Category: TCA Press Tour (Page 25 of 56)

TCA Tour, Jan. 2009: “Ashes to Ashes”

You know ABC’s “Life on Mars”? Okay, forget about it for a moment and jump back in time to the original BBC version of “Life on Mars.” After that series left the air in April 2007, rumors immediately began to swirl that there would be a sequel to the story, and in February of 2008, those rumors became a reality with the premiere of “Ashes to Ashes.” Sadly, however, we poor Americans have been stuck waiting around for the show to make its debut on BBC America ever since.

Thankfully, that wait will come to an end on March 7th.

If you’ve somehow managed to restrain yourself up ’til this point and don’t already know the storyline of “Ashes to Ashes,” here’s the deal: just as Sam Tyler was a modern-day cop transported back to the ’70s on “Life on Mars,” now it’s single mother and Detective Inspector Alex Drake who finds herself back in 1981…and, yes, she’ll be facing everyone’s favorite politically incorrect cop, Gene Hunt.

Music-wise, I’m particularly excited to hear what tunes will be offered up, given how many ’80s songs have been part of the soundtrack of my life, and it sounds like co-creator and writer Ashley Pharaoh has got quite a treat in store.

“In actual time, I was 21 in 1981, so I sadly was a New Romantic and had too much makeup and ribbons in my hair, so it was very dear to me, that stuff, and it was always going to be the soundtrack of ‘Ashes to Ashes,'” said Pharaoh. “Actually, we recreate a very famous New Romantic club from Soho: The Ritz Club. And Steve Strange, who ran the Ritz Club, guested in the episodes. Steve very Strange, we think he is, though.”

One of the first things Pharaoh wanted to do with a “Life on Mars” sequel was to change the male-male dynamic of the original series and bring a woman right into the heart of things.

“‘Life On Mars’ references back to sort of very male, British cop shows in the ’70s,” he explained, “and we wanted more sort of a ‘Moonlighting”’ feel, a brighter sense. And we thought it would be really good fun to take Gene Hunt on a journey with a very strong woman, feminist, intellectual from our time. The actress, Keeley Hawes, I’d worked with her before; I did a Thomas Hardy adaptation with her, ‘Under the Greenwood Tree,’ and I was knocked out. Whenever we met the producers and the writers with our little short list of actresses, she was always on the top, so it was a no-brainer, really, and I think it was a wonderful performance she gives as Alex Drake.”

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TCA Tour, Jan. 2009: “Keeping Up with the Kardashians”

If you happened to catch my review of the “Keeping Up with the Kardashians: Season 1” DVD, you already know that I’m not really a fan of the series. If you’re too lazy to click on the link, my feelings are probably best summed up with this line: “Watching (the show) provides one significant challenge for the viewer: trying to decide which female member of the family you want to smack the most.” I did, however, walk out of the viewing experience with a certain amount of respect for Bruce Jenner…partially just because he manages to put up with everything that happens in his house, but mostly just because he looks legitimately annoyed and pissed off about it all.

I’m not going waste space by offering up quotes from anyone else…because, honest to God, I don’t understand why we should care about them…but for those of you who watch the show, I’ll at least provide you with some of Jenner’s comments.

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TCA Tour, Jan. 2009: NBC newsflash

Angela Bromstad, President of Primetime Entertainment, and Paul Telegdy, Executive Vice President of Alternative Programming, just popped up on stage to offer the following tidbits of information, some of which were announced awhile ago but which we haven’t yet covered on Premium Hollywood:

* “Southland,” the new drama from John Wells (which was formerly known as “Police”), will premiere on April 9th, Thursday at 10 PM.

From Emmy Award winners John Wells, Ann Biderman and Chris Chulack comes a raw and authentic look at the police unit in Los Angeles. From the beaches of Malibu to the streets of East Los Angeles, “Southland” is a fast-moving drama that will take viewers inside the lives of cops, criminals, victims and their families. Michael Cudlitz plays John Cooper a seasoned Los Angeles cop assigned to train young rookie Ben Sherman. Cooper’s honest, no-nonsense approach to the job leaves Sherman questioning whether or not he has what it takes to become a police officer. Cudlitz and McKenzie are joined by other cast members including Regina King who plays Detective Lydia Adams. Adams lives with and is the primary caregiver of her mother. Her partner, Detective Russell Clarke (Tom Everett Scott) is an unhappily married father of three. Michael McGrady plays Detective Daniel “Sal” Salinger. Sal oversees fellow gang detectives Nate Moretta (Kevin Alejandro) and Sammy Bryant (Shawn Hatosy). Arija Bareikis plays as patrol officer Chickie Brown, a single mom who dreams of being the first woman accepted into SWAT.

* They have ordered 3 more episodes of “ER,” bringing the season total to 23. The series finale will now air on April 2nd, with a one-hour retrospective preceding the two-hour finale. Why the additional episodes? “Why not?” asked Bromstad. She then clarified, however, that it allows John Wells time to get “Southland” ready.

* They have officially signed on for additional seasons of “The Office” and “The Rock”

* NBC has signed Don Cheadle and his company, Crescendo Productions, to a two-year, first-look television development deal.

* Due to its success up against “American Idol,” they will indeed be picking up another season of “Biggest Loser” for next season.

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TCA Tour, Jan. 2009: “Eastbound and Down”

Danny McBride had a hell of a 2008, what with scene-stealing roles in “Pineapple Express,” “Tropic Thunder,” and…well, okay, maybe “Drillbit Taylor” wasn’t everything it could’ve been. But, still, the guy’s definitely on a roll, and although 2009 was already shaping up to be a good year for McBride, thanks to his co-starring role in Will Ferrell’s take on Sid & Marty Krofft’s “Land of the Lost,” he can now also claim ownership of a lead role in an HBO series.

HBO’s Sue Naegle was able to sum up the premise of “Eastbound and Down” in a single well-constructed sentence: the hilariously tragic story of Kenny Powers, a former major league pitcher whose bad-boy ways have him down and out and teaching phys ed. at his old middle school in North Carolina. As a man who’s spent his entire life within a 30-minute drive of the Tarheel State (though this is probably the first time I’ve ever referred to it as the Tarheel State), I admit to a certain affinity for the premise, particularly after hearing McBride talk about his reasons for doing the series.

“These guys both grew up in North Carolina,” McBride said, referring to his collaborators Jody Hill and
Ben Best, “and I grew up in Virginia, and we all met at film school down in North Carolina School of the Arts. We weren’t really happy with the way the South was portrayed in a lot of film and television. It seemed like it kind of stopped at the ‘Hee-Haw’ kind of deal, which is overalls and Billy Bob, so we kind of wanted to find new things to make fun of in the South.”

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TCA Tour, Jan. 2009: “Will Ferrell: You’re Welcome, America. A Final Night with George W. Bush”

No-one goes into a panel with Will Ferrell…not even one being done via satellite…with an expectation that it’s going to be a serious affair. But when he turns up wearing a woolen winter hat and a pair of New Year’s Eve glasses shaped like the number 2009, it’s fair to say that you can throw seriousness completely out the window.

“First of all, these are actually prescription glasses,” Ferrell assured us. “I’m not trying to be funny. It happens to be 2009, so that’s great. I also had head surgery, so that’s why I have this hat on, too.”

Sure, Will. Sure.

Ferrell and his longtime collaborator, Adam McKay, had turned up to discuss Ferrell’s new one-man show, “You’re Welcome, America: A Final Night with George W. Bush,” which will be getting a live airing on HBO on March 14th. Ferrell hadn’t really been called upon to do his Bush impression very much since departing from “Saturday Night Live,” but he thought the show would be a fun way to send off George W.

Ferrell and McKay reminisced about the origins and evolution of Ferrell’s impression, which began as a mere walk-on in a Clinton sketch. “It was before we kind of even knew who he was,” said McKay, “and Will basically just played him as a frat guy drinking beer, high-fiving.”

“Darrell Hammond was always going to play Gore,” said Ferrell, “and then Lorne Michaels had asked me if I wanted to play Bush. I thought, ‘Yeah, this will be fun. I’ll play him for a couple of months. He probably won’t win.’ And then he eventually won. He just kept kind of gaining momentum in terms of his comedic persona. He went from the 90 percent popularity to…it’s the longest sustained drop in popularity in Presidential history. Obviously, there’s been an incredible combination of some insane news events that he’s had to deal with and, obviously, some poor decisions on his part, along with his type of personality and the fact that he kind of can’t speak properly. That makes for a wonderful kind of comedic stew…and I like to use the word ‘stew’ whenever I can.”

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