Category: TV Dramas (Page 44 of 235)

“Human Target” is a fun ride

Based loosely on a comic book of the same name, Fox’s “Human Target” stars Jack Deveraux Mark Valley as Christopher Chance, a private bodyguard/security expert who is hired to protect his rich and/or important clients. The series also stars Chi McBride (“Boston Public,” “Pushing Daises”) and Jackie Earle Haley (who played Rorschach in “Watchmen”) as Chance’s colleague (Winston) and technical expert (Guerrero), respectively.

Even though the series is heavy on action, it has a lighthearted, fun feel to it — think Jack Bauer with a sense of humor — which is underlined by Chance’s charm (with his usually female clientele) and the dynamic between Winston and Guerrero, who do not particularly like each other. To this point, the show hasn’t done much in the way of a serialized plot, so new viewers could pick it up without missing much. Chance’s background is a bit of a mystery, but the series hasn’t delved into it at all.

Thus far, ratings have been decent (~2.1 to 2.9 in recent weeks) even against the Olympics. It has been reasonably well-reviewed as well, garnering a 70 at Metacritic and a 7.0 (“good”) at TV.com.

Some not very newsy awards news (updated)

The Writers Guild and the Sound Editors gave out their awards last night and it’s safe to say that, winners aside, no one’s world was too terribly rocked.

Journalist-turned-screenwriter Mark Boal was rewarded for his hard-earned real-world experience as an embedded reporter with a Best Original Screenplay nod for “The Hurt Locker.” In another completely unsurprising award, the well-liked and respected Jason Reitman was similarly rewarded for his critically acclaimed work on the adult-aimed topical comedy, “Up in the Air.” The documentary category wasn’t much of a surprise either, with the muckraking “The Cove” picking up yet another award.

This isn’t quite on the level of a statistical study, but it’s worth noting that, for the last couple of years at least, the WGA awards and the Oscars have been lining up 100% in the writing categories, so Oscar betters should take note.  This is a bit of a blow to any fans of Quentin Tarantino“Pulp Fiction” screenplay and the writers tend to be a bit more openminded about offbeat films than Oscar voters as a whole. who might have been hoping for some Oscar wins, as Best Original Screenplay has been “his” category in the sense that his only Oscar win so far has been for his

Still, older and/or less geeky fans of old-school post-war (as in WWII) realism are likely impressed by the real-life underpinnings of Boal’s work and Kathryn Bigelow’s film is just edgy enough, while not marred in the minds of some by being a “fun” war movie, and “Inglourious Basterds” is definitely fun. It’s also controversial to some degree, perhaps not the best combination if all you want out of a movie is award wins.

James Gandolfini and Mimi Kennedy in In the adapted screenplay category, I personally wouldn’t have minded seeing the award go to the brilliant and scabrous “In the Loop,” but that film was less widely seen and it’s humor might be bit too nasty (in a good, cleansing way) and British for some.

[UPDATE: Aren’t you people supposed to correct me when I write complete nonsense? If I had bothered to check a bit more carefully this morning before I wrote this, I would have noted/remembered that “Basterds” was not nominated for a Writers Guild award and therefore might have somewhat better Oscar screenplay chances than I initially thought. The same applies to “In the Loop.” These scripts were not eligible under the WGA’s rather arcane rules which also disqualified such worthy films as “An Education.” If you’re curious about the reasons why, Steve Pond, via Anne Thompson, had a partial explanation back in January. Anyhow, thanks to Anne Thompson, whose post on this showed me the error of my ways, or whatever. We now resume our regularly scheduled blog post.]

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This year there’ll be no singing and dancing Lennie Briscoes

Those of us who don’t really mind it when the Oscars get a bit overblown and even a hair silly were dealt a blow yesterday when word leaked out that the performers of this year’s nominated songs would not be invited on for the usual production numbers.

Just to show you what an Oscar production number like this can look like, below is a version of the two nominated songs by Alan Menken and Howard Ashman from Disney’s 1991 “Beauty and the Beast.” The performers include Paige O’Hara, who provided the voice of Belle, and — as a dancing candlestick — Jerry Ohrbach, an occasional movie tough guy and Broadway song and dance man, who at the time was just starting a gig as a wiseacre cop on a low-rated but well-reviewed crime show that didn’t seem to have much of a chance to last very long.

Lost 6.4 – The Substitute

Another week, another pointless flash-sideways. And until we make some headway on the connection between the two worlds, I have a sinking feeling that the Earth-2 stories are going to remain strictly what-if affairs. Not that there’s anything wrong with that, but I’m just not sure what else to make of them for the time being. Thankfully, Locke is a much more interesting character than Kate, so I didn’t really mind learning more about his Earth-2 counterpart. It was nice to see Katey Sagal return as Helen Norwood (now engaged to marry Locke), but despite some sweet moments between the two, the real fun came in his chance meetings with a few other familiar faces.

After getting fired for using the company’s expense account to fund his walkabout in Sydney, Locke leaves the office to discover the wheelchair access ramp in his van blocked by a big yellow Hummer. And who should that Hummer belong to but Hurley, who just so happens to own the company. Better yet, when he hears about Locke’s situation, he gladly offers him another job through a local temp agency that he also owns. (There was no mention of Locke blowing thousands of dollars on his trip, but Hurley’s a pretty laidback dude, so I guess he didn’t mind much.) The office supervisor at said temp agency is also none other than Rose, and as an annoying Disney-owned theme park ride would remind us over and over again, “It’s a small world after all.”

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Still, for as great as those cameos may have been, they were nothing when compared to the last reveal, which found Locke taking a job as a substitute teacher, only to stroll into the teacher’s lounge during lunch to find Ben Linus going on a rant about someone failing to replace the filter in the coffee machine. Something tells me this is just the beginning of a beautiful friendship. Of course, if the Earth-2 characters ever learn anything about their mirror lives, chances are it won’t last long once Locke finds out about all the times his new buddy tried to kill him – and finally succeeded.

At least Ben is finally apologizing for it on Earth-1. I’m sure no one was expecting him to just come out and say it (Most. Uncomfortable. Funeral. Ever.), but it’s definitely a big step for someone like him. It’ll be interesting to see what role he plays in the rest of the season, because now that Smokey is done using him, what more is there for Ben to do? At least Sun still has to be reconnected with Jin, and though Ilana suggests they head to the temple to search for him there, we already know Jin’s long gone. Talk about shitty luck. First he was nearly killed on the freighter and now he’s Savage Claire’s prisoner.

But enough about that for now, because we have plenty to discuss in regards to Smokey’s ongoing mission to get off the island. I thought it was pretty brave of Richard to decline Smokey’s offer to join him, but that doesn’t mean he’s any less scared. Sawyer, on the other hand, doesn’t seem fazed by any of it. In fact, he knows that Smokey isn’t Locke (“I don’t care if you’re dead, or time traveling, or the Ghost of Christmas Past”), but all he wants to do is drink. That quickly changes once Smokey offers proof of why he’s on the island, prompting Sawyer to follow him to a cave where hundreds of names have been written on the inside. Most are crossed out, except for a few, including Sawyer, Jack, Hurley, Sayid, Locke, and either Sun or Jin. All people that Jacob came in contact with earlier in their lives, and each with a number before it that correlates with the mysterious numbers from the hatch.

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Fat Tuesday at the movies

Do the bon temps actually roulez in Hollywood? It’s more like they just kind of unspool.

* My good friend, Zayne Reeves, was kind enough to make sure I didn’t miss this rather extraordinary Esquire piece by Chris Jones on Roger Ebert’s current life. I’ve been spending my share of time around illness myself over the last several weeks and I can’t think of a more quietly, beautifully sane way of dealing with the strange cards life can deal us. Though I’m just one among very, very many he’s shared kind words with, I’ve always felt lucky for the very brief e-mail correspondences I’ve had with Roger over the years, Now I feel luckier.

* Reviews of the fourth Martin Scorsese film to star Leonardo DiCaprio, “Shutter Island,” are starting to trickle out. Glenn Kenny has a good one. “Good” both as in “positive” and also as in “worth your time reading.”

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* Doug Liman will be directing a film about the 1971 Attica prison riot/revolt/uprising, now best remembered by film lovers as the chant from “Dog Day Afternoon.” It’s a story he has a personal connection with through his late father, attorney Arthur Liman. Nevertheless, the director of “Go,” “Mr. and Mrs. Smith” and “The Bourne Identity” seems to be moving in a sort of John Frankenheimer-esque direction overall, too.

* Speaking of the man who yelled “Attica! Attica!,” Al Pacino has stepped into a part recently vacated by Robert De Niro. You just can’t seem to keep those two guys apart for very long.

* Nikki Finke is having a very fat Tuesday indeed. Earlier today she reported on Carl Icahn trying to snap up Lionsgate for himself and a deal between Warner Brothers and video kiosk powerhouse Redbox, not to mention the news that the Oscars this year may not be including the original artists in the Best Song category.

There’s still more; a 3-D movie based on Erector Sets. Sure, why not. Next up: “Slinky 3-D,” I’m sure. Now, if they really want to get a rise out of the family audience, they might consider adopting Mickey Spillane’s novel, The Erection Set. From the description I just linked to, it would really be something in three-dimensions.

* Writer-director Paul Feig is reteaming with his old “Freaks and Geeks” colleague, Judd Apatow, for a film starring and cowritten by Dave Medsker’s-ultra-fave, Kristen Wiig writes Borys Kit. Let’s hope it’s better than a typical SNL skit these days.

* I started with Roger Ebert and I’ll end with an item via his must-read Twitter-feed: the Film Preservation Blogathon being organized by my old Chicago-based cinephile blogging mate, Marilyn Ferdinand. If you care about movies, this is the place. It’s also a fundraiser (a first for a blogathon, as far as I can remember) so if the idea of losing a film — any film — forever bugs you as it should, considering donating. You can do worse than starting with this post by Ferdy’s partner in good works, the Self-Styled Siren aka Farran Nehme. And, courtesy of another cinephile colleague from the days when I had time to blog about old movies all the live-long day, Greg Ferrera, we conclude with….a commercial.

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