Category: TV (Page 27 of 595)

Ladies and gentlemen, we have your new Superman and, yeah, he’s British too

Englishman Henry Cavill in his ordinary street clothesSomeone wake up Lou Dobbs. I mean, Spidermen and Batmen hailing from the UK is one thing, but what’s Henry Cavill going to do, fight for truth, justice and the British way? Will Luthor try to do him in with a Kryptonite crumpet?

But, seriously, folks, the main reason I’ve decided to put off this week’s box office round-up is that the entire geek film Internet is having a fangasm because Mike Fleming and La Finke and also, possibly, la Harry, broke the news this morning that busy working English thespian Henry Cavill is the new man from Krypton.

If, like me, your first reaction to the news is “Who’s Henry Cavill?,” the answer is that he’s best known as a macho nobleman on TV’s “The Tudors.”  The assumption is that producer-director Zack Snyder and company are going with a more ultra-masculine Superman in reaction to the underrated and underseen Brandon Routh, but thats probably jumping the gun. Let’s see what he actually does with the part. If, like me, you’ve never watched “The Tudors,” Cavill also played supporting roles in the 2002 version of “The Count of Monte Cristo,” and as the obnoxious Humphrey in Matthew Vaughn’s underrated and underseen, “Stardust,

I still haven’t decided just what I think of Zack Snyder as a filmmaker and I haven’t seen enough of Cavill to have a pre-opinion here though, just looking at some of his pictures, he seems a slightly better fit to me for either James Bond or Batman, both characters he was actually in the running to play. Still, my hunch is he’ll do fine. I would, however, like to remind casting directors that Americans can save producer’s substantial sums on dialect coaches. Or, let’s make the next 007 American, and in two or three years, when they decide to do a Harry Potter reboot (this time, he’ll be tougher and sexier) let’s make him a Yank as well. America’s acting superheroes needs jobs!

Oscar madness kicks into high gear at the DGA and SNL

People who want a real Academy Award horse-race got probably the best possible news last night at the Director’s Guild Awards. As you’ll no doubt be hearing many, many times over the next month or so, the DGA Award for Best Director and the Oscar for Best Director have only not lined up six times in the history of both awards. Also, of course, the directorial Oscar and the Best Picture Oscar often tend to correlate as well because, sometimes rightly but occasionally wrongly, most of the credit for a good movie tends to go to the director.

Those who remained confident that “The Social Network” remained the favorite for an Oscar sweep despite it getting beaten out in the number of Oscar nominations by two films, were given a sharp jolt because the winner last night was not David Fincher, but the extremely talented fact-based-drama specialist Tom Hooper of “The King’s Speech.” Count me among the surprised.

I’ll save for later why I still think the Oscars’ are either movie’s ball game or could easily be a sort split decision. However, in an amusing not quite coincidence, “Social Network” star and Oscar nominee Jessie Eisenberg had a small surprise of his own to reveal as he hosted “Saturday Night Live” last night.

Let’s see Colin Firth pull that off with King George VI. Also, Mark Zuckerberg can’t complain that he was misrepresented in terms of height, at least. H/t Nikki Finke.

The winner in the best documentary DGA category, by the way, was Charles Ferguson of the hugely acclaimed “Inside Job” which might actually guarantee that it won’t win the Best Documentary Oscar, because that’s the way the documentary category often rolls. We’ll see. For you TV fans, I’ll post/paste the complete list of DGA Awards (nice wins for Mick Jackson and Martin Scorsese,) after the flip.

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American Idol: Nashville auditions

Last night’s Nashville auditions on “American Idol” were as far on both ends of the spectrum as could be, but that’s what the producers of the show I’m sure would prefer. Here is how it went down…..

HOLLYWOOD BOUND
The duo of Chelsee Oaks and Rob Bolin was unique—they are formerly an item romantically but still are musically, and still live together despite the fact that Chelsee has a new boyfriend. Yikes. The whole thing was made even sadder by the fact that they were both really good, especially Rob. And both made it to Hollywood, with Steven and Jennifer proclaiming that they would get back together while in Hollywood…..Stormy Henley, a Miss Teen USA winner from Crossville, Tennessee, was pretty good but not great. J-Lo said no but Steven and Randy were enamored, just as Simon Cowell would have been without even hearing her sing….22 year old Adrienne Beasley, an African American from Kentucky with white parents who are farmers, had a great voice and Steven accurately pointed out that there is “something special in there”…..Jackie Wilson, 28, had the jitters but did a nice version of “Till You Come Back to Me,” and had the judges flipping out. I mean, she was good, but not that good….a few rapid-fire Hollywood bound folks were 25 year old Paul McDonald, 25 year old Jimmie Allen and Danny Pate, who did a cool version of “Papa Was a Rolling Stone”…..Matt Dillard, a 27 year old dude in overalls from south of Nashville, came from a family that takes care of foster children. Amazingly, this dude with overalls and a cowboy hat sang Josh Groban. It was weird, but really good….and they closed with 15 year old Lauren Alaina, from Roscoe, Georgia. This was also the sob story of the night, as she has been inspired by her cousin Holly, who is recovering from brain surgery but was on hand to cheer her on. Lauren was insanely talented, and Steven even said “I think we may have found ‘the one.’” I’m certainly not going to argue. She was that good…and only 15!

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Pike Speaks! – Luke Perry on a Whedon-less “Buffy” movie: “No Joss, no go.”

In the midst of chatting with Bullz-Eye.com about his new Hallmark Movie Channel flick, “Goodnight for Justice,” which premieres on January 29th, Luke Perry was willing to take a moment to weigh in on the idea of a “Buffy the Vampire Slayer” movie without Joss Whedon at the helm.

“No Joss, no go,” said Perry, who played the character of Oliver Pike in the 1992 film version of “Buffy. “They’d be fools to try to do it without him. They were fools to not include him as the director the first time. I hope he doesn’t feel bad about what they’re doing to his franchise, but clearly it’s not going to be the same thing without him.”

Whedon wrote the screenplay for the 1992 film. The television series based on the film premiered on The WB in 1997, then shifted to UPN in 2001, where it remained until its conclusion at the end of its seventh season.

Although the character of Pike survived the end of the film and has since reared his head in various “Buffy” comic books and novels, he never appeared in the television series. Nor – at least as far as Perry knows – was such an appearance ever considered. Perry does, however, have a theory as to why he was never invited to reprise his role.

BE: Had there ever been any talk of bringing your character, Pike, onto the series?

LP: No, I think he’s pissed at me…and I’m not sure why. But I think he’s pissed off at me.

BE: Well, hopefully, these words you’ve just said will help your cause.

LP: I hope so! I’d prefer that he not be pissed off at me.

BE: Plus, you know, he’s directing “The Avengers.” You don’t want a guy with that kind of power mad at you.

LP: Oh, I don’t give a shit about that. It’s not like he’s going to call me up and say, “Hey, Luke, you want to be one of the Avengers?”

BE: Oh, I didn’t mean that.

LP: Yeah, I just…I’d just like to think that everybody I’ve worked with had a good time. Potentially, Joss did not, and I don’t know if they treated him that well on that movie.

Check out the rest of the interview here…and don’t forget to catch “Goodnight for Justice” on January 29th!

American Idol: sometimes soft judging is okay

One thing that was in clear view last night on “American Idol’s” Milwaukee auditions was that the trio of Randy Jackson, Jennifer Lopez and Steven Tyler are somewhat soft. Way softer than Simon Cowell was. A few times last night (and it was rare) when they didn’t all agree, it would come down to Randy or Steven having to be the ultimate decision maker, and every time they voted yes even if their heart was telling them no. Funny, maybe wrong, but I kind of liked it. I mean, why not give someone a chance if they show potential, and let Hollywood week decide if it’s for them or not? Part of Cowell’s problem was that he would quickly write someone off based on their looks alone, and that was just stupid. I mean, Kelly Clarkson isn’t exactly a beauty queen but she could belt it, and that’s why she won…and hopefully the show gets back to some of that.

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