Category: Sci-Fi Movies (Page 79 of 93)

Adam McKay talks “The Goods,” “Hansel & Gretel: Witch Hunters”

Anyone who’s a fan of Will Ferrell’s work will recognize the name of Adam McKay. The two have been in cahoots virtually since the day they met…which, as it happens, was the day they were both hired for “Saturday Night Live” (along with David Koechner, Cheri Oteri, and writer Tom Gianis)…and they’ve turned their collaboration on sketches like “Neil Diamond: Storytellers” and the ongoing saga of Bill Brasky into an partnership which has found McKay directing Ferrell in “Anchorman,” “Talladega Nights,” and “Step Brothers.” It’s also led to a successful production company – Gary Sanchez Productions – which has brought us HBO’s “Eastbound and Down,” “The Foot Fist Way,” and, most recently, the used-car comedy, “The Goods: Live Hard, Sell Hard.”

“The Goods” was kinda sorta buried at the box office by the competition, but Roger Ebert describes it as a “cheerfully energetically and very vulgar comedy,” adding, “If you’re okay with that, you may be okay with this film, which contains a lot of laughs and has studied Political Correctness only enough to make a list of groups to offend.” Hey, sounds good to me…and although McKay was doing the press rounds this week in what one presumes was an attempt by Paramount to kick up the buzz for the film a little more, he seems pretty comfortable no matter what the resulting numbers are this weekend.

“Regardless, we’re either gonna be a small little box office surprise or we’re gonna be a cult cable hit,” he said, with a laugh. “It’ll be one way or the other. But it certainly makes us laugh, so we’re happy about that.”

Producer Kevin Messick came to McKay and Ferrell with the script for “The Goods” with star Jeremy Piven already attached, and after giving it a read, McKay couldn’t have been more enthusiastic about the actor’s involvement.

“Oh, my God, if there’s ever a role that you’re going to have him play coming off the success he’s had as Ari Gold (in ‘Entourage’), it’s this role,” said McKay. “And we thought, ‘Well, we can do a rewrite on this, kind of gussy this up, get people we like in it, and sort of approach it through improv.’ Will and I had written a car-salesman script about five or six years before that, which Lorne Michaels tried to get made at Paramount, but it was a weird time over there, and we couldn’t get it made, and it was very frustrating. So we saw this script come through, and we thought, ‘Well, this is perfect.’”

Some may hear about the concept of this film and think, “Didn’t they already do this with ‘Used Cars’?” Although McKay is a fan of the classic 1980 Robert Zemeckis comedy and admits that it’s one of the reasons that the idea of the movie was so attractive to him, he estimates that 8 out of 10 people don’t even remember the film.

“It’s a film-fan movie,” he said. “I love it, of course, but it was so long ago. It’s kind of amazing that there really haven’t been many car-salesman movies since then. There was ‘Cadillac Man,’ but that wasn’t really about car sales. My favorite salesman movies are ‘Tin Men’ and ‘Glengarry Glen Ross,’ and that’s really what got us excited about it. If anything, ‘Glengarry Glen Ross’ was a huge influence on this movie. Even though this movie’s raunchy and absurd and silly, that vibe is still very funny to us.”

And so, by many folks’ estimations, is “The Goods,” although – appropriately, given the subject of the film – your mileage may vary.

McKay is currently in pre-production for his next directorial effort, “The Other Guys,” but that doesn’t mean that he doesn’t have his eye on what project will be next on the horizon. He’s excited at the prospect of branching out beyond his usual realm, and in addition to the sci-fi satire, “Channel Three Billion,” he’s particularly chomping at the bit to get the ball rolling on the intriguingly-titled “Hansel & Gretel: Witch Hunters,” from writer/director Tommy Wirkola.

“I love that movie,” said McKay. “That’s exactly the kind of shit where, like, it almost veers a little more toward Sam Raimi Land. Yeah, our production company, Gary Sanchez, is producing that. We saw ‘Dead Snow,’ the movie that Tommy did first, and Kevin Messick had Tommy come in, and he told us about this ‘Hansel & Gretel’ idea, and we were instantly, like, ‘Oh, my God, we’re doing that.’ And then he wrote an amazing script, so I’m as excited about that as anything we’re doing.”

Be sure to head over to Bullz-Eye.com next week for the full interview with McKay, where discusses the history of his collaboration with Ferrell, the status of “Anchorman 2,” and what we can expect from the second season of “Eastbound and Down.”

Happy “Avatar Day”

If you’re “Avatar”-enthusiast enough to be one of the ticket holders for tonight’s quarter-hour Imax 3-D free preview of James Cameron’s “Avatar,” you’ve probably seen the already much discussed online trailer. Nikki “I don’t do geek” Finke is unimpressed, as are some actual geeks. That news comes courtesy of Spoutblog’s Christopher Campbell, who can’t seem to ever resist joining a geek pile-on.

Personally, while I obviously have opinions pro- and con- on trailers quite often myself, I get a little irritated at the tendency to pass early judgment on an entire film, though I also understand it. We’re all busy and life is short. Let’s all move on with life so we can dismiss something else. Personally, though, I found a lot of the imagery in this trailer quite arresting and find the comparisons to Jar-Jar Binks, etc., not entirely fair — even if some of the characters do look like things we’ve seen before. At the same time, when you tell people they’re going to see something completely new and mind-blowing, expectations are sure to be absurdly high.

I’m sure it’ll look a great more impressive in Imax 3-D, but for those of us who won’t be there, and those who can’t wait to watch it again, here’s your moment of trailer.

You can see a higher def version via Apple.

“Basterds” at the box office

There are actually four new major releases coming out this weekend, but only one you’ll likely be hearing much about…and you’ve already been hearing about it, and hearing about it, and hearing about it, and we (mostly me) here at Premium Hollywood have been as guilty as anyone.

Quentin Tarantino’s “Inglourious Basterds” is set to make upwards of $25 million says jolly Carl DiOrio of THR and The Wrap’s Lucas Shaw. Those of you who have been following this know that the film’s take has been given more attention than a lot of movies because many suspect it will be crucial to the fortunes of Harvey and Bob Weinstein, formerly of Miramax and now of The Weinstein Company. (They say that they’re actually doing okay.) Harvey Weinstein is such a well known character that all the makers of “Entourage” had to do was hire similarly proportioned character actor Maury Chaykin and call him “Harvey” and 1/3 of the audience probably knew who was referenced. The Weinsteins have always been something of a throwback to the movie moguls of old times with their seat of the pants judgments and risk taking, so that lends a bit drama to the matter.

As for the critical reception, it’s about as good as Tarantino and the Weinsteins could have asked for, especially given that the film’s Cannes premier was greeted with a chorus that some have described as negative but was really all over the place; some proclaimed instant love, others expressed varying degrees of disappointment, and others were baffled. Now, after some apparently very effective tinkering on Tarantino’s part, the U.S. chorus at is singing mostly in harmony with an 88% “Fresh” at Rotten Tomatoes.  Though there has been a smattering of controversy over the film’s “once upon a time in Nazi occupied France” tone/plot no-longer-surprises, it’s a far cry even from the debates over violence that raged over “Kill Bill, Volume 1.” Oh well, one less source of free publicity.

Inglourious Basterds There is an additional lure this time. For once, Tarantino isn’t reviving the career of his lead actor but is actually benefiting from the presence of an A-lister in no particular need of a comeback in Brad Pitt. The possible fly in the ointment is that we critics are different from other people: we see more films. No director on the planet so makes movies for movie fans as Tarantino and, as with his other films, there’s always the chance that viewers who aren’t fully steeped in cinema might be lost at sea. As Anne Thompson wrote a couple of weeks back after seeing what she thought was a greatly improved cut of the film:

“Inglourious Basterds” is great fun—for cinephiles. It’s not a mainstream movie. If it gets to $50 million domestic there will be cheers through the corridors of Universal and Weinstein Co. And it should easily do better than that overseas.

That second part of Thompson’s prophesy has already begun to be proven, with Variety‘s Pamela McClintock reporting Tarantino’s strongest opening yet in France, Belgium, and Francophone Switzerland. As for the reaction of regular ol’ Americans, only time will tell. Still, everybody seems to be expecting it to defeat the similarly male-leaning and violent “District 9” and at least match the $25.1 million opening weekend of “Kill Bill, Volume 2.

Continue reading »

RiffTrax Live! – “Plan 9 from Outer Space”

By the time you read this, it may be too late, but just in case it isn’t, the guys from RiffTrax.com – Mike Nelson, Kevin Murphy, and Bill Corbett, all late of “Mystery Science Theater 3000” fame – will be doing a live event in a theater near you this evening: riffing on the Ed Wood classic, “Plan 9 from Outer Space.” The evening will be hosted by Veronica Belmont, the host of “Tekzilla” on Revision3 and “Qore” on the PlayStation Network, with musical guest Jonathan Coulton and a special segment by Rich “Lowtax” Kyanka of Something Awful. In addition, the night will also feature the world premiere of a brand new, never-before-seen short.

If you’d like to attend, just head over to the Fathom website and see if the live theatrical simulcast will be offered in your area. And if you’re not familiar with the film in question…well, geez, have you been living under a rock, or what?

Here’s the trailer for your viewing enjoyment, and I can assure you from personal experience that it’s every bit as bad as it looks…though, of course, I mean that in the best possible way.

There’s no doubt about it: “Plan 9 from Outer Space” definitely transcends badness to become a legitimate classic.

Wrapping up Tarantino Tuesday

Quentin Tarantino has eaten my day! And there’s no guarantee it won’t also be Tarantino Wednesday-Sunday!

Nothing to do but share a few links you may have missed and I’ve failed to include here prior.

I tend to fight the temptation vigorously, but we film geeks love our lists, and Tarantino has participated in two this week. The first is his twenty favorite films that have come out since he began directing in 1992. It’s been on every blog on town, so I don’t see why we should be any different. (H/t Anne Thompson and every other blog in town.)

Do I agree with his choices? Nah, not very many. Some are downright baffling, including his favorite, “Battle Royale.” It’s an entertaining/disturbing little movie but, though it was a huge film for many, it wouldn’t come close for me to something like, say, the vastly less well known “A Dirty Carnival” — it might make my top twenty for the year it came out. On the other hand, agreeing is never the point of this film criticism game; that’s a mistake too many make. Also, my list covering the same period would have at least two, maybe three, but no more than four, Tarantino movies, so there’s that.

And that other list. In this case, Tarantino collaborated with the critics of England’s Time Out on a catalogue of what they see as the “The 50 Greatest World War II Movies.” It’s a genuinely interesting group of movies, and there isn’t a single film that I don’t think should be seen on it (including a few I need to get caught up on myself). Actually, there is one exception. I was essentially praying for death through of all “The Thin Red Line,” so bored was I with the intense beauty of Terence Malick’s imagery, so I can’t really recommend that one. Some people think it’s great. Also, thanks to my WWII movie-loving buddy, Randy Reynaldo, for sending me the link. And we both agree: Where’s “Stalag 17” Where???

The invaluable David Hudson has tons more, some of which may still end up here, too. More to come, for sure, in any case.

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑