Category: TV (Page 155 of 595)

Battlestar Galactica: The Plan

“Battlestar Galactica” is the gift that keeps on giving. First, we learned that its prequel/spinoff, “Caprica,” will debut on Syfy in 2010, and this Tuesday “Battlestar Galactica: The Plan” hits the shelves. It’s a 110-minute look at the planning, execution and aftermath of the Cylon attack on the colonies, completely from the Cylon point of view.

The film’s timeline spans from about two weeks before the attacks all the way through the initiation of the human-Cylon truce. It revolves around two copies of Number One that develop two very different perspectives. The original plan was to annihilate the human race completely, but when that plan fails, “Brother Cavil” orchestrates a Plan B as part of the fleet, interacting with and directing Leoben, Doral, Boomer, a couple of Sixes and a Four. The film re-visits a few key moments of the series, including the initial attacks, Boomer’s failed assassination attempt and subsequent murder, as well as Kara’s visit, incarceration, escape and return to Caprica.

The story jumps ahead and around, and it takes a good understanding of the “Battlestar Galactica” mythology to keep up. Newbies who are considering jumping into the series should not — I repeat SHOULD NOT — start with “The Plan,” for three major reasons: 1) this was meant as an epilogue, not a prologue, 2) it could be extremely confusing, and 3) there are way too many secrets that would be revealed in one fell swoop. Don’t do it.

Since the Number Ones really came up with the plan, Dean Stockwell sees a ton of screen time and carries it beautifully. It’s interesting to watch the embedded Cylons, sleeper agents and Final Five interact when only the embedded Cylons really know what’s going on. They try to manipulate the humans and Final Five, with varying degrees of success. The straight-to-DVD version is uncensored so there is some gratuitous nudity and a sex scene. It’s so gratuitous that it feels completely out of place.

Qualms aside, “The Plan” is a compelling look at a big part of the series run and is a must-watch for those fans who want to see some of their old friends once again.

In addition to filmmaker commentary, special features include a featurette that follows director Edward James-Olmos around for a day, a series of interviews with the actors who play the key Cylons, a behind-the-scenes look at the planning and execution of the special effects behind the Cylon attack on the colonies, and a featurette that explores some of the visual effects added during post-production of “The Plan.”

Click here to buy “Battlestar Galactica: The Plan” on DVD
Click here to buy “Battlestar Galactica: The Plan” on Blu-ray

The Unit: Season Four

“The Unit” focuses on a clandestine group of highly-trained soldiers as they execute military missions all around the world. Those that gave the show a try in its first season might want to take another look. “The Unit” struggled early on to find a balance between the intense and compelling military missions (that made male viewers happy) and the sometimes mundane home-front storylines (that kept the female viewers happy). Over its last two or three seasons, the missions have been its focus, and the series has thrived because of it. Season Four is no different.

The soldiers’ families are still a big part of the season-long storyline, but now those families are peripherally to heavily involved in the soldiers’ actual missions. The season starts off with a bang when someone tries to execute the President, Vice President, President-Elect and Vice President-Elect at the same time. The unit is tasked with investigating this conspiracy and bringing the wrongdoers to justice. Since this mission is executed in country, the soldiers’ wives and families become involved.

While the writers didn’t know until the very end that the show would be canceled, they did a pretty nice job of wrapping up several series-long storylines. For example, in the two-part episode, “Into Hell,” Col. Ryan (Robert Patrick) has to answer for having affair with one of his subordinate’s wives. Also, the team leader, Jonas (Dennis Haysbert), sees his marriage falls apart as he faces his own future (and mortality) with the unit.

Special features include a few deleted scenes and three featurettes. “Into Hell: A Brotherhood Divided” focuses on the aforementioned two-episode finale to the Col. Ryan affair story arc. “Shadow Riders: A Western Come Undone” reveals how the show used the California desert as an Afghanistan-like backdrop. And “Snake Doctor: A Leader Among Us” follows Dennis Haysbert as he directs an episode.

During its last two or three seasons, “The Unit” was one of the best shows on television, and the 22-episode Season Four provides a satisfying ending to the series run.

Click here to buy “The Unit: Season Four”

The Next Iron Chef: sweet, savory and see ya

Last night on Food Network’s “The Next Iron Chef,” the contestants were asked by the chairman to create two dishes using a secret Mexican-themed ingredient, tamarind. I’m not sure what it tastes like, but I think it’s tangy along the lines of miso paste. Anyway, they were asked to create two dishes–a savory and a sweet, with 90 minutes to both shop and cook. Chef Mullen began with a 5 minute advantage because he won the previous challenge.

After shopping, the chefs went to work, with chef Mehta once again trying to make ice cream. Host Alton Brown wandered over to Mehta and started giving him a hard time, but the chef was adamant he was making the right choice. Meanwhile, chef Appleman was using a pressure cooker to make his soup, and he wound up burning it but still saving what was not burnt. Then with a few minutes remaining, the chairman threw another twist at them–they had to make a drink as well, also with tamarind incorporated. Yikes.

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Mad Men 3.11 – And Who Are YOU Supposed To Be?

First things first: my thanks to Bob Westal for ably filling my shoes last week while I was in the UK. Alas, I was so busy covering the press junket for “Pirate Radio” that I wasn’t able to hunt down the home office of Putnam, Powell, and Lowe. Oh, well, maybe next time…

Betty is packing her bags when the episode begins. Will it prove to be prophetic…? We’ll see, but it certainly doesn’t seem to bode well that A) she and the kids are heading off for a week at her dad’s old place, and B) her last moments with Don involve him…well, not so much lying to her face about his stash o’ cash as unabashedly avoiding giving an answer when she asks if he has any money lying around. But, even so, you can tell she’s still damned well pissed at him, and given all of the confusing information that she’s found out about him through the contents of the drawer, you can’t blame her.

Mad Men - Don Draper in fedora hat and overcoat

We meet Annabelle Mathis, heiress to a fortune in dog food as a result of her husband’s unfortunately demise at the age of 51…and, boy, the look Roger cut to Don when he was lighting up just as Annabelle was revealing that her husband had died of lung cancer was priceless. Don’s given the opportunity to take a shot at the campaign (apparently, Sterling-Cooper used to have their business, but, per Bert Cooper, “Her father was a son of a bitch”), just so long as he follows two cardinal rules: don’t change the recipe and don’t change the name. What’s the connection between Roger and Annabelle? Well, there was clearly a relationship of some sort back in the day. At first, it sounded like an extra-martial affair, since she asked him if he’s still married, but it’s later revealed that their coupling was quite some time in the past…not that either one of them has forgotten it. It’s to Roger’s credit that, despite the amount of alcohol in his system, he still doesn’t take advantage of the opportunity for post-dinner entertainment that Annabelle offers him.

Speaking of Roger’s extra-marital affairs, Joan is trying to help her husband prepare for job interviews, and in the process, she learns that his father had a nervous breakdown. Somehow, that stands to reason. The next day, she decides to call Roger and, although she won’t ask him for her old job back, she’s not above asking him for assistance in finding a new gig. The two of them have a nice, flirtatious conversation that harks back to earlier seasons, making for one of the most pleasant scenes of the episode, and although it doesn’t entirely pay off for Joan yet, Roger does indeed start making calls on her behalf. Things don’t go nearly as well for Dr. Greg, however, who promptly does an emotional bellyflop during his interview, then comes home and takes his annoyance out on his wife. She, however, responds in turn, clocking him over the head with a vase and leaving him to pick up the resulting broken glass by his damned self. “Oh, shit,” indeed. You go, Joan. But by episode’s end, we’re left wondering if maybe she gave him a concussion, as he returns home to tell her that he’s joined the Army. Just the mention of Vietnam and the throwaway line when he references it, saying, “If that’s still going on…” is a sure sign that he’ll be going over there and probably never coming back.

The dog food test for Calcott Farms goes so horribly bad, with the participants immediately recognizing the name, that Don orders Peggy to turn it off, leading to one of the funniest lines in the episode: “I can’t turn it off. It’s actually happening!” And then…

Oh, but you don’t want to hear any more about this stuff, do you? Let’s get to the real meat and potatoes of the episode: Don and Betty.

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Nip/Tuck: Season Five, Pt. 2

The press release for this set finishes up with two sentences: “And Liz says ‘I do’ to the last person you’d imagine. Time to stretch your imagination, fans.” When even the marketing department can no longer take a show seriously, it must be “Nip/Tuck.” As a fan since day one, I’m past resenting the show for failing to be as good as it once was, and have moved on to embracing “Nip/Tuck” for the freakshow it’s become. How freaky you ask? Well, in one episode, when Dr. Troy (Julian McMahon) refuses to give a woman an unnecessary mastectomy, she performs the surgery on herself – in the lobby of McNamara/Troy – with an electric carving knife.

Never a show to be too far behind the times, another installment features a pair of lovers who’ve taken their vampiric bloodlust a bit too far. You’ve seen these folks at goth clubs, I’m sure, but have secretly hoped it was all an act. “Nip/Tuck” is here to show you that the freakshow never ends, and that people do indeed partake in mutual bloodsucking. Surely the most outrageous display of hedonistic debasement comes in the form of the guy who likes to fuck furniture. If I hadn’t been laughing so hard, I might have turned away. What’s most noteworthy about this block of episodes, is that there isn’t a villain in the traditional “Nip/Tuck” sense – no Carver, or Escobar – although Eden (AnnaLynne McCord) does show up a couple times to fan a few flames.

In other news, Kimber (Kelly Carlson) wants to inject collagen into her baby daughter’s lips so she can get a head start on a successful modeling career. Sean (Dylan Walsh) is babied by a girl when he pretends to be an invalid. Later on in the half season, he dates Dr. Teddy Rowe (Katee Sackhoff), and they experiment with hallucinogens in the desert when they aren’t having sex in strange houses. Julia (Joely Richardson) heads back to New York after a tragedy, and Matt (John Hensley) does a huge favor for a McNamara/Troy intern (Adhir Kalyan), after the boy is asked to perform his father’s penis lengthening surgery. In another episode, a patient asks that his member be decreased, as he can’t stop fellating himself; Bradley Cooper’s Aidan returns for this installment, pitching Sean a movie based on his life. And in the biggest news of all, Christian dates Liz (Roma Maffia) in a storyline that by no means should work, and yet miraculously does.

You’ll hate the final moments of the season, and accuse the show of selling out, but hey, haven’t we been making this accusation for several years now? “Nip/Tuck” hasn’t sold out as much as it’s bought into its own trashy hype. It’s ambling toward the finish line of 100 episodes for syndication purposes, and the writers are having a field day unleashing an enormous amount of tasteless depravity along the way. It’s become very much of a drug in that respect. When it’s good, it’s really, really good; when it’s bad, it’s still there for the doing, and I, for one, choose to continue jabbing the needle deep into my arm.

Click to buy Nip/Tuck: Season Five, Pt. 2

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