Category: TV Sci-Fi (Page 8 of 81)

TCA Press Tour, Summer 2010: Day 3

Day 3 of the TCA Press Tour continued with the CBS family of networks, offering us a split day between Showtime and The CW…and if I’m to be honest, my enthusiasm was decidedly higher for the former. I’ve made this comment before, but The CW so unabashedly caters to an audience that’s far younger and prettier than myself (or, really, almost anyone I interact with on a regular basis) that it’s hard for me to get but so excited about their shows…but, of course, that doesn’t mean I won’t be reporting on them, anyway. First up, though, is Showtime, which I am excited about. Seriously, it’s reached the point where I’m pretty sure I prefer Showtime to HBO.

There, I said it…and it feels good.

Showtime Introductory Remarks

Matthew C. Blank, Chairman and Chief Executive Officer of Showtime, took the stage to welcome the assembled throng, then launched immediately into a series of announcements and remarks, including the following:

“Weeds” guest stars: Richard Dreyfuss, Alanis Morrissette, Jennifer Jason-Leigh, Mark Paul Gosselaar, Peter Stormare, and Linda Hamilton.

“Dexter” guest stars: Julia Stiles, Peter Weller, Maria Doyle Kennedy, Shawn Hatosy, and Jonny Lee Miller.

“Californication” guest stars: Carla Gugino, Rob Lowe, Tommy Lee, Zoe Kravitz, Michael Ealy, and Callie Thorne.

Liam Neeson will be joining his former “Kinsey” co-star Laura Linney for an episode of her new Showtime series, “The Big C.” Also guesting on the show: Cynthia Nixon and Idris Elba.

The network has committed to ten episodes of “Web Therapy,” a comedy developed by and starring Lisa Kudrow.

“Nurse Jackie” and “United States of Tara” will be both be returning for third seasons, as will “Secret Diary of a Call Girl” for Season 4.

Producer John Wells is premiering his new Showtime series, “Shameless,” starring William H. Macy and Emmy Rossum, on January 9th. Also coming in 2011 is “The Borgias,” starring Jeremy Irons and created and executive-produced by Neil Jordan, who’s directing the series’ first two episodes as well. The trailer for “Shameless” looks like the start of another great dysfunctional-family drama for Showtime, and…well, actually, I guess you could say the same of “The Borgias,” although they haven’t really filmed enough of it yet for us to get much of a feel for it. Most of what we were shown was interview clips with Irons and Jordan and footage from the photo sessions for the series, so all I can really confirm is that it looks awesome…but, then, what else would you expect from the network that brought you the gorgeousness of “The Tudors”?

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True Blood 3.6 – Big Hat, No Cattle

Now that’s what I call an opening!

The King drags Sookie into the royal mansion as Lorena’s coming down the grand staircase, Eric and Talbot stroll in, and Bill – who’s kind of been bringing up the rear – is thrown to the floor and declared to be a traitor. Instead of giving up the ghost, though, Bill stakes the King’s bodyguard and attempts to take down His Majesty, too. It proves a laughable effort, however, as Bill is shunted upwards into the ceiling and then comes crashing down on the staircase. Ouch…but now we cue Eric, who steps in and immediately starts sucking up to the King, telling him he’d better hold on to this fine new filly he’s found himself.

Really, you can’t blame Sookie for her response: “Eric, what the fuck?”

There’s a whole lot of pissed-off people in the royal mansion: Talbot’s annoyed that the King isn’t giving him any say in what goes on in their homestead, and Lorena’s angry that Bill’s being sent to the slave quarters to be slain. I’d love to see a cat fight between Lorena and Sookie, I surely would. Lorena might want to wear Sookie’s ribcage as a hat, but I still wouldn’t count Sookie out of any such fight.

The clientele at Merlotte’s is far more discerning that I would’ve expected. Anyone asking the help how the peas are served in that place deserve whatever answer they get…or whatever they find in their peas. Obviously, there’s still some serious flirtation going on between Lafayette and Jesus, but we’ll get back to that in a moment. First, we should have a laugh at the whole Arlene / Jessica plot thread. I laughed at just about every moment those two shared tonight, whether it was Jessica’s fangs popping out when Arlene cut her finger, Arlene’s completely horrified reaction (particularly her concern that her pregnancy made for an added temptation), or – most hilariously – Arlene’s assurance that she takes garlic supplements. In the end, Jessica offered an olive branch of sorts by getting Curlers to offer up a tip before offering herself up as a snack…and, hey, nobody got killed! Looks like Jessica learned something from Pam after all…

Okay, back to the Lafayette / Jesus flirtation. Jesus talked about his past, and, amazingly Lafayette actually seemed to be falling for him, though he clearly was taken aback by the concept of taking it slow. Things looked like they were getting pretty sweet between them…and then, a little later, they suddenly weren’t. Oh, sure, they did double-team the hillbillies like they were Jean Claude Van Damme and Dennis Rodman, but as soon as Jesus learned that Lafayette was a dealer, things went south in a hurry. This, of course, begs the question as to whether or not Lafayette cares enough about Jesus to consider trying to get out of the game…and if Eric will let him do so.

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Doctor Who 5.13 – The Big Bang

And so we come to yet another season finale of the greatest science fiction series ever created. This is the recap I’ve been both anticipating and dreading writing in equal parts since first seeing “The Big Bang” some weeks ago; anticipating because of how much I adored this finale, and dreading because there’s no way I can do it justice in a mere recap. It’s not even an issue of space or time (or is it?), it’s a matter of the story, as well as the 12 episodes prior to it, being too dense to dissect thoroughly. You’ll have to forgive that this doesn’t resemble a recap proper, and I instead ramble on about other issues.

I didn’t go into “The Pandorica Opens” and “The Big Bang” expecting a whole lot, conditioned as I am on Russell T Davies’s extravagant-yet-ultimately-lightweight season finales. Don’t get me wrong, they were most always a great deal of fun, but they most always left me somewhat wanting – excepting Season Three’s Master trilogy, although I’m not sure that’s in line with popular opinion. Oh, and “The Parting of the Ways.” Wait a minute…I loved most of his finales! But I often felt as if they didn’t go as far as they could. Part of the way through the current season the Pandoricrack, as I’ve come to call it, started to annoy me, and I began not so much resenting the thread, but rather simply dismissing it – assuming that whatever it was about wouldn’t be terribly thrilling. It turned out to be not only thrilling, but strange and deep and stimulating. This was Steven Moffat’s trademark “Wibbly-Wobbly, Timey-Wimey” taken up to 11. (Maybe next year will go to 12?) This two-part finale forces viewers to go back and reexamine most of the season, and that isn’t something that can really be said for the Davies finales, which isn’t to imply they’re inferior. More on that later…

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True Blood 3.5 – Where’s Your Badge? Where’s Your Gun? Where’s Your Shirt?

“Mmmm, spicy!” So says Talbot, the close personal friend of the Vampire King of Mississippi, as he takes a big whiff from Tara, who’s tied up next to the dining room table. Franklin tells him to piss off, and so it is established immediately that these two aren’t exactly thrilled with each other, a fact which is decidedly underlined by the breaking out of the fangs a few moments later. (In fairness, Franklin called Talbot “the cleaning lady.” Not cool, man.) Before the two can really get down to business, though, Bill, Lorena, and the King are back in the building…and, oh, the look on Tara’s face! And it only gets worse when Bill is totally dismissive of her plight. While meeting with the King, we learn that Franklin has a history of causing trouble amongst humans, but for what it’s worth, he seems to legitimately like Tara…not that it makes him any less batshit crazy.

So was it just me, or was that a ridiculously anticlimactic departure from the were-club? Unless my memory is failing me, Alcide told Sookie to run, she ran, and…the next thing we see, they’re driving off together in the truck? I feel more than a little bit gypped. Anyway, Wereboy’s busy reminiscing about the good ol’ days with his ex-girlfriend, Debbie, while Sookie’s intuition has convinced her that Bill’s connected to Russell in some capacity or other. That girl’s got a nice set of instincts on her. There’s also a touching moment when Debbie stops by to scream at Sookie, at which point it’s like we’ve stepped into an episode of “The Jerry Springer Show,” but the scene serves to confirm that Debbie doesn’t know anything about Bill.

Eric turns up at the King’s pad, duly impressing Talbot, who’s pretty clearly undressing him with his eyes. Unfortunately, the discussion between Eric and the King goes south almost immediately when Eric tries to blame Bill for all the shenanigans back in Bon Temps, only to have Bill step out of the shadows behind him. As usual, the tension between Bill and Eric was palpable, which was good to see again, and I loved the expression on Eric’s face when he absorbed the information that Sookie was now a free woman. So maybe everyone can work together like one big happy vampire family? Yeah, I’ll believe that when I see it…

I just don’t know what to make of this whole Franklin / Tara storyline. She’s petrified, he’s crazy…nah, I’m just not seeing a future in it. And, clearly, neither is Tara, given the way she manages to cut herself free and make a run for it. I’m a little skeptical that she could’ve succeeded in escaping from literally under a vampire’s nose, but it doesn’t matter, anyway, since she ends up getting chased and captured by a werewolf. So he’s planning to turn her and make her his vampire wife, huh? Cue another freaked-out expression from Tara.

Things in the sheriff’s office have clearly gone to shit since Sheriff Bud left. Looks like Andy’s dealing with Jason’s threats of blackmail by giving him a gig, and, man, are the deputies pissed about it. Clearly, the desk job isn’t exactly what Jason signed on for, as was proven with the comedy montage of him performing that brilliant paperclip limbo, smearing fingerprint ink everywhere, and so forth. It was deeply dumb, yes, but I laughed in spite of myself. Andy’s managed to pull some strings for Jason, but even so, he’s still got to take a handwritten exam, which is his worst nightmare…literally. A bit later, while he was out washing cars, he spotted the cute blonde driving by. Frankly, I’d all but forgotten about Jason seeing that girl in the woods, but I enjoyed the Flatt & Scruggs styled music playing while he was in hot pursuit. Again, watching him approach her truck wearing nothing but pants and sunglasses was so completely ridiculous that I had to laugh. Although he invites her to meet him at Merlotte’s later in the evening, it looks as though she’s stood him up…until he strolls outside and sees her walking away. They end up wandering into the woods, where they make out and she says cryptic things like, “There’s no forever for us, only now.” What’s her deal, anyway?

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Doctor Who 5.12 – The Pandorica Opens

From the very first scene, “The Pandorica Opens” is an ominous piece of work. France, 1890. Vincent van Gogh (Tony Curran) writhes in mental torment, presumably in the last days of his life. It appears that he actually did paint another piece, and it’s somehow tied to the Doctor. After the Doctor and Amy left Vincent at the close of “Vincent and the Doctor,” the Time Lord asserted that “we definitely added to his pile of good things.” Maybe they did, but it appears they added to his pile of bad things, as well. The implication even seems to be that by introducing Vincent to his universe, the Doctor may have played an inadvertent role in the artist’s suicide. Dark stuff indeed. But what is the painting? Bam! All of a sudden we jump to London in 1941 and we’re with Winston Churchill (Ian McNeice) and Professor Bracewell (Bill Paterson), who now have the van Gogh painting. Bracewell insists that it’s Churchill’s job to deliver the art. Bam! A containment facility in 5145. River Song (Alex Kingston) is on the receiving end a phone call from Churchill meant for the Doctor. Swiftly she makes an escape thanks to the hallucinogenic lipstick. Bam! The Royal Collection, still in 5145. Presumably we’re back onboard the Starship U.K. and the van Gogh painting waits for River, having been added to the collection by Churchill 3200 years prior. Liz Ten (Sophie Okonedo) makes a reappearance. Bam! Still in 5145, River blackmails an alien dealer into giving her a vortex manipulator. Through this series of efficient sequences, it’s as if Steven Moffat is asking, “Have I got your attention now?” He most certainly does.

In the TARDIS, Amy (Karen Gillan) ponders the wedding ring, while the Doctor (Matt Smith) hatches a plan to take her to the oldest planet in the universe to see the oldest piece of writing, which is chiseled onto a cliff face. The TARDIS doors open and the translators show the words as “Hello Sweetie.” Bam! Britain, 102 AD. The TARDIS arrives in front of a Roman army, and Amy mentions that Roman soldiers were her favorite topic in school. A soldier, whose face is smeared with lipstick, mistakes the Doctor for Caesar and takes the pair to see Cleopatra, whom River is impersonating. Finally we get to see the painting, which shares its name with this episode, and it’s a vision of the exploding TARDIS, painted exactly as we’d imagine van Gogh would paint such a vision. (Surely poster prints of this will be available for fans to hang on their walls any day now? I know I’d buy one.) Finally, seven minutes into the episode, we get the opening credits.

And thus begins what’s easily the most ambitious setup for a season finale the new series has yet done. “The Pandorica Opens” is positively cinematic in scope, direction, editing and, of course, writing. These setup installments were never this good in the Davies era, and it’s almost a shame it isn’t the season finale proper, as it would be an unbearable, months-long wait to see the resolution to everything this episode does. It would be the “Doctor Who” equivalent of Part One of “The Best of Both Worlds,” which ended the third season of “Star Trek: The Next Generation.” In fact it’s somewhat strange that “Doctor Who” – a show infamous for its end of episode cliffhangers – has yet to end a season on any kind of serious hang (stuff like regenerations or Donna suddenly appearing in the TARDIS doesn’t really count). The feeling I got watching “The Pandorica Opens” is the exact same feeling I got while watching the last 20 minutes of “Utopia” from Season Three – only this thing kept up that level of intensity for nearly a whole hour.

The episode shifts into an almost “Indiana Jones” type of piece for a while, as the trio of time travelers make their way to a secret area beneath Stonehenge, to find the massive Pandorica prison, which is somehow tied to the exploding TARDIS. Whatever’s housed in it is the most feared thing in the entire universe. As with the Romans, Amy mentions that the story of Pandora’s Box was a favorite of hers as a child. This catches the Doctor’s attention, but there’s too much going on for him to focus on it. The box finally begins opening – from the inside, no less, but it’s a process that could take hours, as there are many locks and mechanisms to work through, and so the tension continues to ratchet upwards.

The Doctor: “Think of the fear that went into making this box. What could inspire that level of fear? Hello you. Have we met?”

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