Category: TV Dramas (Page 39 of 235)

Lost 6.10 – The Package

I know that I’ve been a little overly critical with my weekly analyses recently, so let me just begin by saying that tonight’s episode was nothing short of amazing. There was about two shows’ worth of information crammed into a single hour, and although the writers introduced some interesting subplots along the way, they weren’t nearly as good as the complementing stories featuring Jin and Sun. I love these two so much, and yet they seem perpetually stuck as secondary characters who only get their time in the limelight once a season. Nevertheless, their Earth-2 storyline has been one of the best so far, particularly because it marks the first time that one character’s alternate reality overlaps with another. I speak, of course, of Sayid’s discovery of Jin (bound to a chair and locked in Keamy’s walk-in fridge) at the end of “Sundown.”

The events that led to Jin’s rescue, however, weren’t exactly unforeseen. While the reveal that Jin and Sun weren’t married was a bit of a surprise, you’d be crazy to think they weren’t still romantically involved. The playful nod to the button during Sun’s seduction scene was a great callback to the first season, and though Sun wants Jin to run away with her using a secret bank account that she set up in her name (much like she originally planned to do on her own on Earth-1), Jin is worried that her father will disapprove of their “forbidden” affair. As it turns out, he was right, because the confiscated $25,000 that was stashed away in Jin’s luggage was actually payment for his assassination. Luckily for him, Sayid took out Keamy and his right-hand man before they could carry out the death sentence, although that didn’t stop Sun from still taking a bullet to the chest, courtesy of Keamy’s translator, Mikhail, who quite unluckily becomes the One-Eyed Russian in this reality as well after Jin shoots him in self-defense.

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Of course, when it comes to bad luck, no one has had it worse than Jin. He’s been kidnapped by the Tailies, nearly blown to pieces in a freighter explosion, shot by Crazy Claire, and then kidnapped again in two different realities. On Earth-1, it’s Widmore’s crew who has done the abducting, presumably to use Jin’s desperation as a tool against Smokey. They know he’s a potential candidate and only interested in being reunited with his wife and child, so if they can convince him to join their team, they’ll have a major leg up in the impending war. How they plan to use Jin, however, is still unclear, but it obviously has something to do with some maps he drew while working for Dharma that details the electromagnetic areas of the island. And for anyone who thought that Richard’s scene with his wife at the end of last week’s episode was a tear-jerker, then you must have been positively balling over Jin’s emotional reaction to seeing his daughter for the first time. Talk about tugging at the heart strings.

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United States of Tara 2.2 – Baby, I’m Your Man

Okay, I admit it: when I ended last week’s blog by suggesting the possibility that there might’ve been sparks between Buck and the bartender, I’d already seen Episode 2.2, so I knew full well that it was going to be kicking off with a shot of the two of them in bed together. I have to imagine that many a viewer laughed at the sight of Tara offering up a “what died in my mouth?” face, given the obvious implications, but in my case, that quickly gave way to surprise over the fact that it wasn’t Tara. It was Buck. Have we ever seen Tara wake up with an alter in control? If so, I can’t remember it. I have to presume that this is an occurrence of note, as opposed to simply being an excuse to let Buck look proud of himself. Either way, Tara quickly took over again, returning home to find Charmaine unabashedly flashing her new engagement ring.

It’s so hard to maintain excitement for Charmaine, given Tara’s history of fucking up everything in the lives of her family, but her enthusiasm is so freaking infectious. Still, the idea of Charmaine staying at Casa de Gregson is clearly going to make for some rough going particularly given that Tara can’t even remember what lies she’s spinning about her past whereabouts. Also, in Charmaine’s hesitation to believe that she’s actually found a good man who truly loves her, she offered up a comment that struck me as possibly relating to Tara’s condition: “We were raised to believe we should eat dog shit, so you get used to dog shit.” This is presumably a metaphor rather than a description of their actual childhood, but it strikes me as telling. It may, however, not have anything to do with Tara at all. It may just mean that Charmaine’s so used to expecting the worst from her relationships that she’ll end up sabotaging this one because she can’t believe she’s good enough for it…and I thought that before she started obsessing over the engagement ring to an unhealthy degree.

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Nurse Jackie 2.2 – There Goes God

Every episode of “Nurse Jackie” brings a new reminder of how far a drug addict can sink, but, c’mon, Jackie, hiding your pills in the Easter eggs? Really? Wow.

You can’t say the set designers haven’t come up with a realistic looking garage for the Peyton family, and as soon as I saw the shot of the electrical outlets, I knew it was going to play into the storyline in some capacity, but I didn’t expect that it would involve the ever-paranoid Grace going around and unplugging all of the appliances in the house every night so as to avoid possible house fires. Good lord, the child has been saving her allowance to buy the safest possible smoke detector for the house…? That’s a whole new level of paranoia, so I figured it wouldn’t be long before the child entered therapy on a full-time basis, and, of course, I was right: Jackie was looking into it before the end of the episode. And speaking of that particular discussion, Akalitis’s comment about how the psychiatrist “was extremely helpful with my boy” is, unless I missed something last season, the first actual clarification as to why she was so enamored of the baby last season. She used to have a son, it seems, and the fact that there’s been no mention of him up to this point leads me to suspect that the boy in question is no longer among the living, though given Akalitis’s age, I suppose it’s equally possible that he’s now grown up and out in the world somewhere.

So Eleanor “partied like a 20-year-old last night,” scored some Ecstasy, and admits that she’s still high. I’m watching this, and I’m thinking with all due sarcasm, “Oh, no, that’s not going to come back into play. Never!” Well, at the very least, it didn’t come back into play this episode, which truly surprised me. I guess it’s just part of the overall “I miss Mummy” arc, along with Eleanor’s recurring demand that Jackie inform her daughters that they now have a godmother with a crisp British accent, but the end result was that, on second viewing, I could just sit back and enjoy Eleanor’s hysterical run / dance down the hallway (and the resulting scream from Zoe) and her unabashed flirtation with and up-and-down admiration of Sam without fear that it was all going to be tainted by Eleanor screwing up on the job while still under the influence. To be momentarily melancholy, though, I must mention one bit about Eleanor’s mourning of her mother that really hit home for me: her uncertainty about how to remove her from the list of contacts on her cell phone. Having witnessed someone have a breakdown when they accidentally stumbled upon their deceased parent’s number on their phone, I can say with 100% seriousness that this is a very valid point of concern.

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Breaking Bad 3.2 – For There Ain’t No One For To Give You No Pain

Say what you will about the band America, but hearing the strains of their song “A Horse With No Name” kick off this week’s episode of “Breaking Bad” was a perfect way to remind us that, although Walter White may have begun his transition from Mr. Chips to Scarface, when it comes to his taste in music, he’s still got a looooooong way to go. Given everything he’s done since the beginning of this series, it’s no wonder that he’s looking more than a little twitchy when the cop pulls him over, but how typically Walt to try and use the plane crash as an excuse to get out of a ticket, then getting huffy when the cop doesn’t accept it as valid. I’m sure I wasn’t the only person who groaned audibly when he got out of the car to approach the officer. Seriously, who does that? Apparently, the man who’s expressing his First Amendment rights does that, which is why he quite deservedly got pepper-sprayed for his belligerence.

Once Walt found himself being thrown into the back of the squad car, it was only inevitable that Hank would find his way into the proceedings, and so he did, though his first appearance finds him in mid-discussion about the investigation of Olive Oil and his brethren, who went up in smoke at the end of last week’s episodes. Gomez’s less-than-casual comment about Hank’s “famous blue meth” having not been seen in 29 days leads me to suspect that we won’t go much beyond 30 before there’s a change on that front. After Walt rescues Hank from his clink (kids, remember: no matter how legitimate it may sound when you’re delivering it, nothing makes an apology seem less sincere than staring at your feet the entire time you’re delivering it), the two have some approximation of a heart-to-heart talk, and I feel certain that Hank’s uncertainty about Skyler’s refusal to let Walt see the kids is going to resurface again, especially since she shut Hank down the moment he tried to bring it up at dinner.

By the way, having Hank once again underline his belief that Walt is a textbook underachiever only serves to make me anxious…and not necessarily in a good way…about how he’ll react when he inevitably finds out that his brother-in-law is Heisenberg. I’m reminded of how one of Lex Luthor’s computers took all the facts available to it and deduced that Superman’s secret identity was Clark Kent, but Luthor declared it to be an impossibility because the computer didn’t know Superman the way he did, and he couldn’t accept that Superman would ever deign to take on such a lowly persona. Mark my words: Marie’s going to be in on it before Hank is.

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RIP Robert Culp

He had his biggest success on television with Bill Cosby on  “I Spy,” historic in its way as the first inter-racial buddy adventure program on TV or, for that matter, in any medium and the tongue-in-cheek superhero comedy, “The Greatest American Hero.” Nevertheless, Mr. Culp, who died unexpectedly today from a fall at age 79, also made a notable mark on films.

Costarring with his colleague and friend Cosby, he directed an attempt to translate their TV fame into movies with 1972’s “Hickey and Boggs.”  The film, which was written by a young Walter Hill, tried to go in vastly different, far grittier and grimmer direction than the TV show and failed at the box office. Recently, however, it’s been rediscovered by some cinephiles and crime film fans.

Still, a few year before that Culp appeared in one of the real cultural break-out movies of the 1960s, “Bob & Carol & Ted & Alice.” For better or worse, it helped popularized, or perhaps merely capitalized, on the idea of “swinging” and “free love” among the older, married set. I haven’t seen this one either and I have no excuse other than somewhat mixed-feelings about most of writer-director Paul Mazursky’s other movies. However, in her heartfelt farewell to Culp, Cinematical’s Monika Bartyzel was kind enough to provide the lengthy, terrific clip below. This scene with Natalie Wood really shows Culp’s way with both serious and light material as he experiences a pretty broad swath of emotions in a scene that starts out as something close to straight drama and gradually eases into some pretty delightful comedy. Now, I want to see this.

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