Category: TV (Page 313 of 595)

The Shield 7.4 – Genocide

The Armenian/Mexican gang war really heated up this week as the Strike Team (perhaps unsurprisingly) found themselves once again stuck in the middle. Vic had to know that his plan was bound to go sideways at some point, and when Rezian demands a sitdown following a Mexican barbeque of two of his lieutenants, Vic tries to convince him otherwise. Unfortunately, Rezian is insistent on explaining to the Mexicans that he has nothing to do with their missing property, and so Vic (as his second favor to him) heads to Cruz Pezuela to set up the meet. Pezuela, in turn, offers up his right-hand man, Armando Rios, as the voice of the Mexican side, but he doesn’t see any point in talking with the Armenians if they don’t plan on returning the blackmail box.

When Vic relays the message to Rezian, he’s both surprised and confused to discover that the Armenian boss is willing to admit he’s in possession of the box. This is all Pezuela needs to hear, and the meeting is goes on as planned. What Vic doesn’t understand, however, is how Rezian is going to explain the missing box, so when Rezian sandbags him at the meeting by explaining to Rios that he never had anything to do with its disappearance, Vic is understandably pissed off. Rezian simply wants to form a true with the Mexicans, and he’s even willing to ignore the recent murders and help them track down the real owners of the box in trade for leaving him and his guys alone. Vic attempts to convince Pezuela that Rezian is only lying, but when that isn’t enough, he heads to Aceveda for help.

Micheal Chiklis in The Shield

For as much as Aceveda has to lose by refusing to work with Vic, he sure treats him like an unwanted mouth sore. Nevertheless, when he’s brought up to speed on the day’s events, he agrees to let Vic dive into the blackmail box for a little help convincing Pezuela that Rezian was lying. What he gets is a tip about a city planner (the same one that screwed Vic out of his favor last season) who has repeatedly refused to sign off on a memorial in Little Armenia. When Vic and Ronnie threaten to release info about his insider trading if he doesn’t greenlight the latest request, however, the Armenians get their memorial, and Pezuela is led to believe that it was Rezian who set it up. Instead of gunning for the Armenians, however, Pezuela has the city planner assassinated, which upsets Aceveda greatly. Vic tries to calm him down by informing him that Agent Murray is using her federal connections to help bring down Pezuela and the drug cartel, but then Aceveda drops a bombshell. Agent Olivia Murray – the woman we know so little about, but Vic seems to trust immensely – is also in the blackmail box. In the words of Scooby-Doo: “Ruh-Roh.”

It’s nice to see Murray getting involved in the story, but the setup was so subtle that I’m really curious to see what kind of dirt Pezuela has on her. Obviously, it has something to do with why she’s trying to regain favor with her boss, but if it was anything really bad, how in the world could she still retain her status within the FBI? It’ll be interesting to see where Shawn Ryan goes with this one, but for the time being, you can hardly criticize the guy for continuing to progress the main story. Every episode has had at least one major revelation so far, and it really feels like this season has been well planned out.

Still, with as much that’s going on, I still found myself gravitating more towards Dutch’s (possibly) standalone story this week. His interactions with the kid (who he believes is a serial killer in the making) were some of the episode’s best moments, and though he got away this time, it would be really fun to watch Dutch continue to chase him down for the rest of the season. His character is clearly never going to get involved with Vic and Aceveda, and between solving cases like this and keeping tabs on Claudette, he should have more than enough to keep him busy in the short term. The whole Cassidy subplot, on the other hand, is dead weight that never should have been introduced, and if she somehow plays a role in Vic’s death/incarceration/whatever before the end of the season, it won’t be so much shocking as it will be a total disappointment.

Greetings to the New Show: “Gary Unmarried”

If you saw Bullz-Eye’s Fall TV Preview, you already know that the primary reason that I selected “Gary Unmarried” as one of the top 10 shows I’m most interested in watching unfold this season is that I think Jay Mohr is funny…but, c’mon, it’s about time the guy had a hit sitcom, don’t you think?

The guy did his time at “Saturday Night Live,” even writing a book about the experiences he suffered through as a featured player on the show (Gasping for Airtime: Two Years in the Trenches of Saturday Night Live). He survived the experience of playing a redneck’s brother on “The Jeff Foxworthy Show,” earned a memorably sleazy supporting role in “Jerry Maguire” which almost certainly was what led him to the starring role in the short-lived but fondly-remembered Fox sitcom, “Action.” Great show, but you can’t really call a 13-episode run a hit. And since then, Mohr’s career has mostly been an ongoing series of voiceover work, small film roles, one-off guest spots on various TV series, and…well, okay, yeah, he was a regular on “Ghost Whisperer” for the better part of two years, but serving as third fiddle to Jennifer Love Hewitt’s breasts is hardly playing to the guy’s strengths as a comedian.

Please.

Don’t make Jay Mohr beg.

Just make “Gary Unmarried” a hit.

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Greetings to the New Show: “The Mentalist”

I believe I put this out there in another post, but I think it bears repeating: “The Mentalist” is the new series that my mother-in-law is the most excited about. I can appreciate where she’s coming from. I’m pretty excited about it, too. Mind you, my reasons are different than hers – I love the concept, she thinks the show’s star, Simon Baker, is hot (and has apparently felt this way since he starred in “The Guardian”) – but, still, it means that I can count on her getting excited when I get an advance screener of any future episodes of the series.

In “The Mentalist,” Baker plays the title character. His name is Patrick Jane, and he’s an independent consultant with the California Bureau of Investigation (CBI) who has a remarkable track record for solving serious crimes by using his razor sharp skills of observation…not that that’s a direct quote from the CBS press release or anything. Jane is a guy who knows how profound his abilities are, and it shows in his every word and deed when he’s on a case.

We get an example of his trademark confidence (or possibly hubris) in the first minutes of the first episode as we watch him walk into the home of a murder victim, brew a pot of tea, and make himself a sandwich. It isn’t until the kettle whistles that the victim’s mother even knows he’s there, but he quickly offers her a cuppa and, after demonstrating his powers of observation, says with a sly smile, “I used to make a good living pretending to be a psychic. I tell you this because I want you to understand that there’s no point in hiding things from me.” After a brief conversation with the missus, he then greets the child’s father by identifying himself as being with the police, adding with no further preface, “Did you murder your daughter?”

I won’t tell you how the rest of the scene plays out, but it’s a testament to Baker’s charisma that his last line – “Honestly, it’s not as bad as it looks” – earns a laugh.

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Prison Break 4.5: “Safe and Sound”

This was a rather enjoyable episode that was pretty light on “You Must Suspend Disbelief” moments and featured both Michael and Mahone completely in their elements. In a few short hours, Michael had to plan a break-in into a federal building and figure out a crafty way to drill into a safe. I’m not sure what’s going to happen when Don’s new lunch partner sees the big hole in his wall, but one would think that it would quickly lead back to Don, who was rather obvious about his desire to eat out. My guess is that we don’t hear anything of it – the creators will just assume that we’ll forget about that hole. Oh well.

Meanwhile, it was great to see Mahone back in the law enforcement game. It all started with a powerful scene with Callie Thorne (who one of my favorites from her work on “Rescue Me”). “Prison Break” isn’t known for its strong acting, but Thorne and William Fichtner are top notch and that scene in the diner was one of the best of the entire series run. She’s obviously torn up about the murder of their son, and the one thing that drove her nuts about Mahone is the one thing she can count on right now. Mahone is going to find Morpheus and make him pay.

It’s clear that Trish Ann (the secretary at the Gate Corporation) is this season’s eye candy. She and her ample bosom have put the screws to T-Bag, and it’s always fun to watch him squirm. It doesn’t look like 3% of his future commissions is going to go very far, however. She would have been better off getting a piece of his bonus check.

We discovered that Michael had nosebleeds when he was 13, so his unknown illness is something that he’s had for some time. I’m not sure how this is going to fit within the season-long storyline, but it’s possible that it will be used at some point to throw the whole Michael-and-Sara-sail-off-together dream into major uncertainty.

“So will it be the red pill or the blue pill?”

Lastly, Gretchen busted out of prison! I’m going to make a wild prediction and say that she’s going to eventually become an ally to the Brothers. At a meeting at some point in the future, Linc will look at her suspiciously, but Michael will convince him that trusting her is the right thing to do.

I’m pleased with how this season is turning out. Instead of one long breakout, it’s a week-by-week set of challenges in diverse environments. Season One and Season Three were a bit claustrophobic at times since (pretty much) the entire cast was stuck in either Fox River or Sona. It’s especially compelling to watch Mahone in action (even more so considering his motivation), so let’s hope that he doesn’t find Morpheus too quickly. It would be a shame if that match flickered out before its time.

Heroes 3.1 / 3.2 – The Old One-Two Punch

“Heroes” is back, baby…and to celebrate, NBC gave us a one-hour recap special, followed by two brand-new, full-length episodes. Rather than waste time, let’s get to talking ’bout what happened, shall we?

Episode 3.1

After a close encounter with his niece which proves that Claire is still about as dumb in the future as she is in the present, FuturePeter jumps back to the day Nathan was originally going to reveal his powers to the world at large and attempts to change history with a couple of quick gunshots. I’ve already read a few bloggers who’re asking, “Why did he only go back to a few minutes before Nathan made his revelation? Why didn’t he go farther back and, y’know, catch Nathan in a less public place?” And, really, there’s only one answer to that question: because if he’d done that, then there wouldn’t have been much of a story. And, thus, FuturePeter pops a couple of caps in his brother…and successfully, no less. Yeah, we knew the bullets connected, but who would’ve thought that he’d really die? Not that it’s a permanent situation, but, still…

It was so nice to see Hiro getting back to being the same loveably funny and hopelessly heroic guy that we saw in the first season. The guy just loves to be a hero, and he can’t resist that instinct, no matter how many times Ando may plead with him to do otherwise. It was great when Hiro decided to open the safe despite his father’s posthumous order, only to meet with a second message from him. (“I asked you not to open the safe!”) So who has the purity of blood…? I loved the special effects used to designate the motion of the new speedster hero – c’mon, Hollywood, let’s get that “Flash” flick fast-tracked now, shall we? – as well as the way she cold-cocked him. (“But I am on my feet.” BAM!)

Sylar’s dialogue when he paid a call on Claire was deliciously villainous and comic-book-y, though I could’ve done without his awful description of his time spent south of the border. (“It’s all behind me now, like a long night after a bad taco”? Really?) The sequence with Claire wandering through the dark house, trying to avoid capture, was straight out of a grade-B thriller, but it was still effectively creepy, particularly when he finally succeeded. Okay, when he was first poking around in Claire’s head (literally), all I could think of was the scene at the end of “Hannibal,” when Dr. Lecter popped the top off Paul Krendler’s skull, but Sylar definitely got my attention…and Claire’s…when he said that she could never die. What, never…? (Well, hardly ever…)

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