Category: Reviews (Page 59 of 120)

Greetings to the New Show: “Momma’s Boys”

“Who is really the most important woman in any man’s life?” That’s ostensibly the question being posed by NBC’s latest reality show, “Momma’s Boys.” In the end, however, it appears that what’s really being asked is, “How awful and overbearing can a mother be to her son on national television?” Brought to you by the one and only Ryan Seacrest, you will find this to be an absolute car-wreck of trashy reality TV that will almost certainly find its way onto “The Soup” on a weekly basis.

So…let’s meet the gentlemen of the series, shall we?

Mamma's Boys

Michael is a firefighter, and his mother, Lorraine, does his laundry, makes his bed, and even handles his accounting needs, but she comes off as pretty cool and, at the very least, she’s a lot of fun. Rob’s mother, Esther, is…oh, let’s just say it: she’s a Jewish stereotype. Don’t mistake this for an anti-Semitic comment. I’m just saying that you won’t be able to see or hear her without thinking of Linda Richman and “Coffee Talk.” I mean, she calls her son a mensch at one point! Jojo’s mom is downright creepy with her appreciation of his looks and physique, but even worse, however, is her declaration of the kinds of girls she doesn’t approve of for her son: no Jewish girls and no Muslim girls, no black girls or Asian girls (she eventually says outright that any woman who’s going to marry her son has gotta be white), no-one from a divorced family, no-one who wears a lot of make-up, no-one who’s outspoken, no-one who’s after Jojo for his dough…oh, it goes on and on.

Cara is a complete idiot, Donna is proud to admit that she’s done time in prison but wants to underline that she’s a non-violent offender, and Natalie doesn’t even seem to know what the hell show she’s on, since she’s underlining how important it is for a guy to have a big ol’ set of balls. I’m partial to Brittany, not just because she’s from Virginia but because she’s just so darned cute; I’m also a fan of the voluptuous Jamie as well as Rochelle, who has an exotic look about her.

Predictably, though, I’m most drawn to Megan Albertus, a 26-year-old animal caretaker who has a bit of a bookworm / librarian look about her. Of course, a seasoned television veteran such as myself knows that you should always be prepared for these types to take off their glasses, let down their hair, and become the most gorgeous thing you’ve ever seen. As of the first episode, however, she appears to be sweet and legitimately geeky (she refers to her glasses as her “nerd goggles”), so maybe she’ll be the exception to that rule…but probably not.

NBC is ridiculously hopeful about this series, it would seem, given that they’ve made a point of including a mention in the show that they’re already casting for Season 2 of the show. As far as I’m concerned, however, the only real reason to watch is to see just how ignorant Jojo’s mom can possibly sound…and since I cringe every time she opens her mouth, I can’t really recommend the show on that basis. I can merely hope that Joel McHale embraces the series, so I can see the lowlights every week without actually watching.

Heroes 3.13 – When They Said to Choose A Side, It Made You Want To Hide

First things first: Hayden Panetierre is not a great actress. When her time on “Heroes” has finally come to a conclusion, I’d bet dollars to doughnuts that she ends up doing the straight-to-video or TV-movie circuit for the remainder of her career. I’ve been wrong before on guessing people’s ultimate career fates, but having watched the scenes tonight where Claire and Sylar are battling over the intercom, I’m feeling pretty good about this one. With precious few exceptions, she just can’t seem to deliver a menacing line without making it sound like the height of cliche…which it is, of course. But a better actress could’ve made it sound cool, while her delivery just made me groan.

I was way disappointed with how little action we got out of HRG’s plan to release the villains to serve as chum. In the end, it basically just felt like an excuse to break out the Puppet Master again…not that there’s anything wrong with that. But even that didn’t pay off. You knew the showdown between Sylar and the Puppet Master was going to turn out poorly for the latter, but I was hoping for at least a little more action than just Sylar asking, “You think you can control me?” Bam, Puppet Master’s strings are cut. Boring.

Sorry to see Claire’s biological mom go, as I kind of liked her, but once she got that shot of adrenaline, I figured she wasn’t long for this world, and I was right.

Finally, Tracy breaks out her powers again…and, subsequently, Knox breaks into a whole bunch of little pieces. It was a nice and shocking moment, to be sure. We really only got one other Tracy moment that’s worth discussing, but it was arguably the best scene of the episode: her encounter with Hiro. First, Tracy’s David Spade impression made me laugh (“And you are…?”), then she called Hiro “Pikachu,” which earned a giggle, but then Hiro offering an apology followed by a sock in the face was almost as funny as Daphne’s expression thereafter.

Speaking of Daphne, when she said, “And you were there, and you were there,” all I could think was, “Hello, ‘Wizard of Oz’ reference,” and the same went for “A Few Good Men” when Sylar screamed, “Tell me the truth!” Was this intentional? Were there more unabashed line thefts that I missed…?

Who doesn’t enjoy the opportunity to see George Takei wielding a sword again? There wasn’t really much to that scene, except to get a good laugh out of the father/son battle and to finally show the moment where the formula was torn in half, but, again, it’s George Takei wielding a sword.

Overall, I was really only “meh” about this episode. The scenes with Nathan and Peter were just more brotherly bickering, the conversation between Sylar and Mama Petrelli had limited emotional heft, given that we knew full well that she wasn’t his mother, and the whole subplot about Ando developing his time-travel-related ability was just plain ridiculous. Frankly, I’m glad to see PrimaTech finally go up in smoke; it’s about time we got more of a look at the heroes and villains outside of the same world they’ve always been centered around.

Then again, maybe I’m just tired.

Lou Costello…?

Tonight’s installment of “Spectacle: Elvis Costello with…” finds our man Elvis opening the proceedings with a cover of The Velvet Underground’s “Femme Fatale.” One presumes that his guest for the evening, Lou Reed, was at least tolerant of the rendition, since it’s not as though ol’ laughing Lou has ever been afraid to speak his mind. (Plus, the two of them team up later in the episode for performances of “Perfect Day” and “Set the Twilight Reeling.”)

Maybe it’s just the interviews I’ve read, but most of the time, Reed tends to come off as not just prickly but downright grouchy; it’s therefore a testament either to Elvis’s ability as a moderator or Lou’s respect for him that the conversation between the two of them is actually rather illuminating. Mind you, there was no discussion about Lester Bangs (I’m sure Reed is tired of being asked about Bangs’ love/hate relationship with his work, but I’d still love to have heard Elvis pose a question about it), but be sure to catch the discussion of the R&B great who played on Reed’s very first record, the relationship between Reed and Doc Pomus, the hard and fast rule in the VU about not copping blues licks, the secret chord in “Sweet Jane” that everybody gets wrong, and how he thought he spent his youth convinced that he was utterly unemployable.

The most fascinating moment of the conversation, however, comes when filmmaker Julian Schnabel joins Costello and Reed onstage. At first, it sounds like Schnabel more or less just happened to be in the crowd, but we soon learn that Reed and Schnabel are longtime friends, and before long, the discussion leads into a moment that the two of them shared as a result of the death of Schnabel’s father. It’s a story that starts out rather disconcertingly, but as it progresses, it becomes a testament to the healing power of music.

A Chat with Ashley Williams (“Novel Adventures”)

Even though she spent her youth as a cast member of “As the World Turns,” it never occurred to Ashley Williams that, after going to school and getting her theater degree, she’d be able to come out to Los Angeles and get cast in the first show for which she auditioned. But that’s what happened, and that’s how she burst onto the scene as the female lead in NBC’s “Good Morning, Miami.” It wasn’t necessarily the greatest experience for her, given her lack of a comedic background, but it was certainly a learning experience…and what she basically learned was that, all things being equal, she’d rather not have to deal with the hassle of carrying a series on her shoulders. Since then, she’s been picking and choosing smaller parts at her leisure – you may have seen her on “Monk” or “Psych” or her stint in Season 1 of “How I Met Your Mother” – and, most recently, she’s been having a ball as part of the ensemble of CBS’s original online series, “Novel Adventures,” about a decidedly unique book club. We spoke with Ashley about how much fun it was to film the series, how she found her way into her current method of choosing roles, and whether she’d be willing to be the “Mother” if she was asked.

Stay tuned for…

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2008: The Year in TV – Will Harris

Once the writer’s strike was over, the television industry got back to business with a vengeance, offering up quite a lot of high quality material…so much, in fact, that my TiVo is STILL loaded down with shows I just haven’t had the time to watch. Seriously, I’ve got three episodes of “My Boys” that I’ve been sitting on since July. There just aren’t enough hours in the day…and I’m a full-time TV critic, for God’s sake! But here’s at least some of the stuff that I dug and despised during the course of 2008…and sometime around 2012, maybe I can offer up a complete picture of 2009.

TOP 3 SHOWS

1. “The Big Bang Theory,” CBS

Big Bang Theory

No other sophomore series came roaring out of the gate like this one. Fears that the show had already jumped the shark by getting Leonard and Penny together were dismissing before the end of the second-season premiere, the addition of Sara Gilbert to the cast was an added bonus, and the suggestion that Sheldon is a sex object to physics geeks is almost too funny for words. Mark my words: this is the year that Jim Parsons earns his first Emmy nomination.

2. “30 Rock,” NBC
There’s no truth to the rumor that you can’t be a member of the Television Critics Association if you don’t like “30 Rock,” but, really, what’s not to like? Tina Fey is both gorgeous and hilarious, Alec Baldwin can’t open his mouth without getting a laugh, and, come to think of it, there’s really no-one in this ensemble who isn’t funny. So why do they keep bringing on all of these guest stars? Beats me. But since they incorporate them so well into the episodes, it’s hard to complain.

3. “Life on Mars,” ABC
When I did my 2008 Fall TV Preview, I hadn’t yet seen the pilot for this series, but if I had, it would’ve beaten out “Fringe” for the top spot on my list of new shows I was most excited about. Rising above its “based on a British series” origins, “Life on Mars” has one of the strongest casts on television (Jason O’Mara, Harvey Keitel, Michael Imperioli, Gretchen Mol, and Jonathan Murphy), a great premise (a police detective gets knocked unconscious in 2008 and wakes up in 1973), and – perhaps most impressively – managed to survive its network’s recent purge of quality dramas. For God’s sake, don’t let it go the way of “Pushing Daisies.” If you haven’t watched it yet, it’s not too late.

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