Category: TV (Page 443 of 595)

“Drive” cancelled: The Minear/Fillion curse strikes again

Admit it. We all knew it was coming, but did you all think it would happen so soon?

Drive

According to sources at TV Guide, FOX’s new drama, “Drive,” has been prematurely cancelled after airing only four of its thirteen season one episodes. Centered around an illegal, cross-country car race, the show got off to a great start during its two-hour premiere and hasn’t slowed down yet. The premise alone is promising enough for anyone who enjoyed the first season of “Prison Break,” so its surprising to see that not as many people tuned in. Of course, rumor is that many were turned off by the fact that they knew FOX would cancel it, and so they didn’t want to engulf themselves in yet another television history where they would never see the conclusion.

The future of the show didn’t look good as soon as word got out that “Firefly” star Nathan Fillion was teaming up with show’s co-creator Tim Minear for a new series, but we all figured that FOX had learned its lesson the first time around. Both Minear and Fillion are very talented people, so it sucks to see yet another collaboration between the two flushed away so quickly. Is two weeks (three episodes aired in the first week alone) literally all the time a network can afford for a new show to find an audience, because if so, they aren’t going to have enough shows to fill the voids come pilot season.

With “Family Guy” not quite as great as it used to be and “24” experiencing the worst season of its six-year history, what else does FOX have to compete with the other networks? Not much, which makes the cancellation of “Drive” all that more disappointing. And to think I was debating blogging this show…

Oh well, I guess we have the DVD to look forward to, and if we’re lucky, maybe Universal will buy the rights and make a movie like they did with “Serenity.” Wishful thinking? Probably, but it could happen.

Civil War

If there’s one battle that’s bigger than the one between Vic Mackey and Aceveda, it’s the ongoing gang war between the Byz-Lats and the One-Niners. A regular bloodbath that has caused its share of problems (and business opportunities) for the Strike Team in the past, it also hasn’t shown any signs of slowing down. Another week, another hit out on one of the gang’s high ranking soldiers, but this time around, Vic is joined by his new replacement, Kevin Hiatt. Played by Australian actor Alex O’Loughlin, the guy’s only been around for one episode and I already like him. Heck, Vic could be taken away at the end of the year and this guy could easily pick up the reigns for the final season.

As one would expect, Vic doesn’t exactly warm up to Hiatt upon their introduction, but when Claudette tells him that she’s set up an appeals panel to review his “retirement” plan (apparently because she wants two teams: one under Vic, and the other under Hiatt), Vic quickly reverts to his best behavior. Unfortunately, Claudette was just lying so he wouldn’t cause any more friction during his final weeks on the force. Even the new guy is impressed by his methods, despite Claudette’s advice not to buy into his “good side.” Still, there’s no way Vic is leaving the show with only one more season to go, and I have a feeling Hiatt is going to eventually warm up to his coach to the point that he takes his side over Claudette’s. Plus, with Shan potentially getting a bullet to the head in the coming weeks, there will definitely be another spot open.

And speaking of open Strike Team positions, what’s this about Julian joining the team? Did the writers really feel the need to throw Michael Jace a bone after completely ignoring his character for the better part of the last two seasons? It’s a miserable prospect, considering Julian doesn’t really belong in that kind of environment, but who knows, maybe it will all be for the better. They sure as hell don’t have plans to bring back Tavon or Army any time soon, and with Tina transferred out of Farmington, and Danny promoted to sergeant, well, there’s really nothing else for the guy to do.

While the Strike Team work the Byz-Lat case, Dutch and Billings investigate a rapist/murderer who carves the words “Go Home” on his victims. Another classic villain for old Dutch Boy to track down, and one that is sure to continue through the coming weeks. Of course, it may take longer with Billings as his partner, who says things like “I love the smell of underage sexual assault in the morning” and is worried that people will take it the wrong way. Um, how could you possibly take it any other way?

American Idol: Pitching In For Change

Tonight’s “American Idol” was a bit of a prelude to the bigger show tomorrow, which is a 2-hour “Idol Gives Back” episode. Basically a portion of the voting proceeds tonight will go to charity, namely to help needy communities both here and in places like Africa.

Ryan Seacrest started out the show by saying he was excited to have Bono as this week’s mentor, but then I didn’t see Bono in any of the segments with contestants. So either Seacrest was mistaken, or Bono didn’t want to be filmed. Hmmm. Well, being that this was a show for charity, I’ll reserve judgement and just get to the performances, in order of my own power rankings.

1. Melinda is still the champ until someone knocks her off that perch. She sang Faith Hill’s “There Will Come a Day” and, as you would expect, it was phenomenal. Like, in another league, again. Randy said it was “so dope,” Paula said it was magical, and Simon said the best part was that it wasn’t a “copycat” performance, but rather that Melinda made it believeable and that it was like a “vocal master class.” Yeah, pretty much.

2. Jordin went last, and used the pimp spot to her advantage. Jordin sang “You’ll Never Walk Alone” and though it started out just a tad pitchy, she delivered the song with a conviction you may never hear a 17-year-old match again. Jordin is the only one in this competition that comes close to Melinda, and may even have enough talent and charisma to win it all. Randy said it was her best vocal, and one of the best in the competition ever (not sure about that), Paula said it was an amazing song and a “lovely job,” and Simon said it was fantastic.

3. Phil took advantage of the fact that he may have found his niche with country music, singing Garth Brooks’ “The Change.” It wasn’t exactly twangy, but more like a Michael Bolton-esque performance.
I thought it started good but got a little boring–however, the judges loved it. Randy said Phil is “back again” with a nice vocal, Paula said Phil has found his comfort zone and that it was his best vocal, and Simon said it was a good choice and that Phil could wind up going really far here.

4. Chris went first and sang Eric Clapton’s “Change the World.” I thought it was just okay, but that Chris helped himself with some nice vocal acrobatics toward the end. Randy said that Chris was “in it to win it,” Paula said she was proud of him, and Simon said that he’s feeling like the competition is just starting and that it was a great way to start the night (i.e., Simon shares my sentiment that he’s just glad Sanjaya is off the show).

5. Lakisha once again took on another former Idol champ, singing Fantasia’s “I Believe.” Comparing Lakisha to Fantasia really only shows Lakisha’s flaws and that is a problem. It wasn’t quite as bad as when she tried to sing a Carrie Underwood song, but it was still just okay. Randy said it was a great song choice but that it’s hard to match up to Fantasia, Paula said it was great but not quite Fantasia, and Simon said it was an emotional performance but that some it was shouted.

6. Blake sang John Lennon’s “Imagine” and I’m going to come right out and say it. It was BORING. Like, really boring. Randy said it was a good choice but just “aight,” Paula said it was beautiful and simple and she liked it, and Simon said it’s hard to pick a song like that and make a great performance out of it. In other words, Simon was saying that Blake didn’t destroy it, but he didn’t really separate himself from the pack with it, either. I think Blake separated himself the wrong way and may be going home.

So that’s it. Six remaining contestants took on songs that had inspirational connotation and some were awesome, some were really good, and some were just okay. Consider that this is a competition between Melinda and Jordin, and you shouldn’t be surprised to see any of the other four make an exit from here on out. I think Lakisha and Blake have a similar chance of going home, but that Blake was less inspiring and therefore may have punched his ticket first.

A 2-hour show tomorrow? A star-studded lineup including Carrie Underwood’s legs? Will there be more leg than Haley Scarnato? Will Underwood sing as nasally as she always does? Will Bono actually make an appearance? Will 2 hours be too long? Well, I can certainly answer that last question with a resounding “YES.” But I’ll be watching with the rest of you. See you then…..

24, Hour 19: CTU’s terrible, horrible, no good very bad hour

So let’s take a look at what has happened to CTU in the last 60 minutes:

– Director Bill Buchanan, the lone sane man in a sea of crazy, was fired by Karen Hayes, his wife, for releasing Fayed two years ago for lack of evidence. That’s right, he was fired for following procedure and not obtaining a then-innocent man. Holy “Minority Report,” Batman.
– Morris O’Brien, fed up with the flippant cruelty of his ex-wife and current girlfriend (that comment about arming the nukes was a low blow), has requested a transfer out of coms.
– Acting director Nadia (!) has ordered the arrest of Jack Bauer. I’m actually on her side on this one. She had to do it: he went rogue and left them no choice but to take him down. However…
– Because of the Ricker’s impulsiveness, Cheng got away with the chip despite Jack’s plans to blow Cheng, the chip, and himself sky high. In the meantime, Cheng’s men blew a CTU helicopter out of the sky.

That’s some bad hat, Harry.

As much as I didn’t like seeing Cheng get away with the chip – if you were shocked by the outcome, congratulations, you haven’t watched as much TV as the rest of us – I thoroughly enjoyed seeing Cheng’s men launch a bazooka at that CTU helicopter. The gloves are off again, or as they said in one memorable “South Park” episode, it’s on. China just attacked the United States’ Counter-Intelligence Unit. Is there any way that China can spin this in such a way that they’re the victim? Don’t think so. Hit ‘em with everything you’ve got. Nice to see the show sport some onions.

And for the second week, I saw Senator Roark’s assistant/concubine wince at the thought of getting physical with him. Sure, she kissed him and said she’d get a change of clothes, but that woman’s body language is saying something compleeeeeeeetely different. She’s saying, “Damn it, I was kissing William Fichtner on the set of ‘Invasion’ a few months ago! Now I’m kissing…this? He damn well better make me the new First Lady.” And the funny thing is, she’d still be a distant second in the list of blindly ambitious First Ladies, but that’s a topic for another blog altogether. And speaking of First Ladies, I just realized: Wheelbarrow Wayne doesn’t have one, either. Or if he did, where is she? Is that even allowed? Was there speculation about his preferences during his campaign due to the Seinfeldian trifecta of Palmer being thin, neat and single?

And lastly, there’s Audrey, or what’s left of her, anyway. Her babbling towards the end of the episode sounded like Tara after the demigod Glory scrambled her brain in Season Five of “Buffy the Vampire Slayer.” I have to say, I didn’t see that coming. When I saw her walk in with the bulky coat, I immediately thought, “She’s strapped with C-4, too,” and that Cheng was going to blow Jack sky high after he was safely out of range. Since that didn’t happen, well, I’m at a loss for how they resolve that plot thread in a way that ends with me giving a damn. Could we get JJ Abrams to take over as show runner for a season? Screw the final frontier, JJ: we need you here and now!

Heroes, Week 19: The (Point-Oh-)Seven Percent Solution

I’d love to say that time has flown since the last new “Heroes” episode, but who am I trying to kid? I’ve been waiting for this with bated breath. Basically, what I’m saying is that every Monday night since March 4th has been a waste of time. Finally, however, Mondays are worth living for again…well, for the next five weeks, anyway. And although the episode-beginning conversation between HRG and Eric Roberts was a little too melodramatic for my tastes, just about everything else within this week’s “Heroes” was spot-on.

The deceptively casual nature of the chat between Nathan and Mr. Linderman belied just how serious the discussion was. Mr. Linderman’s power to create life from lifelessness seems to arguably be one of the most powerful of all; how ironic, then, that it should be in the hands of the man who seems to be the most ethically…or, at least, morally…challenged. (It’s amazing how chilling the phrase “acceptable losses” can be when uttered in a certain context.) Linderman’s interest in Micah can’t be a good thing…and it’s clear that Nikica agrees. I wouldn’t want to be in that shapeshifter’s shoes when Miss Split Personality gets a hold of her.

The escape orchestrated by HRG with Matt and Ted was inspired, with HRG relaying instructions to Matt, who was clearly wayyyyyy out of his intellectual depth. And I wasn’t paying close enough attention, I admit it, but…was the diner where they were grabbing a meal the same one where Charlie used to work?

The battle between Peter vs. Sylar was short but sufficiently harsh. Gosh, it sure was nice of Mohinder to deliver Peter’s dead body to his mother, wasn’t it? There wasn’t much in the way of real suspense with the whole Peter-is-dead bit, of course, but when Nathan started crying, all I could think was, “If his tears are real, they ain’t for his brother; they’re because he just lost the Presidency.” Am I cynical? I don’t think so. But back to Peter. Didn’t you love the graphic sound effect when Claire pulled the piece of glass out of his skull.? Nice. And speaking of Claire, her newly discovered grandma sure turned into a hard-ass out of nowhere, didn’t she? I mean, Jesus, in the first episode, she seemed like a woman lost, and now look at her! The conversation between Claire and Nathan, meanwhile, was about as depressing as they come. Thanks, Dad! Good to meet you, too!

Isaac vs. Sylar was kind of a one-sided fight, but it must be said that Sylar’s nailing Isaac to the floor with paintbrushes was grotesquely inspired. The realization that Sylar’s now able to fortell the future, unfortunately, means that the grand finale is going to be particularly nasty.

And as long as we’re talking about finales, Future Hiro showing up only in the last seconds of this episode was just cruel…but at least next week looks like it’s all about the future.

The three best lines of the night:

1) “I know this man.” “Good! If you see him, tell him I want my sword back!” – Nathan and Mr. Linderman, respectively
2) “Oh, my God! You’re middle management!” – Matt Parkman
3) “He’s no longer with the company.” – Thompson

In closing, can I just ask, “NBC, are you effing kidding me? You pulled ‘Studio 60’ for ‘The Real Wedding Crashers’? You can’t find ANYTHING better than this piece of crap to follow ‘Heroes’ with?!?”

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