Category: TV Sci-Fi (Page 54 of 81)

2008: The Year in TV – Ross Ruediger

Unfortunately I’m the kind of guy who’s lousy at making lists, because I always feel I’m going to leave off something important. So this year, my list is the shortest so it’s obvious I left many things off. It was a pretty good year for TV, and with so many good shows bidding adieu, I worry that next year’s list will be short simply because there won’t be enough quality stuff to fill it out.

TOP 3 SHOWS

1. “Torchwood,” BBC America

Torchwood

Normally, “Doctor Who” would take the top spot on my year-end round up of favorite shows, but this year the spin-off series “Torchwood” was so strong that I’m giving it up to Captain Jack. Its sophomore season navigated an intense and fresh sci-fi vibe that was perfect for the here and now. The thing is that at this point both series (along with the more kiddie-oriented “The Sarah Jane Adventures”) have all become slices of one another. It’s the “Who”-niverse…and in order to see the bigger picture, one must be aware of every facet. The three series work apart from each other, yet gel into a whole via awareness. In any case, this year “Torchwood” delivered stronger material than Season Four of “Who,” which, while refreshing, is a trend I’d like to see reversed once Steven Moffat begins guiding the Doctor in 2010.

2. “Boston Legal,” ABC
After a somewhat tepid fourth season, the halls of Crane, Poole & Schmidt came roaring back to life for an abbreviated 13-episode final season. Nearly every installment this year has been a keeper, and David E. Kelley has done a fantastic job of balancing his usual political grandstanding with eloquent moments of character-driven drama and comedy. At the time of writing, the 2-hour series finale has yet to be unveiled, but there isn’t any reason to believe it’s going to be anything short of an ideal sendoff for James Spader, William Shatner, and Candice Bergen. The show began life as a spin-off of “The Practice“; now, if only the TV gods would allow Kelley to spin a series off “Boston Legal” that follows the relationship of Jerry Espenson (Christian Clemenson) and Katie Lloyd (Tara Summers), I’d be perfectly content to see this show ride off into the sunset.

3. “The Shield,” FX
For some reason, it almost seems easy to want to dismiss the end of the saga of Vic Mackey…but, really, that would be just plain wrong. Shawn Ryan and his cohorts have steadily delivered under-the-radar goods for 7 seasons, and the missteps have been few and far between along the way. I’m not going to miss “The Shield” like I would many a show that’s wrapping things up…like “Boston Legal,” for instance. No, this show ended at exactly the right time and on exactly the right series of corrupt, violent notes. But speaking of spin-offs, who wouldn’t want to see a half-hour cop comedy series centered around Dutch Wagenbach (Jay Karnes) and Steve Billings (David Marciano)? OK, perhaps that’s a tad over the top, so I’ll settle for a drama focused solely on Dutch, who’s had the good sense to move as far away from Farmington as possible.

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Terminator: The Sarah Connor Chronicles 2.12 – Sydney saved my life tonight, sugar bear

Remember the scene in “Animal House” where Pinto takes the checkout girl to the Delta Tau Chi toga party? She gets drunk, they fool around, and then she passes out right when Pinto reaches under her bra and realizes she’s artificially padded her rack with a bunch of tissue?

“Terminator: The Sarah Connor Chronicles” is the checkout girl.

The last two shows have been nothing but padding. Enough, already. If you have a story to tell, then tell it; please don’t waste our time with these episodes that completely ignore half of the cast to focus on people who will not likely be seen or heard from again. Yes, Terminators are coming back to kill people besides John, we get it. You’ve made that abundantly clear. Now for the love of Jebus, start pushing your story forward. If we’ve hung in there this long, I think we’re entitled to some kind of payoff. Lord knows, we’ve been patient.

Outside of showing “When Derek Met Jesse” in the future, the only important takeaway from this week’s episode is that John Connor is not the only savior of the resistance in the future. John might lead the resistance, but a girl named Sydney – still in the womb when tonight’s episode begins – gives the humans a huge advantage when she turns out to be immune to a biological agent the machines use to wipe out a compound. Derek and Jesse save Sydney in the future, and then her blood saves them both from dying from the virus. Cut to our present, where Derek is helping Sydney’s mother deliver her before she dies, and realizing that Sydney’s sister Lauren is the one who gave him the antidote. Sweet and surreal, yes?

And completely pointless, in the current economic climate. If the story arc at season’s end hasn’t given up a little sumpin’ sumpin’, they’re getting canned, and they’ll have no one but themselves to blame for being so prudish on the front end. Sorry, but that’s just the way society works these days. Blame Lindsay Lohan.

In fairness to the uber-conservative show runners, there is another takeaway from this episode: Cameron gets the bejeezus kicked out of her by the Triple-8 assigned to kill Sydney, and is even knocked “unconscious” at one point. They’re setting up that ‘faulty chip’ plot device, to be sure. God help them, then, if they do nothing with it in next week’s final episode of the year.

Heroes 3.12 – This House Is Just A Broken Home, Left All Alone

Pretty ballsy of Nathan to blow into Papa Petrelli’s office and talk shit tonight, wasn’t it? And, yet, he was right: he does have the power…politically speaking…to help make Papa’s plan a reality. Of course, if he thinks Papa isn’t going to blow his mind if he makes a wrong move, he’s ridiculously naive. I continue to be interested in the militaristic side of Nathan’s storyline, but I have to say that this idea of having a super-powered fighting force seems like a really bad idea to me. Even if Papa’s people do have control over who gets what abilities, it only takes one strong bastard to figure out how to use his powers and the element of surprise to take control of the operation. But maybe that’s just me. Unrelated question: how utterly useless a character is Tracy these days? Why give her that awesome power if we’re not even going to get to see her use it?

Mama Petrelli’s cool delivery never fails to entertain me, especially tonight, when she calmly and carefully laid out the method by which her son should kill her husband. I appreciate Peter’s insistence that he has to be the one to take out his father, but you’d think he’d at least be willing to accept the help of the Haitian. But, noooooooo, it’s gotta be his responsibility…

Despite our readers’ suspicions to the contrary, Elle sure looked pretty damned dead to me when the episode began, and when Sylar covered her in gasoline and set her ablaze…well, if she isn’t dead, she’s at least going to be extra crispy. It was, of course, nice to see the unequivocally evil Sylar return, but the highlight had to be when Sue Landers’ co-workers burst in on him while he was in mid-attack. “Cake…?” Nice. The moment in the elevator was pretty funny, too. (“Huh. It does kind of tingle.”)

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Win This: “Doctor Who” Action Figure & Sonic Screwdriver LED Torch Giveaway

Hot on the heels of the acclaimed third series, “Doctor Who” returns for a fourth installment with a familiar face alongside the Doctor. Award-winning actor Catherine Tate returns as the Doctor’s new companion, reprising her role as Donna Noble from the 2006 Christmas special “The Runaway Bride.” Now reunited, the Doctor and Donna travel back to Pompeii in AD 79 on the eve of the infamous eruption where people are slowly turning to stone, investigate a series of grisly murders with the help of Agatha Christie, and journey to the home world of the sinister Ood and come face to face an old enemy of the Doctor’s.

In conjunction with the release of the fourth series on DVD, Premium Hollywood is giving away two prize packages that include three “Doctor Who” action figures and Sonic Screwdriver LED Torch. If you want to enter to win, please email your full name and mailing address (with the name of the item in the subject line) to: premiumhollywood@gmail.com.

Terminator: The Sarah Connor Chronicles 2.11 – Baby, the stars shine bright

Sarah’s not nuts after all. Well, let’s qualify that: she may very well be nuts, but she’s not nuts about the three dots, as a lengthy flashback episode – gin joints! The Charleston! Twenty-three skidoo! – explained that the machines use three particular stars in relation to the other stars around them as a means of telling time…in years. Very valuable information to us now, but couldn’t Cameron have figured that out before Sarah decided to get medieval on the bathroom mirror? Just a thought.

Tonight’s episode reveals that Cameron has been spending her sleepless nights (cyborgs, apparently, do not dream of electric sheep) at the Hall of Records, reading up on…oh, who the hell knows. One night she stumbles upon a picture from a speakeasy fire in 1920…and she recognizes someone. Soon she’s researching the written history of a man who built a real estate empire from nothing – while another real estate baron suffered a suspicious string of bad luck at the same time, including the death of his son in the speakeasy fire – only to disappear completely in 1925. Where did he go, and why would he erect a building in the name of his rival’s dead son? Cameron knows, but can’t tell. She visits the building, given landmark status and due for reopening in 2010, and finds her man, behind a wall…with a Tommy gun. Nice!

Of course, she kills him, and as far as we know, she leaves the body, which is just nuts. N-V-T-S nuts.

Gotta be a bad girl in this world.
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