Category: TV Sci-Fi (Page 28 of 81)

Five “must-see” new shows of the fall season

Our lead TV writer, Will Harris, is doing a bang up job of previewing the fall season as it grows closer, but I thought I’d throw in my $0.02 by mentioning the five new series that have me pumped about the fall lineup.

In order of premiere date…

1. “Community” (NBC), 9/17/09
Anyone that is a fan of Joel McHale on “The Soup” already knows about his foray into scripted comedy this fall. IMDB describes the plot this way

Jeff (Joel McHale) used to be a lawyer. When the state bar association revokes his license for having fake college credentials — he floated by on his degree from Colombia, but is legally obligated to earn one in America — Jeff enrolls at Greendale Community College. Intent on taking the easy way out, he forms a study group in a half-assed attempt seduce a pretty girl (Gillian Jacobs) and tries to coast on through. What he soon ends up with, aside from a coffee klatch of sad clowns, is a second chance at an honest life.

The trailer looks great…

The series seems to be going for a feel like that of “The Office,” though obviously that’s a tough standard to live up to. McHale has star potential, and he should bring a significant fan base over from “The Soup,” which he is going to continue hosting for the time being.

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ABC: What’s New for Fall 2009

V (Tues., Nov. 3 @ 8:00 PM, ABC)

The competition: “NCIS” (CBS) “The Biggest Loser” (NBC), “Hell’s Kitchen” (Fox), “90210” (The CW)

Starring: Elizabeth Mitchell, Morris Chestnut, Joel Gretsch, Lourdes Benedicto, Logan Huffman, Laura Vandervoort, Morena Baccarin, Scott Wolf
Producers: Scott Peters (“The 4400,” “The Outer Limits”), Jeffrey Bell (“Day Break,” “Alias”), Steve Pearlman (“Reunion,” “Related”), and Jace Hall (“The Jace Hall Show”)
Network’s Description: A re-imagining of the 1980’s miniseries about the world’s first encounter with an alien race. Simultaneously appearing over every major city in the world, the Visitors (or V’s) promote a message of peace. Through their generous offer to share advanced technology, the V’s build a following that may actually hide a more malevolent agenda, one that twists a very deep component of human nature: devotion. While the world quickly becomes fascinated with the V’s and their link to wonders just beyond the reach of human understanding, FBI Counter Terrorist Agent Erica Evans discovers a secret hidden beneath the skin of every V – a secret that may threaten the lives of everyone close to her. Yet for her teenage son, Tyler, the V’s are his ticket to something big and hopeful — a new chance for mankind to unite in common goals. To Chad Decker, a career-hungry news anchor, his exclusive interview with Anna, the leader of the V’s, is crucial to his dominating the airwaves. Also unsure about the Visitors is Father Jack, a priest questioning his faith in the wake of the Visitors’ arrival. Seeking answers outside the church, Father Jack discovers there are other dissidents who believe the Visitors are not who they say they are, including Ryan Nichols, who is faced with his own life-altering decision when the V’s show up. Never has there been more at stake — it truly is the dawning of a new day.
The Buzz: Like “Eastwick,” there’s a certain instinct to ask, “Why do we need to revisit a 20-year-old property?” In the case of “V,” though, most of those who remember the show fondly will probably nod their heads and consider that, yes, special effects technology has evolved to a point where a concept like this one deserves to reap the benefits. And although the purists will no doubt grimace and claim that it won’t be the same without original creator Kenneth Johnson working behind the scenes, they need look no farther than “Battlestar Galactica” to have a good reason to consider the possibilities for a new “V.”
Pilot Highlight: Personally, I dug the showdown between Anna and Chad when he refuses to offer an interview consisting solely of softball questions and she informs him that either it’ll be all queries that paint the Visitors in a positive light or the interview will be canceled, but the episode’s tie-ins to terrorism were damned intriguing.
Bottom Line: There’ll clearly be a “we’ve seen this” reaction from the generation who grew up with “Independence Day,” but it’s already clear that this is not your parents’ “V.” It may not prove to have any more legs than ABC’s last stab at alien infiltration (“Invasion”), but it’s going to come down to whether or not the viewers who come in for the curiosity factor, thinking, “Hey, I liked the old show, I wonder how the new one will be,” are going to given enough to sell them right off the bat.

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The CW: What’s New for Fall 2009

Melrose Place (Tues., Sept. 8 @ 9:00 PM, The CW)

The competition: “Dancing with the Stars” (ABC), “NCIS: Los Angeles” (CBS), “The Biggest Loser” (NBC), “So You Think You Can Dance” (Fox)

Starring: Laura Leighton, Shaun Sipos, Thomas Calabro, Katie Cassidy, Colin Egglesfield, Stephanie Jacobsen, Michael Rady, Jessica Lucas, Ashlee Simpson-Wentz
Producers: Todd Slavkin and Darren Swimmer (“Smallville”)
Network’s Description: In an elegant Spanish-style apartment building in the trendy Melrose neighborhood of Los Angeles, a diverse group of 20-somethings have formed a close-knit surrogate family. Sydney Andrews is the landlady, still beautiful at 40, and a central figure in the lives of all her tenants, especially handsome and rebellious David Breck. Sydney started an affair with David despite her turbulent history with his estranged father, Dr. Michael Mancini. Both father and son learned through experience that Sydney was not above using blackmail to control people. Another tenant, high-powered publicist Ella Simms, once considered Sydney her mentor, but their friendship was destroyed by betrayal, and Sydney threatened to evict Ella and ruin her career. Sydney also played a pivotal role in the career of Auggie Kirkpatrick. After they met at an AA meeting, she became Auggie’s sponsor and encouraged his dream to become a chef. Now a successful sous chef at the trendy restaurant Coal, Auggie has been avoiding Sydney since she began drinking again. The other tenants include Lauren Yung, a medical student in desperate need of money to pay her student loans, and Jonah Miller, an aspiring filmmaker who has just proposed to his live-in girlfriend Riley Richmond, a first-grade teacher. The newest tenant, 18-year-old Violet Foster, has just arrived in LA with her own secret connection to Sydney. When a bloody body is found floating in the courtyard pool, David is the leading suspect. However, as the police are soon to discover, almost everyone living at Melrose Place had a reason to want the deceased out of the way.
The Buzz: There hasn’t been nearly as much excitement about this reboot as there was for “90210.” After watching the pilot, there appears to be good reason for that.
Pilot Highlight: The temptation is to say either the discovery of the body or the discovery of who David’s father is, but by the time the show premieres, it’s a fair bet that both pieces of information won’t be nearly as much of a surprise for you as they were for me. As such, let’s go with the closing moment, when we’re handed a shot which implies that we’re looking at the murderer.
Bottom Line: The characters and scenarios feel clichéd, and as it stands right now, the connections to the original series seem tenuous at best. You can appreciate The CW’s desire to have lightning strike twice, but this just couldn’t feel more rushed…or unnecessary.

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Void at the box office

gerard_butler_gamer

There’s a definite feeling of apathy about this week’s new box office releases, but on we go.

Topping this Labor Day weekend’s movie newbies is the Gerard Butler sci-fi action flick from the team who brought us “Crank.” “Gamer” adds a video game twist to such past violent media commentaries as “Death Race 2000” and “The Running Man.” Lionsgate isn’t screening this one for critics, so there’s no reason to assume there’s anything terribly clever or satirical about it, though a capable supporting cast led by Michael C. Hall (Showtime’s “Dexter“) as a villainous game designer as well as Ludacris and Kyra Sedgwick seem to indicate someone, at one point, hoped to do something interesting with this one. As for commercial success, it appears to all be laid at the feet of Butler. Nothing against the very capable Scottish thespian, but I just don’t see this one beating last week’s leader, the gimmick-driven 3-D horror opus, “The Final Destination.”

And that, I’m sure goes double for next of the three new major releases of the week, the Sandra Bullock headlined screwball romantic comedy, “All About Steve.” A film which the nation’s critics might well wish Fox had withheld, it has achieved the still fairly rare honor of a 00% Rotten Tomatoes “Fresh” rating (as in 100% “rotten”). Costar Bradley Cooper’s newfound recognizability via “The Hangover” probably won’t help much here, and Thomas Haden Church doubtless deserves better. Apparently the creators of this one intended Bullock’s character to be a lovable eccentric, but instead wound up with the more usual sort of eccentric — the kind who’s just weird. There’s likely a reason this one’s being dumped at the end of a long movie summer.

It’s in significantly fewer theaters than its competitors at only about 1,500, but Mike Judge’s “Extract” simply has to be better than either of them. At a 55% RT rating, the nation’s critics pretty much reflect the divided reaction of my fellow PH-er Jason Zingale, who calls it “a wildly uneven film that is deftly funny at some points, and just plain dull in others.” Still, though Jason 100% detested Judge’s earlier, barely released, “Idiocracy” that film got better reviews and the portions I’ve seen on cable certainly made me laugh — not that anyone cares what us critics think.

Jason Bateman in
As the writer-director of “Office Space” and the creator of TV’s “King of the Hill” and “Beavis and Butthead,” Judge is a knotty figure when it comes to movies. His now legendary workplace comedy was pretty much dumped at the box office only to be discovered later on vide0, and “Idiocracy” got even less promotion than the original release of “Space.” (Jason would say for good reason.) “Extract” star Jason Bateman is a skilled comedian but despite important parts in numerous hits, including “Juno,” he’s a very long way from the film stardom of his onetime TV son, Michael Cera. Still, both Judge and Bateman have a lot of pent-up goodwill. Maybe there’ll be a surprise here, but don’t bet the farm, or even the garden, on it.

That leaves two 100-theater releases. The first is a horror flick being dumped after the demise of Paramount Vantage. “Carriers” seeks to milk horror from pandemic fears. Quarantined from critics, it stars the talented Lou Taylor Pucci and the new Captain Kirk, Chris Pine. Speaking of James Tiberius, the other release isn’t new at all but another chance to catch J.J. Abrams’ hugely entertaining (if oddly filmed) “Star Trek” in Imax, which has certainly lived long and prospered at the box office.

Star Trek

Smallville: Season 8

As the creators of “Smallville” prepared for Season 8, they were faced with a difficult question — how does the show move forward without Lex Luthor? Michael Rosenbaum left the series at the end of Season 7, and the Clark-Lex dynamic has always been the show’s backbone, so replacing Clark’s nemesis was a difficult task indeed. The creators compensated by adding Tess Mercer (Cassidy Freeman) as the new head of LuthorCorp, and she’s almost as devious and ruthless as her predecessor. The season also amps up the romance between Clark Kent (Tom Welling) and Lois Lane (Erica Durance) while flirting with the prospect that Clark will someday soon fulfill his destiny and become Superman. Lastly, Clark learns that there’s another Kryptonian on Earth — and it’s Doomsday. These storylines, combined with appearances by Lana Lang, Plastique, Winslow Schott, Zatanna and the Legion of Super Heroes make for a fast-paced 22 episodes with little filler. Fans of Lex Luthor will certainly miss his presence, but there’s enough in Season 8 to keep things moving, especially with the prospects that Rosenbaum is rumored to be returning as a guest star in Season 9. Special features include commentary tracks for two episodes and several unaired scenes. There are also two featurettes — one focuses on director Allison Mack while the other investigates the making of Doomsday.

Click to buy “Smallville: Season 8”

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