Category: TV Dramas (Page 42 of 235)

The Pacific war in the movies, part 1

With the steady drumbeat of acclaim building over HBO’s Tom Hanks, Steven Spielberg, and Gary Goetzman’ produced “The Pacific“, it seems like a good time to start looking at some of the key depictions of the Pacific side of World War II from the movies. While they may often be propagandistic, the best of these films had a raw power that is still quite moving, even if even hinting at the true, bloody cost of war in film was impossible when they were made.

We’ll start with probably the most iconic and popular Pacific war film ever made, “The Sands of Iwo Jima” starring none other than John Wayne himself and directed  by Allan Dwan.

And, as a bonus, here’s a lovely moment from the most famous Pacific war film made by the man many consider the greatest American film director of all time, John Ford, and I’m close to being one of them myself. “They Were Expendable” certainly has its share of brilliant moments and below is an example of Ford’s brilliant use of music and images to evoke powerful emotions. Amazing stuff and barely a word is said.

Your late night and early morning movie news

John Krasinski* The smart and likable John Krasinski of “The Office” may be out of the running for the Captain America movie though his agent appears to be keeping busy. I take it some fan boys didn’t think he was sufficiently ultra-muscular or traditionally handsome or something enough for the role, but I find that a bit weird — especially considering that Steve Rogers starts out as an ordinary guy and it’s not Krasinski’s McLovin or something. He’d be a good choice and I hope they change their minds.  The other reputed candidates aren’t as well known to me, but the guy from the “Tron: Legacy” trailer certainly doesn’t strike me as anything too special based on what I saw there.

* It used to be that winning the best picture Oscar had major repercussions at the box office. At least for the so-far low-grossing “The Hurt Locker,” that might not be the case, though I’m sure it’s DVD sales will be a lot better than they would have been otherwise. The Iraq war drama appears to be caught in the crossfire between theater owners and studios over DVD releases.

* The show has taken its share of critical lumps, but Sunday’s Oscars did just fine in the ratings.

* Jim Emerson on the latest self-destructive move of Variety. Why do newspapers of all stripes seem to think that increasing prices and decreasing value is the way to salvation? I’d really like to know how that’s supposed to work.

* Howard Stern can be funny, but this item and accompanying clip, about his and cohost Robin Quivers’  nasty, idiotic reaction to “Precious” star Gabourey Sidibe’s career prospects reminds me of what made me dislike him rather strongly back in the day– it’s not just the nastiness, it’s the fact that he doesn’t have a damn clue what he’s talking about. Or is it the case that John Goodman, Chris Farley, John Candy, Victor Buono, Dom De Luise, Nick Frost, Jonathan Winters, Jonah Hill, and countless other, admittedly mostly male, actors who are in the fat-to-obese category have had “no” careers over the last several decades?

Not that overweight actors, especially including severely obese ones like Ms. Sidibe, shouldn’t try to lose weight if they want a larger selection of parts and a longer and healthier life, though it’s always vastly easier said than done. Still, it’s definitely not true that she will “never” work again if she stays at her present weight. She’s already got work on Showtime.

* In Hollywood, imitation is the sincerest form of success envy. And so, it’s possible that Warner Brothers may be looking at the huge first-week success of “Alice in Wonderland” and thinking about going to meet the Wizard. One thing is true — as wonderful as the MGM classic is, the weirdness of the very long series of books has barely been touched by the movies,

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Lost 6.7 – Dr. Linus

I’d like to start tonight’s blog by channeling my inner Nikki Finke with a big ‘ol “Toldja!” While many believed that Jacob lied to Jack a few weeks back about the incoming visitor as a way to get him to the lighthouse, I suggested that there really was someone coming, and it would most likely be Desmond or Charles Widmore. As we now know, it’s the latter, who has traveled to the island by way of submarine. (You have to give it to him – the dude rolls in style.) I’m not really sure why he’s finally decided to come himself, but with all the candidates dropping like flies, someone is going to need to stick around and protect the island, and it might as well be him.

Obviously, Ben would have been the preferred choice, but it looks like even he doesn’t want anything to do with the island anymore. In fact, while this week’s episode had some good moments between Jack and Richard (more on that later), for the first time this season, the flash-sideways portion was much more enjoyable. Ben’s Earth-1 story just felt a little flat to me, but then again, his character hasn’t been quite the same ever since he killed Jacob. Ilana didn’t take the news too well, either, claiming that Jacob was like a father to her. We still don’t know much about Ilana other than that she’s one of Jacob’s bodyguards, so I’m really hoping we get a little back story in the coming weeks. After all, while her decision to kill Ben (and make him dig his grave first) certainly made sense in light of her comment about Jacob, it doesn’t carry the same emotional weight when we don’t know why she views him in that way. Nevertheless, even when Ben was freed by Smokey and given the chance to reclaim his spot at the top of the island food chain, he turned him down, instead choosing to stick with Ilana, whose compassion he earned after explaining his reasons for killing Jacob.

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You see, Ben really isn’t that bad after all. And to prove it, his Earth-2 storyline focused on a man who not only cared so much about the students at his school that he was willing to blackmail the principal and take over, but actually forfeited that power when given the opportunity to prove it. The fact that the student in question turned out to be Alex Rousseau was a nice little nod to their father-daughter relationship on Earth-1, and I really loved the way that Ben was ultimately able to make up for his sacrifice of Alex’s life in that reality by unselfishly helping her in another. But what I found particularly interesting in the story was the reveal that Ben’s father still went to the island to work for Dharma. What made them come back? And did it have anything to do with the island sinking?

As for Jack and Hurley’s run-in with Richard Alpert, well, that was more of a tease of the upcoming Richard-centric episode than anything else, but we did learn a few important things that are going to play a big part in the rest of the season. For starters, Richard’s ability to stay forever young is a product of having been touched by Jacob. We know a few other people that have been touched by Jacob as well, but they’ve clearly aged over the years, so it’s a gift that must only work when you’re on the island. It also appears that anyone who’s been given that magic touch can’t kill themselves or be killed by Smokey (as he was reminded of in the season premiere), but they’re not exactly invincible either. So what does that make them? Who the hell knows, but feel free to take your guess below, and if you’re right, you can have your very own “Toldja” moment as well.

Movie loving movie moments, Pt. 2

More clips to help us all rekindle our movie love prior to Sunday night’s Oscars. This time it’s trailers and again we’ll hit the twin themes of sex and violence. We’ll start with the violence.

I saw this movie way too many times before I was old enough to understand it, and I think it sort of programmed me to love “Mad Men.”

Kelly Carlson talks about the end of Kimber Henry and “Nip/Tuck”

It’s happened many times in the past: a character is introduced to a television series as a one-off, but because of either fan interest of a burst of creativity from the show’s writers, they’re brought back. Sometimes they become a recurring character, but in some cases, they go on to become a full-fledged series regular. Such was the case with Kimber Henry, Kelly Carlson’s character on the long-running FX series “Nip/Tuck.” Kimber made her debut in the show’s pilot episode, but by Season 3, she was officially considered to be part of the main cast right up until the show’s final season, when she bowed out, so to speak. Now that “Nip/Tuck” is wrapping up, Bullz-Eye was able to chat with Carlson about her character’s legacy, including how Kimber grew in prominence, the way she came to her end, and, of course, all the sordid stuff that went on in between.

* On Kimber’s evolution from the pilot: “When you take a character like that, with not much background and history, it starts in the eyes, you know what I mean? And that’s simply what I just tried to do: to try and bring some depth to her, and some emotion, for the audience to connect with. Otherwise it’s boring. ‘Cute girl, yeah, who cares,’ you know? That’s not how you get your female fans. I wanted to bring some layers to her that everyone could relate to or understand.”

* On sex scenes: “Julian (McMahon), in the pilot, totally broke the ice with me the first day. The pilot was so graphic, and it was our first day working together…I mean, it was brutal. It was really an uncomfortable situation for both of us, and I had never done a love scene, but he is a funny, funny guy, and he broke the ice for us. After that, the recurring characters were much more nervous than I was. After awhile, it just became routine for me, like I was a broodmare or something!”

* On Kimber’s death: “I wouldn’t have wanted a happy sendoff for her, because it wouldn’t have fit her character at all. It just wouldn’t have. But I have mixed feelings about it. I don’t mind that she died at all. I think that’s absolutely appropriate. But I thought it was fairly quick. I don’t know. Visually, it wasn’t that stimulating for me to watch, so I’m lukewarm on that.”

You can check out the rest of the interview with the gorgeous Ms. Carlson by clicking on the above graphic. I mean, you could click right here, but, y’know, if you’ve got a chance to click Kelly Carlson directly, why wouldn’t you take it?

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