Tag: ABBA

American Idol: this round better

Last week on “American Idol,” there were some horrific performances of some bad song choices. How long could it go on? Well, this week, that was answered, because the song choices AND the performances were far better. That was good for us and good for the judges, but when you think about it, not really fair to everyone that sang last night because now that middle round that went last week may water down the finalist talent. But it is what it is I guess. With that, here is our recap of the good, the bad and the in-between from last night’s semi-final round:

THE VERY GOOD

Quite frequenly on this show, the performers who sing last make the best impact on voters, but last night the final two who sang were just lights out anyway. The first was Jorge Nunez, the kid from Puerto Rico who the judges had told to work on his linguistics and sound more American. Are you kidding me? Well, Jorge chose a white bread song in Elton John’s “Don’t Let the Sun Go Down on Me” and accent or not, it was excellent. And I mean, this dude has a spectacular voice. Paula said she’s proud of him, Simon said Jorge has a good voice, which is an understatement, Randy said it wasn’t perfect but really good, and Kara said Jorge was born to sing.

Lil Rounds closed the night with Mary J. Blige’s “Be Without You” and it was not just the best performance of the night, but I would dare to say it was the best semi-final performance of the season. Lil is not a contestant on “American Idol,” she is already a recording artist going through the necessary motions, kind of like standing in line to get her license like everyone else. Simon said “in one word, brilliant” and that it was his favorite of the night, Randy said it was one of the best this season, Kara said Lil is a powerhouse, and Paula said Lil is “first class.” Yeah, all of the above. See you next week, Lil.

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TCA Tour, Jan. 2009: “Great Performances: ‘Chess’ In Concert”

Remember “One Night in Bangkok”? Good ol’ Murray Head. Everyone thinks of him as a one-hit wonder in the States, but he’s really a two-hit wonder, having scored a top-20 single back in ’71 with “Superstar,” from “Jesus Christ Superstar.” Possibly not coincidentally, both singles featured lyrics from Sir Tim Rice, though a lot of Americans don’t realize that “One Night in Bangkok” is from a musical as well…not that anyone would blame you, given that the show from which it originates – “Chess” – was a gargantuan flop when it made its Broadway debut.

Most would argue, however, that the problem lay not with the musical itself but, rather, with the decision to change “Chess” from its original West End set-up by changing the story, adding different settings, characters, and plot elements, re-ordering the score, and redesigning the set to make it all more cinematic.

Certainly, Sir Tim is less than complimentary when discussing the Broadway production.

“To be honest, it was not good,” he said. “A huge book was added in, and I’m not criticizing the writer of the book particularly, but it was already too long, and to stick in a whole new play on top of it…? It went on. You know, it was a long show: thermos, flask, and a razor. It was just…it was not right. And it flopped on Broadway, but there’s a huge interest in the show, because the songs were…you know, if I may be immodest, the songs were very good. And it kind of went out and every director said, ‘Well, I can improve on this.’ And I’m not sure…well, they probably improved on the Broadway version, but they didn’t really get back to what it was.”

Who better to finally succeed at doing so, then, than Sir Tim himself?

PBS will be airing “”Great Performances: ‘Chess’ In Concert,” and although it will probably still never quite be perfect in the eyes of its creators (Rice wrote the lyrics, Björn Ulvaeus and Benny Andersson – late of ABBA – wrote the music), it’s certainly a lot closer than it used to be.

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