could probably reel off a list of the man’s works with precious little effort, but – and maybe this is just me here – I still get a chill and a nasty flashback when someone asks me, “Have you read ‘David Copperfield’?” That’s probably why, even at the age of 38, I’d still prefer to watch an adaptation of one of Dickens’ novels rather than actually read one of them. (I know. I’m a philistine. But I’m comfortable with it.)

PBS, of course, has never been afraid to take the work of Dickens and transform it into a major production, so it’s no surprise to find that they’re to be airing three such adaptations – “Oliver Twist,” “Little Dorrit,” and “The Old Curiosity Shop” – as part of what’s being called “The Incomplete Dickens.”

When you look at Timothy Spall, known to “Harry Potter” fans around the world as the man who plays Peter Pettigrew, you have to admit: the guy was born to play Fagin in “Oliver Twist.” And when you see his performance, you’ll be hard pressed to avoid using the word “creepy” when describing him.

That might sound like an insult, but let’s call it more of a left-handed compliment, shall we? Besides, it’s not like Spall isn’t aware of a recurring thread amongst many of the characters he has played.

“They’re sort of all repulsive,” he admitted. “They are somewhat divine, and they are repulsive, aren’t they? Looking at what I do and standing the way I stand and acting the way I do, I’ve always thought it’s part of my job to give people who are undesirable a really good crack at the game. And then I laugh at trying to turn the tables on characters that are perceived as being pariahs or outcasts or repulsive or repugnant in some way and make you realize that even the most reprehensible and undesirables of characters are human beings. If I get a chance, I try to give it a go and make you feel bad about hating them as well.”

He’s amused, however, by how much one of the smallest parts he’s ever played – Peter Pettigrew – is the one that has become one of his signature roles.

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TCA Tour, Jan. 2009: “Masterpiece Mystery!: Wallander”

The last time Kenneth Branagh turned up at a TCA event, he was promoting HBO’s “As You Like It,” a project that he directed and for which he provided the script adaptation from the original Shakespeare play. This time, however, he’s in front of the camera, starring as the titular character in “Wallander,” the “Masterpiece Mystery!” production based on Henning Mankell’s novels about Swedish police inspector Kurt Wallander.

There have been plenty of “Wallander” films made in Sweden, but this is the first time the books have received an adaptation for an English-language audience, and given how many Wallander adventures there are (eight novels, several short stories), this has the potential to be a lengthy gig for Branagh.

But does he want such a gig?

“I’d certainly be very, very happy to make some more of them,” he said. “I get rather superstitious about assuming the audiences may want to watch it for years to come. I think that when we approached it, we were very aware of how many excellent detective stories there have been on television and that we had to really earn our right to be there. There are another seven books that could potentially be adapted. And I think we would very much like to and are very much looking forward to planning another three. But when we all met as a creative team just before Christmas and had a chance to sort of debrief after the screening of the three films in the UK, I think we were very thrilled with the reaction, which had been very positive, and very excited about that, but we did feel there was an enormous amount of work still do, excitingly to do, in terms of developing the character. So I think we’ll just…if we’re lucky and, as my mother would say, if God spares us, we’ll take the next three, if we can, and do them and hopefully learn from some of the things that we wanted to develop on this time. Whether that then develops into years to come remains to be seen.”

Branagh’s “Wallander” co-star, Tom Hiddleston (who plays Martinsson), showed his age when discussing how the two had worked together briefly in the 2001 TV production, “Conspiracy.”

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Patrick Swayze checks into the hospital

I don’t generally get to be present for breaking news, but this time I was. I turned up for A&E’s panel about Patrick Swayze’s new series, “The Beast,” only to be apologetically informed that Swayze was not in attendance, having checked himself into the hospital for observation after having contracted pneumonia. It’s the price of chemotherapy, of course, to find one’s self in a weakened state and prone to becoming further ill as a result, but Swayze personally requested that the panel go out without him, so that we could speak with the creative team as well as his co-star, Travis Fimmel.

I won’t lie to you: I’m both disappointed by Swayze’s absence and totally sympathetic for his situation. Here’s hoping he’s able to get back on his feet.

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