If you’ve been following the various awards and awards nominations that have been coming out of the past several weeks, there’s a good chance you can guess exactly what the Directors’ Guild nominations are without me even telling you. But just for the sake of latecomers, the casual and those who can’t be bothered, they are: Kathryn Bigelow for “The Hurt Locker,” James Cameron for “Avatar,” Lee Daniels for “Precious,” Jason Reitman for “Up in the Air” and Quentin Tarantino for “Inglourious Basterds.” It would be a fairly big surprise if the Oscar’s nominees were a whole lot different.
Gregg Kilday at THR points out that Lee Daniels is the first African-American to be nominated (!!!!) and Kathryn Bigelow is joining the very small club of women to be nominated for the award. However, you can be sure that if she wasn’t nominated, her absence would have been the story, considering how her film has been received up to now. The same might have gone for Daniels, though perhaps to a lesser degree as he has more detractors.
My hunch is that Bigelow also enjoys a somewhat better better chance to actually win than did such past female nominees as Lina Wertmuller, Jane Campion, Sofia Copolla, and, yes, Barbara Streisand, though the competition is mighty stiff. Of course, there’s always some controversy, so now the question is, why leave out first-timer Tom Ford of “A Single Man”? And so, the Playlist asks a related question: “Too Gay or Too Little Money?”
Fun fact time: This is also the first time, I’m pretty sure, a once-married coupled (Bigelow and James Cameron) have been nominated to oppose each other for the directors’ awards. Of course, once we succeed with overturning Proposition 8, that could get more common even if the DGA remains predominantly a boys’ club.
On a related note: The BAFTAS long list.
