Category: Sons of Anarchy (Page 4 of 7)

Sons of Anarchy 3.1 – So

Anyone who watches “Sons of Anarchy” is well aware of the path of destruction that creator Kurt Sutter left behind at the end of last season, so it shouldn’t come as much of a surprise that Season Three begins with the characters picking themselves up off the ground. Only a few days have passed since that disastrous chain of events, and Gemma is still on the lam after being set up by Agent Stahl for the death of Edmond Hayes. But now that Unser has returned to his duties Charming, Tig and a few of the Oregon-based Sons have taken Gemma to a rundown motel to hide out.

Clay has smartly refrained from telling her about Abel’s kidnapping, and it’s a good thing that he has or otherwise, she’d probably come racing back to help with the search. Of course, between trying to hotwire a car and stabbing its owner in the groin with a pocket knife, Gemma has already proved quite a handful for Tig, so he finally concedes to her request to visit her father (Hal Holbrook) when she reads that her mother has recently passed away in the newspaper. I’ll be curious to see where this particular storyline goes, because it doesn’t look like Gemma will be coming back to Charming anytime soon, and quite frankly, she’s already missed.

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Tara is doing a pretty good job of filling in, however, and there was a really sweet moment between her and Clay where he told her that she was the best thing to happen to Jax. Though it’s possible that he was just being nice so she would cooperate and not name the Sons during her testimony to the FBI, Clay has always placed family first, and Tara is now a part of that family. And if you didn’t think that Tara was fully committed to Jax and the club before tonight, then she pretty much confirmed it by refusing to leave Charming despite Jax’s request, summing it up perfectly towards the end of the episode with the following speech: “We don’t know who we are until we’re connect to someone else. We’re just better human beings when we’re with the people we’re supposed to be with… I belong here.”

Tara even stood up to Stahl after being accused of lying during her testimony, calling her out at as a despicable human being and more or less threatening her to stay away from her family. But while Stahl didn’t seem too affected by Tara’s best Gemma impression, she looked positively terrified after Clay delivered a message of his own: “Anything happens to my grandson, I promise you, I’m going to shove a gun barrel up that bony ass of yours and I’m gonna blow your black heart out.” You have to hand it to him, though, because he’s right. While the Sons don’t exactly adhere the highest moral standards, Stahl’s web of lies has led to the deaths of several innocents and the kidnapping of baby Abel. Eventually, that’s all going to catch up to her, whether she ultimately confesses from a guilty conscience or someone else pulls the trigger. I’m betting on the latter.

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Sons of Anarchy: Season Three Preview

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Anyone that’s read my “Sons of Anarchy” blog or followed our bi-annual TV Power Rankings on Bullz-Eye knows that I’m a massive fan of the FX biker drama, so it shouldn’t come as much of a surprise that I’m beyond excited for the start of the new season. Last December, creator Kurt Sutter delivered a heart-wrenching finale that resulted in the death of several characters (including one of the Sons’ own), and found Ethan Zobelle getting away scot-free, Gemma on the lam for murder, and Jax’s son kidnapped by IRA gunrunner Cameron Hayes.

Season Three picks up only a few days later, with SAMCRO still reeling over Abel’s kidnapping and Gemma finding refuge with her father, played by Academy Award nominee Hal Holbrook, who might just be the show’s golden ticket to the Emmys next year. Holbrook isn’t the only new actor joining the cast, either, as the Sons’ will be heading to Ireland in search of Abel, placing them smack dab in the middle of IRA country. Among the new faces include “Deadwood” alum Paula Malcomson as the old lady to a member of the Belfast charter and cousin of Cameron Hayes, and James Cosmo (“Braveheart”) as her priestly brother. Kenny Johnson, who briefly appeared last season as a nameless member of the Tacoma charter, will also have a recurring role this season (and now with a name, Kozik), which means we’ll probably learn more about his mysterious history with Tig.

While flipping through the Season Three press kit that FX provided critics, I also found it a bit suspicious that Tayler Sheridan, the actor who plays Deputy Chief David Hale, was missing from the cast and crew bio section, despite the inclusion of much smaller supporting characters. Although it’s pretty much a given that Hale will be taking over the role of Chief now that Unser has left Charming with Gemma, I’ve heard rumors over the last few weeks that the first episode features a bombshell of a surprise involving his character. I’m not sure what that means, exactly, but I’ll be blogging the season as it progresses, so be sure to come back on Tuesday nights to read my recaps and join the conversation. To help tide you over until then, check out this sneak peek of the new season courtesy of FX:

TCA Press Tour, Summer 2010: Day 8

Much as the CBS family of networks split their efforts into two days worth of panels – one for CBS, the other for Showtime and The CW – so did Fox give us some breathing room by placing their presentations for FX’s slate of new programming on a separate day. (I wish to God NBC / Universal would take a cue from their peers. I’m so sick of being rushed through a mishmosh of NBC, USA, Bravo, and SyFy series in one long can’t-stop-won’t-stop day.)

Executive Session

Your personal mileage may vary, but for my money, John Landgraf is one of the nicest network heads currently in the game. He’s very low-key, but he’s always ready to give you a quote when you’re looking for one. Today, he offered up the following bits and pieces about the future of FX.

* “Louie” has been renewed for a second season of 13 episodes.

* Ben Garant and Tom Lennon, late of “Reno 911!,” are going to do a pilot for FX called “The USS Alabama.” It’s another partially-scripted, partially-improvised series, and, according to Landgraf, “It takes place in space on the USS Alabama with a crew of spacefarers who might not be too much brighter than the cops in ‘Reno 911!’”

* There are two other pilots in the works as well, the first being “Outlaw Country,” which will star Mary Steenburgen. “Some really talented young actors have joined that cast,” said Landgraf. “That goes into production in, I think, six weeks. It’s a fantastic script. Something we’re really, really excited about.” The other is “Wilfred,” a comedy pilot based on an Australian comedy series, which completed principal photography last week.

* The “Damages” deal done with DirecTV is different from the one that was done with “Friday Night Lights” in that FX will not be offering up the episodes after they’ve run on DirecTV. “The season that has aired, which was the third season of ‘Damages,’ is the last season it will air on FX,” said Landgraf. “For us, we’re also producers on ‘Damages.’ We’ve been co-owners and co-producers through FX Productions, and DirectTV felt very strongly. They were willing to underwrite it, and to a very substantial amount financially, they enabled it to move forward. That was the deal that Sony worked on very aggressively, but they wanted it exclusively, so this was really the best and only way for ‘Damages’ to move forward. So we stepped aside as a network entity, and we’re still involved as a production entity.”

Sons of Anarchy

I don’t know that there’s any series currently on the air that I feel worse about not watching than “Sons of Anarchy.” Everyone tells me it’s fantastic, I have every reason to believe that those people are right, and yet I just haven’t had the time to go back and revisit the show’s first two seasons. But that won’t stop me from bringing you the info that creator Kurt Sutter and his cast provided to us during the show’s panel, of course.

As far as the “big bad” for Season 3, as it were, Sutter says, “We have a couple dual storylines going in Charming and as well as in Belfast, but I guess if you had to pin it down to one specific adversary, I would say that it’s probably the Titus Welliver character, Jimmy O.”

What of the theme of the new season? “I don’t know if there’s one specific overriding theme,” said Sutter. “I think the theme is always about family and Jax sort of defining his role as a father and as a partner and as a son and as a member of this club, and the Abel storyline drives us through pretty much the entire season, and…I don’t want to give anything away in terms of what that means and where that takes us, but, you know, the thing is our seasons, the actual span of time within our seasons is very short. It’s potentially a couple, two or three weeks. So there isn’t a lot of time that passes where you can have a lot of things unfold organically. So it is a very concentrated period of time which I think helps feed, I think, the sense of urgency for the tasks that they have at hand this season.”

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2009: A Year’s Worth of Interviews – The Top 100 Quotes

Some people think that the life of a work-at-home entertainment writer is one of the most lax jobs out there, since the perception is generally is that all you do is sit around and watch DVDs, occasionally venture out of the house to see movies or concerts, and then sit in front of the computer and write about them. Okay, it’s a fair cop. But when you throw interviews into the mix, there’s a bit more work involved. First, you’ve got to get the interview (they aren’t always handed to you on a silver platter), then you’ve got to do the research to make sure that you can ask some halfway knowledgeable questions, and after you conduct the interview, let’s not forget that you’ve got to transcribe it, too. In other words, yes, there really is work involved…and when I went back and discovered that I’d done well over 130 interviews during the course of 2009, I suddenly realized why I’m so tired all the time.

For your reading enjoyment, I’ve pulled together a list of 100 of my favorite quotes from the various interviews I conducted for Premium Hollywood, Bullz-Eye, Popdose, and The Virginian-Pilot this year, along with the links to the original pieces where available. As you can see, I had some extremely interesting conversations in 2009. Let us all keep our fingers crossed that I’m able to chat with just as many fascinating individuals in 2010…

1. Pamela Adlon: “In the first season (of ‘Californication’), when we had the threesome with the nipple clamps, I was, like, ‘I don’t get this, I don’t know how you’re gonna do it.’ And then, all of a sudden, there’s a crane with a camera hanging over our heads, and you’re, like, ‘Okayyyyyyy. But how are you gonna sell this? How are you gonna make it work?’ And they ended up shooting it brilliantly, cutting it together, and it just all ended up working without me having to compromise my own personal morals.”

2. Jonathan Ames: “After my first novel, my mother said to me, ‘Why don’t you make your writing more funny? You’re so funny in person.’ Because my first novel was rather dark. And I don’t know, but something about what she said was true. ‘Yes, why don’t I?’ Maybe I was afraid to be funny in the writing. But since then, seven books later, almost everything I’ve done has a comedic edge to it.”

3. Ed Asner: “I loved journalism until the day my journalism teacher, a man I revered, came by my desk and said, ‘Are you planning on going into journalism?’ I said, ‘Yeah.’ He said, ‘I wouldn’t.’ I said, ‘Well, why not?’ He said, ‘You can’t make a living.’”

4. Sean Astin: “When somebody brings up a movie (of mine) that I haven’t heard about in a long time, I feel like a 70-year-old pitcher at a bar somewhere, and somebody walks in and says, ‘Oh, my God, I was in St. Louis and I saw you. You pitched a shutout.’ It’s real. I really did do that, because someone today remembers it.”

5. Darryl Bell: “The legend of ‘Homeboys in Outer Space’ has become much more incendiary than the actual show. It’s funny how I usually challenge most people who talk about how much they disliked ‘Homeboys’ to name me five episodes. Most of them can’t, because they just bought into the ‘oh, it’s awful, just the title. Oh, it’s terrible.’ What’s interesting is that I had a great conversation with Chi McBride, who was doing ‘The Secret Diary of Desmond Pfeiffer,’ which, if you want to talk about in terms of the imagery of what was wrong, that show was much more infamous than ‘Homeboys.’ Yet it’s not remembered in the same way because the title didn’t grab you in the same way. I remember Chi pulled me aside and he was, like, ‘Look, everyone who is criticizing what you’re doing would take your job from you in two seconds. All of them. So all I can tell you is that this is one blip on both of our careers, and we are moving on.’”

6. Adam Campbell: “For some reason, people always pick on the British sensibility, and we always come across as stupid, but remember: we used to run this country!”

7. Nestor Carbonell: “Let me make this perfectly clear: I do not wear make-up, and I do not wear eye-liner. This is something I’ve had to deal with my whole life. I remember I was in college in Boston, I had a commercial agent, and they sent me out for some print commercial stuff. And they called me into the office and said, ‘Look, we called you in to talk to you because we just want you to know that…well, we don’t think you need to wear eyeliner.’ And I’m, like, ‘What?’ ‘Yeah, it’s okay, you don’t have to wear it for print ads.’ ‘No, I’m not wearing eyeliner!’ And I kept dabbing my eyes and saying, ‘Look! No eyeliner! I’m not wearing any!’”

8. Elaine Cassidy: “The last two days of shooting (‘Harper’s Island’) was probably the most hardcore, the coldest anyone has ever been. It was like your head was freezing, and my motivation for most scenes was, ‘The minute this scene is over, I’m heading straight over to that heater to get warm.’”

9. Chris Cornell: “I started as a drummer, so I sort of took on singing duties by default. I had sung backgrounds and some lead vocals from behind the drums in different bands that I’d been in, and I’d gotten great responses for the songs I would sing. I really started pursuing the possibility of being a lead singer based on the fact that I was working a full-time restaurant job and then playing gigs at night, hauling drums around. One day, it just dawned on me that, ‘Hey, I could be in a band and be the singer, and it would be a lot easier!’”

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Sons of Anarchy 2.13 – Na Triobloidi

If you didn’t know Kurt Sutter worked on “The Shield” prior to last night’s episode, you probably figured it out by the time it was over. All I have to say is that Shawn Ryan taught him well, because the season finale was just as heart-wrenchingly upsetting as any hour of television Ryan produced in the past. Let me explain. I don’t mean it was upsetting in the sense that I didn’t enjoy it, but rather that when it ended, all I could think about was the fact that I’d have to wait nine long months for its conclusion. Many critics have argued in the past that shorter TV seasons improve the quality of the show (and I agree), but if there’s any downside to that model, it’s that you have to wait even longer for their return.

Though the season finale left quite a few cliffhangers for fans to dwell on during the winter months, there was at least some feeling of completion with the death of AJ Weston. After the sheriff’s department was forced to let him go because Chucky’s testimony didn’t hold up, Weston is warned to get the hell out Charming as fast as he can. Before he leaves, however, Weston convinces Hale to set up a supervised visit with his kid, and when Jax catches wind of the news, he intercepts him to deliver his revenge. At least Weston took it like a man, because the same can’t be said of Ethan Zobelle. Of course, that’s because Zobelle is a different kind of monster completely. In fact, it turns out he’s an FBI snitch, which forces Hale to cut him loose as well, only for Zobelle to go run to the Mayans for protection.

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While the Sons wait out a seemingly inevitable showdown with the Mayans in the middle of town, Zobelle plans his getaway to Budapest. His daughter wants to say her goodbyes to Edmond first, though, and it turns out to be an unwise decision, because Gemma follows her there and shoots her dead. What Gemma doesn’t realize is that Agent Stahl is also in the house – still trying to get her shit together after she killed Edmond during an attempted escape – and now Stahl has framed her for both murders. She’s nice enough to give Gemma a head start, but that doesn’t mean much in the grand scheme of things. After all, regardless of when he gets caught, it’s going to be pretty difficult to prove her innocence when the only other witness in the room is not only the real murderer, but a federal agent as well. Getting the Sons out of those gun charges is one thing, but how are they going to get Gemma out of this mess? You’ve got me, but for the time being, Wayne seems content with the idea of running away with her.

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