Category: Sci-Fi Movies (Page 4 of 93)

Ladies and gentlemen, we have your new Superman and, yeah, he’s British too

Englishman Henry Cavill in his ordinary street clothesSomeone wake up Lou Dobbs. I mean, Spidermen and Batmen hailing from the UK is one thing, but what’s Henry Cavill going to do, fight for truth, justice and the British way? Will Luthor try to do him in with a Kryptonite crumpet?

But, seriously, folks, the main reason I’ve decided to put off this week’s box office round-up is that the entire geek film Internet is having a fangasm because Mike Fleming and La Finke and also, possibly, la Harry, broke the news this morning that busy working English thespian Henry Cavill is the new man from Krypton.

If, like me, your first reaction to the news is “Who’s Henry Cavill?,” the answer is that he’s best known as a macho nobleman on TV’s “The Tudors.”  The assumption is that producer-director Zack Snyder and company are going with a more ultra-masculine Superman in reaction to the underrated and underseen Brandon Routh, but thats probably jumping the gun. Let’s see what he actually does with the part. If, like me, you’ve never watched “The Tudors,” Cavill also played supporting roles in the 2002 version of “The Count of Monte Cristo,” and as the obnoxious Humphrey in Matthew Vaughn’s underrated and underseen, “Stardust,

I still haven’t decided just what I think of Zack Snyder as a filmmaker and I haven’t seen enough of Cavill to have a pre-opinion here though, just looking at some of his pictures, he seems a slightly better fit to me for either James Bond or Batman, both characters he was actually in the running to play. Still, my hunch is he’ll do fine. I would, however, like to remind casting directors that Americans can save producer’s substantial sums on dialect coaches. Or, let’s make the next 007 American, and in two or three years, when they decide to do a Harry Potter reboot (this time, he’ll be tougher and sexier) let’s make him a Yank as well. America’s acting superheroes needs jobs!

Fresh, full of life, and in a galaxy far, far away

I’ve had a long, long day dealing with various bits of family business and my brain really isn’t fully functional right about now. So, stumbling over a YouTube meme in which usually ultraviolent scenes from classic films are recut to the music from Mentos commercials was really just what I needed. I have no explanation of why my two favorites are from “Star Wars” movies. I’ll just have to live with it.

Really, all commercials would be improved by featuring a Christopher Lee decapitation scene.

RIP Bernd Eichinger

Bernd EichingerVia David Hudson, I’ve learned that probably the best known German film producer here in the United States died suddenly from a heart attack in his Los Angeles home last night. He was 61.

Also a writer and director and the owner of Constantin Film, Bernd Eichinger’s diverse roster of productions includes the excellent, spectacular historical dramas “The Baader-Meinhof Complex” and, most famously, “Downfall.” The acclaimed film about Hitler’s final days is both an excellent movie and the source of all those funny Hitler videos I’m so fond of. (How awful the phrase “funny Hitler video” must read to someone whose never seen one.) As always, our condolences to his family and friends.

Eichinger has an impressive 95 producer credits on IMDb. English language films included “The Name of the Rose” and even “The Fantastic Four” and “Resident Evil.” Other internationally known films include “Perfume: The Story of a Murderer,” “The Neverending Story,” and “Smilla’s Sense of Snow.” Below, courtesy of Jahsonic, is the German-language trailer for “Baader Meinhof,” which he cowrote with director Uli Edel. There are no subtitles but, not speaking a word of German, there’s plenty for me to get.

Academy nominations stay truer to form even than usual

In a funny way, the most surprising thing about this year’s batch of Academy Award nominations was how strongly they stayed true to Oscar’s long-held habits — even a Film Drunk could see it this year. At least in terms of sheer numbers of nominations, the Academy was most generous to a historical/inspirational costume drama from England over a somewhat edgier and less traditionally fashioned tale ripped from today’s business headlines.

academy-awards

The King’s Speech” led the nominations with 12, followed by “True Grit” with 10, and just eight for “The Social Network” — still very much the front-runner in my opinion — and “Inception.” Though Anne Thompson sees the momentum shifting in a more royal direction, I think it’s a big mistake this time around to read too much into sheer quantity. For example, I would be surprised to see a huge number of non-“technical” awards for “True Grit” or “Inception.” (Roger Deakins’ “True Grit” cinematography and the amazing effects of Christopher Nolan’s team being very likely winners).

Considering where most of the awards have gone so far, the only thing really going for “The King’s Speech” and against the previously prohibitive favorite, “The Social Network,” is aforementioned traditional Oscar genre prejudices and the inevitable backlash most highly acclaimed and award winnings films get. However, outside of infantile attention-hog critic Armond White, I actually haven’t noticed a huge anti-“Network” backlash though there were some off-target feminist complaints. (A movie about an almost literal boys’ club is going to depict a boys’ club atmosphere.) In any case, the rather enormous and still ongoing on- and off-line backlashes against “American Beauty,” “Crash” and “Titanic” clearly didn’t hurt those films’ Oscar prospects one bit.

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