Category: TV Dramas (Page 78 of 235)

Blu Tuesday: Friday the 13th, Dr. Strangelove and Morning Light

Those who saved up a little extra pocket change from the lack of Blu-rays released over the last few weeks will probably want to grab a hammer and break open the piggy bank, because there are a slew of must-own titles hitting stores today. Even better is the variety, from new horror films and old classics to cult television shows and HBO mini-series, this week features one of the best HD line-ups that you’re likely to see all year.

“Friday the 13th” (Warner Bros.)

The new adventures of Jason Voorhees may just be the latest in a long line of mindless sequels (in fact, one might even argue it’s little more than a compilation of greatest hits from the first three films), but it does serve as an excellent reboot of sorts that horror fans should appreciate. While Jason’s ninja-like stealth is a bit ridiculous, it’s but a minor obstacle in an otherwise entertaining slasher flick. The kills are just as inventive as they were 30 years ago (there’s even a Blu-ray exclusive featurette that takes an in-depth look at the seven most memorable ones), and at the end of the day, that’s all anyone really cares about. Whether or not it truly revitalizes the franchise is a whole another matter, but at least Warner Bros. is willing to stand behind their product. The Blu-ray release is one of the studio’s best yet, and includes an extended (but still R-rated) cut of the film, as well as a making-of featurette, deleted scenes and a picture-in-picture video track.

“Dr. Strangelove” (Sony Pictures)

Stanley Kubrick’s 1964 Cold War satire isn’t exactly the kind of film that benefits from high definition, but it still looks remarkably good for its age. Though I’ve never really been a fan of black-and-white cinema, “Dr. Strangelove” is one of the few exceptions. It’s probably because the movie would seem absolutely ludicrous in color. Not only are many of the characters (like George C. Scott’s General Turgidson and Peter Seller’s Strangelove) already so outlandish that they’re practically cartoons, but the monochrome effect lends a certain seriousness to the film that only makes the events that follow even funnier. The “Inside Dr. Strangelove” retrospective included on the disc – which covers everything from Kubrick’s original idea of making a serious political thriller to an 11th hour legal coup designed to delay the release of the similarly-themed “Fail-Safe” – should be of particular interest to fans of the film, while the addition of never-before-seen pages from the screenplay sheds new light on the infamously deleted cream pie fight ending.

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A Chat With “Harper’s Island” Victims #10 and #11

It was a two-for-one special on “Harper’s Island” this past Saturday, as we spent much of the episode waiting for confirmation of one character’s likely demise, only to get a surprise bonus death in the final moments. It’s fair to say that neither of this week’s victims were at the top of anyone’s list of probable killers, but the proceedings flew by nonetheless, making the imminent conclusion of the series in a few weeks time something we’re both looking forward to and dreading.

The interview with the latest “Harper’s Island” corpses are only a click away…

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Bret Harrison and Tyler Labine speak out on “Reaper” finale

I recently had a chance to do a joint phoner with Bret Harrison and Tyler Labine in connection with Season 2 of “Reaper” being released on DVD, though it will probably come as no surprise that a sizable chunk of the conversation ended up being about the likely demise of the series. Rest assured, I pointed out that the general tone of the comments from Premium Hollywood about the season finale…well, at least those of John Paulsen, anyway (though it’s clear others share his opinion, too)…were along the lines of, “Oh, my God, this is the biggest gyp I’ve ever seen in my life!”

“Yeah, I’ve heard a lot of that, too,” laughed Labine. “All in all, maybe it could’ve been a better ending for the season, regardless of whether it was the wrap-up or not, but you have to understand that there were a lot of cooks in the kitchen by the end with, like, where you have to leave it. There were a lot of notes coming down from on high, and I think things just get a little bit scrambled at the end of a show that’s on the bubble, technically. I think we have to give the writers a little bit more credit, but, yeah, I think we were all…well, I guess we can speak freely. The show’s canceled. We weren’t super happy with the ending of the show, I feel. But that’s just me. I don’t know. What about you, Bret?”

“No, no, I wasn’t happy,” admitted Harrison. “But I was excited that I got to play Quarters.

“Oh, yeah,” agreed Labine. “We all were.”

The full interview will appear on Bullz-Eye on Wednesday, but to tease you until then, here are a few more choice quotes from the conversation:

“All in all, for a second season, I thought it went well. We introduced some cool characters. But I can officially go on record now as saying that I was not happy with the storyline with me trying to fuck my stepsister.”Tyler Labine

“I think they were planning on leading (Alan Townsend, played by Sean Patrick Thomas) to be kind of part of the finale, from the little bit I heard them talking about it, but deals don’t work out all the time, and I don’t really want to get into too much detail, but…it just didn’t work out, for whatever reason.”Bret Harrison

“If we’d been able to come back and tell the story in Season 3, Andi would’ve been a Reaper, there could’ve been a whole new rebellion with Michael Ian Black as Sam’s guardian angel now, basically, and a full-scale battle between Heaven and Hell might’ve actually started to go on. It would’ve taken a whole new turn.”Tyler Labine

Admit it: you’re already chomping at the bit for the interview, aren’t you? Stay tuned, “Reaper” fans!

True Blood 2.1 – What Can Wash Away My Sin?

Welcome to the “True Blood” blog, the first time Premium Hollywood has deigned to tackle HBO’s top-notch vampire series on a weekly basis. If you’re a regular reader, then you know that I ventured into the first few episodes of the show and enjoyed what I saw, but other responsibilities kept me from delving any further into the adventures of Sookie Stackhouse and company until the Season 1 DVD was released. After absorbing all twelve episodes, I was definitely chomping at the bit to see the Season 2 premiere, so when the call went out for someone to blog the second season, I figured I’d accept. Hey, at the very least, it’s a series that my wife and I both love…and as I’m sure many readers know, it goes a long way toward maintaining marital bliss when both of you enjoy watching the same series.

So let’s get rolling, shall we?

For those who’ve been waiting in suspense ‘til the end of last season to find out whose body was in the car, the mystery is solved almost immediately…and it ain’t Lafayette. Of course, that was always gonna be a little too easy, anyway, but I still didn’t expect it to be Miss Jeanette, the exorcist from season 1. And based on her scream, Tara didn’t, either. She starts off in denial, claiming no knowledge of the woman, but with Sookie barely able to tune out her frantic thoughts, she eventually concedes and reveals who the woman is. “My mama’s gonna fall to pieces when she finds out,” says Tara. (Was I the only one who briefly thought that her mama might’ve been the one who did it? I thought maybe she’d figured out the woman was a fraud, gone on a bender, and killed her.)

Not long after the case gets underway, it looks like Andy’s going to call it a night, but after his protestations that he’s not overworked (nice lack of denial about his state of inebriation, though), he ends up sticking around, despite the sheriff’s annoyed reminder that, “at best, you’re a material witness to a homicide; at worst, you could be a suspect.” Yeah, but there’s one big thing keeping me from buying into Andy as the killer: does anyone see that hillbilly as the kind of guy who’d be able to pull off that kind of acting performance? Once the crew get back to the station, Mama Thornton comes by and gets the grisly details about Miss Jeanette’s demise, which she takes about as well as her daughter had expected. Still, she refuses to concede that the woman may have been a fraud, and as she and Tara are departing the station, Mama starts in on Tara…until Maryann Forester turns up. Man, talking about giving someone the verbal smackdown. Oh, snap! Well, if there’d been any doubt about whether Tara had fallen for Maryann’s schtick before, you can’t blame her for being squarely in her camp now.

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Ella and Jack

Here’s another movie moment inspired by A Blog Supreme, this time two clips featuring probably my favorite singer, period: Ella Fitzgerald. These clips are both from “Pete Kelly’s Blues” a strangely interesting film directed by Jack Webb (aka Joe Friday of “Dragnet”) who was also the primary creative voice on the show which set the pattern for today’s TV police procedurals. Considering it has both Webb and Lee Marvin in major roles, it’s probably the most macho jazz film ever, and considering Clint Eastwood‘s investment in jazz on film going back to his debut as a director, “Play Misty for Me,” that’s saying something. It also featured another great singer, Peggy Lee, who may turn up here another time.

You can read my PH review of “Pete Kelly’s Blues” and some other notable jazz films gathered under Clint Eastwood’s name here.

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