Category: TV Comedies (Page 42 of 154)

Blu Tuesday: X-Men Origins: Wolverine, Army of Darkness and The Ultimate Force of Four

It’s been several weeks since we’ve seen any high-def titles really worth talking about. The average moviegoer could even say the same for today’s releases, but despite there being only one major title hitting stores, there’s a small niche of cinephiles (myself included) that will likely pick up more than a few great films making their Blu-ray debut.

“X-Men Origins: Wolverine” (20th Century Fox)

Fox’s highly anticipated spin-off doesn’t exactly qualify as one of those films, but it’s a movie that a lot of fanboys are going to want in their collections anyway. That’s not to say that “X-Men Origins: Wolverine” is necessarily bad, but it certainly isn’t as good as a lot of people were expecting. Part of the problem is that the movie is supposed to be about the origin of Wolverine, and yet that’s the least interesting part of the film. For all intents and purposes, this is just another X-Men movie, because it features a slew of mutant characters we’ve been dying to see onscreen for while. In fact, the number of mutant cameos in this film alone is almost as large as the entire cast of the X-Men franchise, which only begs to ask the question: why not just make another X-Men movie instead? That was clearly the idea behind “X-Men Origins: Wolverine,” because although the filmmakers severely botched it up (characters are haphazardly killed off, while others stray from their comic book roots), your X-Men collection wouldn’t feel complete without it.

“Army of Darkness” (Universal)

By far one of my favorite movies of all time, Sam Raimi’s semi-sequel to “The Evil Dead” and “Evil Dead 2” trades in scares for laughs as Ash is transported back to the Middle Ages to lead its people against an army of dead. Though the movie was a certifiable box office dud when it was released in theaters, it’s earned a huge cult following over the years and features B-movie actor extraordinaire, Bruce Campbell, at his absolute best. Though the HD transfer isn’t quite as good as we’ve come to expect from Universal’s past releases, it’s still better than the shoddy video quality that fans of the movie are used to. Sadly, the new Screwhead Edition only comes with one new bonus feature (a visual effects featurette called “Creating the Deadites”), and it’s one that I could have easily gone without had they included all of the extras from the numerous DVD editions. As it stands, only the alternate ending and some production photos have survived the jump to Blu-ray, so you might want to wait until a more ultimate version is released before you pick this up. Those that consider themselves diehard fans, however, probably own more than a few versions of this already, and so buying this one will only come naturally.

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NBC offers a sneak peek at the new season of “The Office”

Excited for the season premiere of “The Office” on September 17? NBC’s counting on it — and to whet your appetite for more laughs from the gang at Dunder-Mifflin, they’ve put together a behind-the-scenes sneak peek for you, featuring interviews with Steve Carell, Jenna Fischer, Rainn Wilson, and other stars from the Thursday night comedy, now entering its sixth season. Can we expect a wedding for Pam and Jim? A reconciliation for Dwight and Angela? And will Michael woo Holly away from her new boyfriend at the Nashua branch?

You’d be a fool to expect many definitive answers from the clip, but you’ll get a taste of what to expect on September 17. Watch it now!


Entourage 6.9 – Security Briefs

Talk about wasted opportunities. Just when it looked like the writers were cooking up an interesting storyline for Vince involving a potentially dangerous stalker, it turns out to be a rush week prank by a bunch of sorority girls. Turtle is a little surprised that it’s his underwear they were after, but considering he’s dating Jamie-Lynn Sigler, he was bound to start getting more attention from ladies. Unfortunately, that’s only going to spell trouble for Turtle, who will likely find a way to screw up a good thing as Ms. I Only Wear Thongs continues to flaunt herself in front of him.

Getting back to the whole stalker subplot, it really did feel like a big fat waste of time. It might have been different had the storyline been contained to a single show, but the fact that it was drawn out over three episodes really made it seem like they were trying to turn it into something bigger. Perhaps that was the point, and the punch line is supposed to make light of how serious everyone has been reacting to it (namely Drama, who decides to interrogate Vince’s stalker himself), but it just didn’t have as much of an impact as it would have if the stalker really was a threat.

In fact, the only good thing that came of it was a funny little inside joke involving the caller ID on Eric and Drama’s phones. Instead of coming up “Vincent Chase” when he calls, it reads “Rupert Pupkin,” in reference to the lead character of Martin Scorsese’s 1982 film, “The King of Comedy.” For those of you who’ve never seen it, the movie is about an aspiring stand-up comic played by Robert De Niro (and named Rupert Pupkin) who begins stalking his idol (a late-night talk show host played by Jerry Lee Lewis) in an attempt to get his foot in the door. Admittedly, it’s a bit of a sick joke considering Vince could have really been in serious danger, and it’s ultimately going to prove even more troublesome for Eric. Ever since lying to her about Sloan, Ashley has been obsessing about every little thing Eric does. This isn’t going to help matters, as she now thinks Eric was speaking to someone named Rupert Pupkin when he told her he was talking to Turtle and Drama. Oh well, they weren’t going to last anyway.

While the stalker subplot ate up everybody else’s time, some progress was finally made between Ari and Lloyd involving the latter’s impending promotion. After Ari steals Zac Efron away from Adam Davies right in front of his face (well, technically, it was over the phone), Davies decides to fire back by offering Lloyd a job at his agency. Lloyd remains loyal at first, but after Ari goes all Principal Gleason on his ass by tacking on an additional 60 days to his original 100 Days of Hell, Lloyd decides that he’s had enough mistreatment and crosses over to the dark side. Ari can’t blame anyone but himself – he’s been a jerk in the past, but tonight he was a straight-up douche – and he’s already second-guessing his behavior. Can Ari even operate without Lloyd by his side? That’s what he was worried about when Lloyd first brought up the idea of becoming an agent, and it looks like we’ll finally get to see how he handles it.

RIP Larry Gelbart

large_LarryGelbart photo web

An important chunk of entertainment history left us yesterday with the death of Larry Gelbart at 81. Gelbart was gifted both working alone and as a collaborator with other writers. It probably helped that relatively early in his career he labored alongside Carl Reiner, Mel Brooks, Woody Allen, and Neil Simon on comedian Sid Caesar’s classic early variety shows. In the sixties he graduated to Broadway and the movies. With Burt Shevelove, he cowrote the book for the Broadway musical/Zero Mostel vehicle, “A Funny Thing Happened on the Way to the Forum” (later filmed by Richard Lester) and the hard to find all-star cult British comedy, “The Wrong Box.” A Chicago-born graduate of L.A.’s Fairfax High (right across the street from Cantor’s Deli), he lived in England for a time, working with another nice Jewish boy named Marty Feldman at the height of his English television fame.

He became much better known in the seventies as the primary writer during the early, funnier and more politically pointed days on the television version of “M*A*S*H.” I get to write about him because he made a mark in movies that’s too important to ignore, writing several good ones, and some not so good. He’ll probably be most commonly remembered for his work on “Oh, God” with George Burns in the title role, and what is probably Dustin Hoffman’s best performance in “Tootsie,” which is something of a comedy classic. He also co-wrote with Sheldon Keller the vastly underrated and all but impossible to see spoof of early Hollywood (specifically Warner Brothers) films, “Movie, Movie,” directed by Stanley Donen and starring George C. Scott, Eli Wallach, Trish van Devere, and Barry Bostwick. (A likely model for “Grindhouse,” in that it was also a double-feature complete with fake trailers.) It more than made up for the regrettable but profitable “Blame it On Rio,” written by Gelbart and also directed by Donen, which starred Michael Caine, Joseph Bologna and an extremely young Demi Moore.

In the nineties, he divided his time between Broadway plays like “City of Angels,” a musical spoof of classic hard-boiled detective novels, and pointed TV movies like “Barbarians at the Gate” — a tongue in cheek version of a nonfiction book about the buyout of Nabisco — and 1992’s “Mastergate,” an unbelievably witty parody of the hearings that invariably follow major Washington scandals.

Mr. Gelbart never stopped writing until almost the end, and was easily one of the most respected and beloved writers in all of show business. 81 isn’t exactly young, but we could’ve used a few more years of his presence. It’s a sad weekend for the world of funny.

Below, a great moment from “Tootsie.”

More about Mr. Gelbart’s illustrious career here, here, here, and here.

Five “must-see” new shows of the fall season

Our lead TV writer, Will Harris, is doing a bang up job of previewing the fall season as it grows closer, but I thought I’d throw in my $0.02 by mentioning the five new series that have me pumped about the fall lineup.

In order of premiere date…

1. “Community” (NBC), 9/17/09
Anyone that is a fan of Joel McHale on “The Soup” already knows about his foray into scripted comedy this fall. IMDB describes the plot this way

Jeff (Joel McHale) used to be a lawyer. When the state bar association revokes his license for having fake college credentials — he floated by on his degree from Colombia, but is legally obligated to earn one in America — Jeff enrolls at Greendale Community College. Intent on taking the easy way out, he forms a study group in a half-assed attempt seduce a pretty girl (Gillian Jacobs) and tries to coast on through. What he soon ends up with, aside from a coffee klatch of sad clowns, is a second chance at an honest life.

The trailer looks great…

The series seems to be going for a feel like that of “The Office,” though obviously that’s a tough standard to live up to. McHale has star potential, and he should bring a significant fan base over from “The Soup,” which he is going to continue hosting for the time being.

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