Category: TV Sci-Fi (Page 56 of 81)

Heroes 3.9 – It’s Coming…But Is It Something Good? (Could Be! Who Knows?)

Aaaaaaaand we’re back in the present again. But was it worth the trip?

Well, as goofy as they were, I have to admit that I enjoyed the breeziness of the segments with Hiro and Ando, though to do so required me to set aside my uncertainty about what the hell had happened to Hiro in the first place. I mean, we’ve seen Brother Voodoo make with the mind wipe maneuver, but based on the way Hiro was screaming, I figured Papa Petrelli was all but ripping his brain to shreds, and when he announced that he thought that he was 10 years old, my presumption was that Papa had wiped out everything he’d known prior to that age. But given Ando’s conviction that he can trigger Hiro’s memories to return, I guess we’re supposed to presume that Papa now has the ability to inflict hysterical post-traumatic amnesia…? Well, fair enough, then. It’s not like it’s the most ridiculous conceit I’ve had to buy into with this series. The scenes in the bowling alley were silly fun, and as a geek of the highest order, Hiro’s rant about the changes in comic books was very much of the “it’s funny ’cause it’s true” variety for me.

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It’s here: the new ‘Star Trek’ trailer.

Check it out.

What do you think? Personally, I was already jazzed, but now I officially cannot wait for May 8, 2009. The following admission will no doubt result in several of my friends declaring me to be dead to them, but if I’m to be truthful, I’m more excited about this film than I was to see “The Phantom Menace.”

True story.

Greetings to the New Series: “Batman: The Brave and the Bold”

You can never have enough “Batman” cartoons…or, at least, that’s what Cartoon Network is hoping.

It was only March of this year when the most recent animated incarnation of The Dark Knight – “The Batman” – ended its five-season run, but with the billion-dollar success of the most recent feature-film adventure of Gotham City’s most famous crimefighter, it’s no surprise that Bats would turn up again. What is surprising, however, is the decision to bring him back via a concept that completely dismisses the darkness and “forever a loner” feeling of “The Dark Knight” in favor of a bright and colorful weekly team-up series.

Not that I’m complaining, mind you. As someone who grew up reading comics in the 1970s, I loved Batman’s team-up title, “The Brave and the Bold.” And Superman’s “DC Comics Presents.” And, hell, as long as I’m geeking out, I regularly bought “Marvel Team-Up,” “Marvel Two-in-One,” and even “Super-Villain Team-Up.” It was always a blast to see who was going to turn up in these comics, and the more obscure the hero, the better. Batman and the Metal Men…? Check. Superman and Air Wave…? Sweet. The Thing and Brother Voodoo. Awesome. Spider-Man and the original Not Ready for Prime Time Players of “Saturday Night Live”? Oh, hell, yes.

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“Mad Men” tops Bullz-Eye’s 2008 TV Power Rankings

It’s been nine months since the writers’ strike shook up the entertainment industry – forcing some shows to shut down production for the rest of the season and leaving others to scramble for survival – and television still isn’t the same. Many of our favorite shows have yet to return to form (here’s looking at you “Heroes”), while some (like Power Rankings newcomer and new #1, “Mad Men”) have risen to the occasion and helped fill the void. If there’s any pattern to this year’s TV Power Rankings, however, it’s that there is none. While NBC’s reign in the top 10 continues, a dozen of the 20 shows below didn’t make the cut last year, and nine of those 12 are making their Power Rankings debut (“The Shield,” “The Daily Show” and “Family Guy” have popped up in previous editions). Still think the writers’ strike didn’t have a lasting effect? Think again.

Below you’ll find some sample entries, but be sure to check out the full list, where you’ll also find links to DVD reviews and interviews, as well as some Honorable Mentions and our list of favorite shows currently on hiatus.

1. Mad Men

In any sane world, Matthew Weiner’s “Mad Men” would not be on any “power ranking,” much less in the #1 spot. This supremely stylish drama about the alcohol-soaked, nicotine-stained, sexual harassment and adultery-friendly lives of early ‘60s advertising execs started out as a low-profile curiosity from a former member of the writing staff of “The Sopranos.” Still, with some help from ecstatic reviews and the Emmys, the show has emerged as first-class appointment TV and a launch pad for at least one potential superstar in Jon Hamm. As the metaphysically secretive Don Draper, Hamm knocks back too many Old Fashioneds while casually invoking the sort of grown-up masculine charisma of classic era film stars Gregory Peck and William Holden. Better yet, Season Two saw the show’s large and very strong cast of supporting characters become even stronger and more layered as the subject matter grew bolder. A semi-surreal late-season left turn with a roving band of wealthy Euro-bohemians was just the tip of the iceberg as rape, nuclear annihilation, religion and the meaning of existence were broached, with vaguely disturbing yet highly entertaining and sexy results. “Mad Men” cannot be pegged, and that’s the best thing about it.

11. How I Met Your Mother

We were close. We were so damned close. Creators Carter Bays and Craig Thomas had teased us for three years, but we were sure that Ted Mosby (Josh Radnor) had finally found the mother of his kids in Stella Zinman (Sarah Chalke). Of course, as we now know, we were wrong, but it was a hell of a ride getting there. Last season, “How I Met Your Mother” found the largest audience of its history as a result of scoring a pair of guest appearances by the superstar train wreck that is Britney Spears. And, even more impressively, she was really funny. Greeted with these new viewers, the series rose to the challenge of keeping them on, offering us Ted and Stella’s courtship, Robin’s rebound relationships, Marshall looking for work, Lily dealing with her credit crisis, and Barney banging as many babes as possible. We’re still not sure about this new wrinkle that Barney’s pining for Robin, but we trust that Bays and Thomas won’t turn it into a jump-the-shark situation. Or if they do, they’ll do it with a knowing wink and a smile.

17. Sons of Anarchy

If you took all the best parts of “The Sopranos” and “The Shield” and smashed them into one show, you’d have something that looks a lot like “Sons of Anarchy.” Created by “The Shield” co-writer and executive producer Kurt Sutter, the series is more Shakespearean than anything on television. It’s essentially a retelling of “Hamlet,” but instead of Danish royalty, they’re a California biker gang. There’s Jax (Charlie Hunnam), the second-in-command; his mother, Gemma (Katey Sagal), the very definition of a queen bee; and his step dad Clay (Ron Perlman), the club’s hard-nosed president and best friend of Jax’s deceased father. Heck, there’s even an Ophelia in the group – Wendy (“The Sopranos” alum Drea de Matteo), the drug-addicted mother of Jax’s newborn son. The theme of family and brotherhood is something that was explored in great length in both “The Sopranos” and “The Shield,” and it’s the driving force behind “Sons of Anarchy.” Add to that a supporting cast made up of some of the best tough guy character actors in the business (Tommy Flanagan, Mark Boone Junior and Kim Coates) and a multi-episode guest stint by Jay Karnes and you’re looking at a top nominee for Best New Show of the Season.

Terminator: The Sarah Connor Chronicles 2.8 – You’ve got a different point of view

They got clever on us this week with “The Sarah Connor Chronicles”…or did they? Yes, the decision to tell the same story from multiple perspectives – think “Election,” only without the blowjobs, bee stings, and Ennio Morricone theme music used for comedic effect – was unlike anything “Terminator” has thrown at us to date, but there is one small problem with it. Unlike the great, great “Election,” every character in this “Terminator” episode has the exact same perspective. The title cards may have said “Sarah’s Story,” or “Cromartie’s Story” (which I will admit I found amusing that he merited his own bit), but the truth is there was only one perspective, and several different camera angles to that perspective.

For a moment, though, I thought I’d be calling this blog “The Death of Riley” (Lightning Seeds fans, all six of them, just nodded knowingly), because they seemed to be telegraphing her death from the moment we first see Riley and John on the bus. You’ll only bring her danger, Sarah warns him. You’re doing something stupid, Cameron warns him. It seemed tragic but fitting that John would take Riley somewhere in an attempt to escape the harsh realities of his life, only to get her killed in the process. But then my wife reminded me that this is the beginning of sweeps, and they’re probably saving Riley’s death for the end of sweeps. Fair enough.

Kiss me. Deadly.

The really funny part is that when Cameron commented about how dumb John was being – while on his bed with him and stripped down in her most fucktastic outfit to date, which makes me think my prediction that John and Cameron ultimately get it on is still in play – she had no idea exactly how dumb John was about to be. Running off with Riley is one thing, but John decides to take her to the one place on Earth where people might recognize him: the city in Mexico where he and his mom stayed for years. As Paul Reiser said in the classic Thanksgiving episode of “Mad About You,” that wouldn’t have been my first choice. And, of course, it ends poorly, with John and Riley getting arrested and ultimately showing up on the FBI’s radar, which brings Ellison into the mix. Ellison ultimately helps save John, but things will never be as easy for any of them again.

Will Ellison say anything to Catherine Weaver about the “death” of Cromartie? She’s been looking for Cromartie, after all, though we still don’t know why. Does she want his chip in order to assist the development of the AI program she’s working on? And will she vow revenge on the Connors now that Sarah has crushed that chip into dust? Will the showdown between Catherine and Sarah, like Cromartie’s death scene, be shot in a Mexican church like a Robert Rodriguez movie? Tune in next week to see if Skynet finally pushes the History Eraser button.

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