Category: TCA Blog 2010 (Page 8 of 9)

Breaking TCA News: Simon Cowell to leave “American Idol”

Fox’s executive panel at the TCA Press Tour was very late beginning this afternoon, but as Peter Rice (Chairman of Entertainment) and Kevin Reilly (President of Entertainment) took their seats, Rice assured the gathered group of television critics, “We have a good reason for keeping you waiting.”

He was right.

Minutes later, surprise guest Simon Cowell had stepped onto the stage, taken pen in hand, and officially signed the paperwork to bring his popular UK series, “The X Factor,” to Fox in 2011. He will serve as the show’s executive producer as well as a judge. There is, however, a down side to this development: it means that this will be Cowell’s final season as a judge on “American Idol.”

Prior to Cowell’s surprise arrival, Rice had acknowledged that Cowell’s future on Fox was directly connected to whether or not the network would pick up “The X Factor,” a series for which he has long established considerable passion.

“There has been a lot of speculation, partly because we didn’t have an an agreement,” said Cowell, after taking his seat. “We reached an agreement at about half past ten this morning.”

“More like half past eleven,” corrected Rice, with a laugh.

“I’ve always had a fantastic relationship with Fox,” Cowell continued. “We did talk about me staying on both shows, but then when we looked at the practicalities of that, it was just impossible. I made a commitment to staying on the show in the UK, and I didn’t think it was right for me to also do two shows in America. I can barely manage to do ‘American Idol’! We had a lot of discussions about it, a meeting with Peter in October, but it was done very gentlemanly, the whole thing.”

As far as Cowell’s departure from “American Idol,” he likens it to having a good player on a good football team: they work well together, but when the player retires, the team is still successful. In the end, it comes down to the fact that “American Idol” is not Cowell’s show, whereas “The X Factor” is.

“It’s still close to me,” he said, “and I made sure that ‘Idol’ would be protected. The show could last for ten or twenty more years. I’m confident that it will continue to be the #1 show, and everyone’s committed to keeping it that way.”

Rice described Cowell as “irreplaceable,” taking a pass on making any comment about who the network might be pursuing to fill his spot on the series while offering assurances that the network is fully aware of the necessity of maintaining the same level of energy for “American Idol.”

TCA Tour: Undercover Boss

During her comments in the executive session, CBS’s President of Entertainment, Nina Tassler, couldn’t say enough good things about the network’s new reality series, “Undercover Boss,” which they’re opting to premiere immediately after the Super Bowl. It’s an act that’s either a sign of unabashed confidence in the series or a total Hail Mary pass, but despite how apropos the latter might be for the timeslot, having seen the pilot episode, I can absolutely see why they would be confident. Tassler said that “everybody who is sitting and watching the Super Bowl, be you 8 or 80, can stay right there and enjoy the program,” and she’s on the money with that assessment: who can’t get behind the idea of a boss coming down from his or her ivory tower and mixing it up with the frontline employees in the company? Everyone can relate to that…which, as it happens, is exactly what its creator, Stephen Lambert, had in mind.

“I was very keen to do something in the world of the workplace,” he said. “There’s so many scripted shows that are set in the workplace, but not that many set in the real workplace in the reality space on network television, and it seemed to me that it’s very relatable. Anybody who has had a boss who has worked in the company will understand this show, and for the person in charge to be able to see what their workers, their employees, are really doing seemed like an exciting idea.

“This is a show where the boss is on a dual mission,” Lambert explained. “One, he wants to find out what’s really going on on the front line, things he can’t see when he’s back at headquarters. Second, he’s looking for the unsung heroes of the company, so he’s looking for people that deserve some kind of thanks, maybe a promotion. It’s the mixture of kind of comedy that comes from the boss trying to do the front-line jobs and the emotion of these people, these coworkers that he spends time or she spends time with having that recognition that can be extremely emotional, and that was the idea behind the show.”

The first boss to go undercover on the show is Larry O’Donnell III, the President and COO of Waste Management (you’ve no doubt seen their trucks cruising around your neighborhood at one point or another), and when you watch the episode, you’ll see him doing everything from picking up trash to cleaning out Porta-Potties. Now, if you’re wondering how undercover he really is, given that he clearly has a camera crew following him, all they know is that he’s just this guy who’s working these frontline jobs…and, to hear him tell it, they got used to the camera’s presence pretty quickly.

“When I first went into this and I actually talked to our senior leadership team, I thought the most difficult part was going to be for me to be able to maintain my undercover status where the employees didn’t figure out who I was,” he said. “There were some managers along the way that recognized me, and I was able to get them off to the side and tell them to go home or stay in their office. You know, people ignored the cameras within about…it seemed like certainly within the first half hour. It was like they weren’t even there.”

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TCA Tour: Comedy Showrunners Q&A – “The Big Bang Theory” / “Two and a Half Men”

During the TCA tours, there’s an understandable tendency for the networks to pimp their newest programming, but once in awhile, they do manage to offer us a panel that shines the spotlight on an established show. In this case, it was actually two shows: “The Big Bang Theory” and “Two and a Half Men.” On the panel were Chuck Lorre (co-creator of both series, executive producer on both shows), Bill Prady (co-creator of and executive producer on “The Big Bang Theory”), and Lee Aronsohn (co-creator of “Two and a Half Men,” executive producer on both shows). I’m not going to tell you that I wouldn’t rather have had actual cast members on the panel, but given the comedic credits of this trio, it was unsurprising to find that we got quite a few laughs during the course of the conversation.

First, though, let’s go ahead and acknowledge the elephant in the room right away, shall we? You know that someone had to ask about Charlie Sheen, and while they did, one must applaud the restraint of the collected TV critics that the question didn’t come up until several minutes into the panel. Predictably, the guys went for the joke before offering up a proper answer.

“I’m sorry, what happened with Charlie?” asked Lorre, innocently.

“I don’t know,” said Aronsohn, poker-faced. “Something happened?”

Lorre then slipped into serious mode. “We put on a show last night, and it went extremely well,” he said. “We had a great week, and the audience was wonderful last night, so we’re just going about our business. Charlie is a consummate pro. He shows up and he delivers, and last night was one of our strongest episodes. It was just terrific.”

Okay, let’s get into the meat of the panel a bit more, which was – thankfully – far more about the shows themselves rather than the sordid personal lives of one of their stars.

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TCA Tour: NBC Executive Session

I think it’s fair to say that there wasn’t a single member of the Television Critics Associate who wasn’t chomping at the bit to see how this session was going to go down. With all of the controversy breaking about the reported cancellation of “The Jay Leno Show” and rumors of its host moving to a half-hour slot at 11:35 PM, thereby moving the other members of the late-night line-up – “The Tonight Show starring Conan O’Brien” and “Late Night with Jimmy Fallon” back by an hour, everybody wanted to know how NBC was going to handle damage control.

“I see we have a full house,” said NBC Universal TV chairman Jeff Gaspin, as he walked onto the stage and stood before a ballroom filled with TV critics, many of whom were poised to pounce. “I heard there were some scalpers outside.”

The levity quickly went by the wayside, however, as Gaspin went into the recitation of what one can only presume was a well-tweaked statement, confirming that, starting February 12th, “The Jay Leno Show” will no longer air at 10 PM. He admitted that, although the series performed at acceptable levels for the network, it did not meet the needs of the network’s affiliates, hence the change in programming strategy. He also stated that NBC’s goal was to keep all three of its hosts as part of the late-night landscape – “The Jay Leno Show” at 11:35 PM, “The Tonight Show starring Conan O’Brien” at 12:05 AM, and “Late Night with Jimmy Fallon” at 1:05 AM – while acknowledging that this plan was in no way a done deal and that talks are still ongoing.

“It’s a fluid situation,” said Gaspin. “Everybody has the weekend to think about it, and we’ll see what happens when we start the new week tomorrow.”

While he would not confirm the hosts’ specific reactions to the new plan, Gaspin said that all three gentlemen were “incredibly gracious and professional” and that they acknowledged that they knew it was a difficult situation. As for anything else that went down during the discussions, he merely described it as a “private conversation,” adding, “When it’s all settled, you can go and ask them what their feelings were.”

Gaspin expects that the new late-night line-up will be in place by the time NBC’s coverage of the Olympics begins in February.

Unsurprisingly, the critics’ claws were soon out, with one wanting to know exactly what happened with the network’s assurances during the summer TCA tour that the success or failure of “The Jay Leno Show” would not be determined fully until the series had run for a full 52-week cycle. Gaspin maintained that the 52-week plan still would’ve been his preference but again cited the affiliates’ concerns as being the driving force behind the comparatively-quick removal of the series from its prime-time berth.

“Starting in November, the affiliates started calling, saying that local news was being affected more than expected,” said Gaspin. By the end of the month, the stations which utilized people meters for their ratings continued their complaints, now citing statistics where, in some cases, #1 local news broadcasts had dropped to #3. Gaspin continued his constant dialogue with the affiliates, requesting that they wait and see how the show would do against repeats…and, indeed, “The Jay Leno Show” did do better, but only by about a tenth of a rating point, still coming in second to either CBS or ABC on a regular basis. When the smaller affiliates without people meters got their November book numbers, “the drum beat started getting louder,” Gaspin said, and as it became progressively more clear that they were only going to be getting more vocal about their displeasure, throwing around comments about possible preemption, “we realized things were not going to go well if it was kept in place.”

Gaspin continued to clarify, however, that despite the feelings of the affiliates, NBC did not feel that “The Jay Leno Show” was a disappointment on a network level. “It was working at acceptable levels financially, making money at 10 PM,” he said. “For the network, it was not a wrong decision.”

He also underlined that, insofar as he was concerned, the reason behind the limited viewership had nothing to do with the show or its level of quality. “There’s a lot of choice at 10 PM,” he said. “We thought it could be everybody’s second choice, but there were just so many other choices that people thought were better.” In the end, Gaspin conceded that “The Jay Leno Show,” while being easy entertainment, simply wasn’t the first or even second choice of enough viewers.

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TCA Tour: Showtime Executive Session

You’ll have already seen my story about Showtime greenlighting “The Borgias,” which I posted because it was easily the biggest news within the network’s executive session, but Robert Greenblatt, Showtime’s President of Entertainment, did have a few more things to say during his remarks…and these are some of them:

* First of all, it must be said that Greenblatt had us from “hello,” offering an opening which couldn’t have been more perfectly designed for his audience. “I’m glad this is the first day,” he said, “because it’s so great when you guys are not sort of at the end of the rope here after rolling your eyes from all of what we’re saying to you, and I hope I can engage you enough today, because I’m sure all of you are just waiting for tomorrow’s NBC presentation. I’d love to get my temporary TCA card so that I could sit in on tomorrow’s session.”

* Coming soon is Showtime’s first foray into the world of traditional reality series. Get ready for “The Real L Word of Los Angeles,” which Greenblatt says will be on the air probably this summer. “We’ve just cast those women,” he said, “so at some point we will parade them in front of you for some kind of grilling…and I mean ‘parade’ in the best sense of the word.”

* When discussing the network’s new series, “The Big C,” a dark comedy starring Laura Linney as a woman dealing with a diagnosis of stage-four cancer, Greenblatt said, “I hope you all got our press announcement yesterday that we greenlighted a series about a character facing a terminal illness; I just want to make it clear that we have not picked up ‘The Jay Leno Show.'” Ouch…and ho, ho, HO!

But seriously, folks, Greenblatt says, “We look at the show essentially as a wake-up call as she begins to kind of look at her life and decide how she’s going to live it for the last amount of time that she has, and I think in the best possible world here, I think what we’ll do with this show is humanize the dilemma of her illness. Obviously, the show will walk the line between drama and comedy, and I don’t think there’s anybody better who could do that than Laura Linney. We’ve also surrounded her with some extraordinary people, an ensemble of great actors: Oliver Platt plays her husband, and we have Gabourey Sidibe, who’s the star of ‘Precious,’ who’s in the show as well.”

The pilot for “The Big C” was directed by Bill Condon, who already has experience with directing Linney and Platt from when they all did “Kinsey” together. We aren’t yet privy to the entire pilot, alas, but Greenblatt offered us a sizzle reel from it, and it looks really good, but for my money, no line topped this one from Linney to Sidibe: “You can’t be fat and mean. You can either be fat and jolly or a skinny bitch. It’s up to you.” The network has ordered 13 episodes, and the series goes into production as soon as Linney finishes her current commitments at the Manhattan Theater Club, with a premiere planned for later this summer.

* Greenblatt also spoke briefly about “Episodes,” the network’s new comedy, which was announced a few months ago. Created by David Crane and Jeffrey Klarik, the series is about a British couple who have a hit series on the BBC and, when an American TV network comes to them and convinces them to come to Hollywood and do an American version of their show, Hollywood just systematically destroys the show.

“Not,” added Greenblatt, “that that would ever happen at Showtime.”

Although “Episodes” won’t actually begin production until the spring, the producers thoughtfully put together a short piece to give us an idea of the flavor of the series…and it was funny. As you may have heard, the series will start the former Joey Tribiani, Matt LeBlanc, who will play himself as the woefully miscast star of the show within the show, and the piece showed us what he had to go through to get the part. (“I’d be playing myself, and I have to read? Fuck Showtime!”) Production on the series starts in late spring, and Greenblatt hopes the series will be on the air in the fall…and if it maintains the tone of what they showed us, then so do I.

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