Category: News (Page 82 of 401)

A capery, spy-ey, hobbity, clashy, ghosty midweek movie news

A sprained ankle and other unexciting matters sidelined me yestereday, but now I can use my imposed semi-immobility for bloggy purposes.

* THR is claiming an exclusive that a date has finally been set for the two-part Peter Jackson/Guillermo del Toro collaboration, “The Hobbit.” (That’s with an assist from the late J.R.R. Tolkien, of course.) There was some apparent confusion earlier in the day, but it now looks like the two films will be released in Christmas of 2012 and 2013. That’s a year off from the original plan for the LOTR follow-up/prequel (though LOTR is technically the sequel here). Though this article doesn’t mention it, at least part of the problem was widely supposed to be the decline and fall of MGM.

* I’m not at all sure how the “poison pill” actually works but it appears that a decision by authorities up in British Columbia — which is, like, part of an entirely different country than ours and everything — will make it easier for Carl Icahn to attempt his hostile takeover of Lionsgate.

* Does anybody really want a “Clash of the Titans” sequel? Well, we’re getting one anyhow.

Clash of the Titans

* Bill Murray is apparently bound and determined to be the proverbial turd in the “Ghostbusters 3” punchbowl. It wasn’t a punch I had my heart set on, in any case, much as I liked the first one.

* Just the day before yesterday I was part of a press round-table with the affable, stylish French director Jean-Pierre Jeunet (“Amelie,” “City of Lost Children”). Someone brought up his adapatation of the acclaimed, fantastical Booker Prize-winning novel, The Life of Pi, a project which the vagaries of movie-making had apparently forced him to give up on. Today, Anne Thompson brings word that it appears that the project has been picked up by another strong directorial hand, Ang Lee.  And, guess what, it’ll be 3-D. Lee’s one of the movies’ great humanists still working, so I’m sure the film won’t be overwhelmed by effects.

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The original “Robin’s Big Date”

Via Kevin Jagernauth at the Playlist, we learn that one of the skits for the upcoming, unnamed 17-director comedy anthology film is an expansion of the funny little film below from 2005, which comes as news to yours truly. “Robin’s Big Date” features Justin Long as a sensitive young Robin who has to put up with a supremely overbearing, bearded Batman (Sam Rockwell) who doesn’t seem to realize when he’s not wanted.

Especially with his outstanding work in “Moon” and the upcoming “Iron Man 2,” Rockwell is an actor who has really been growing on me a lot lately — I had previously found him a tad bland but I now see the error of my ways. His work here with Justin Long, also excellent, shows that his way with a comic scene is great stuff. Though I love that the updated version will include not only Rockwell and Long, but also writer-turned-actor Jon “I’m a PC” Hodgeman of “The Daily Show” as the Penguin, this nice little film is going to be hard to top. Enjoy.

Especially with his outstanding work in “Moon” and the upcoming “Iron Man 2,” Rockwell is an actor who has really been growing on me a lot lately — I had previously found him a tad bland but I now see the error of my ways. His work here with Justin Long, also excellent, shows that his way with a comic scene is nothing too new he already. Though I love that the updated version will include not only Rockwell and Long, but also writer-turned-actor Jon “I’m a PC” Hodgeman of “The Daily Show” as the Penguin, this nice little film is going to be hard to top. Enjoy.

This one’s for you, Mr. Hefner

Hey, it’s not everyday someone gives $900,000 of their own money to save a local landmark, but that’s what the founder of Playboy did for Los Angeles today as he donated a large sum to save the iconic sign in the Hollywood Hills that has become symbolic of a lot more than an actually fairly random place name. Anyhow, I’m turning this one over, in a way, to Hugh Hefner. I think the two clips below are fairly self-explanatory.

Since the individual scenes have been apparently all been disabled for embedding (why?), we’ll give you the trailer instead.

Bullz-eye/Premium Hollywood boss man Gerardo Orlando recently interviewed the ultimate girly mag’s honcho emeritus about a fortnight back. Check it out.

Monday night at the movies, the post TCM Fest edition.

I’m recovering from the fest and doing other stuff as well, so I’m going to try and keep things fairly short tonight.

* The non-extra initial Blu-Ray/DVD release of “Avatar” has, guess what, done very, very well.

* Thanks, Hef! He saves the world for heavily retouched naked women, pays writers more than just about anybody, and now he ponies up the missing funds to save the Hollywood sign.

* One item I don’t actually have to link to report on is that the TCM Classic Film Festival is going to be back next year, with the idea of being an annual event. I can do that because I was present at last night’s big screening of “Metropolis” where none other than Robert Osborne announced it to the assembled multitudes at the more beautiful than ever Grauman’s Chinese Theater.

What was interesting about the way this festival was marketed is that people who live in Los Angeles were clearly not the primary target. Individual ticket prices were roughly double what film geeks like myself are used to paying to see similar presentations — actually more than double when you consider that most repertory programs are actually double bills. With the exception of fellow press and a USC film student who had picked up one of thirty free tickets that has been donated, everyone I spoke to was from elsewhere, and usually a place where the opportunity to see such frequently revived cinematic warhorses as “Casablanca” and “Some Like it Hot” on the big screen are nevertheless beyond rare.

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Your TCM Fest ultra-quick box office report.

It TCM Fest‘s closing day and I’m determined to see “The Magnificent Ambersons,” “The Good Earth” (with an appearance by centenarian film legend Luise Rainer), and the new, new, new “Metropolis” but today’s box office estimates are bit too interesting to ignore completely.

The short version is that, as per the mighty Box Office Mojo chart, “How to Train Your Dragon” won the weekend box office with just over $15 million. “The Back-Up Plan,” a comedy vehicle for Jennifer Lopez, opened with a rather lame $12.25 million which should please our own David Medsker, who hated, hated, hated it. Graphic-novel based action fest “The Losers” made only $9.6 million, but seeing as it’s budget was $30 million less than the J-Lo film, it’s actually doing a lot bettter despite grossing less.

Date Night” is hanging in there very nicely in its third week. Like, “Dragon” it defeated both newcomers and came in at the #2 spot, earning $10.6 million for an accumulation nearing $65 million, $10 million more than its budget. Familiar and reliable comedy faces still mean something at the box office if the movie makes people laugh. Expect to see more family films and wide-audience PG-13 comedies and a bit less ultra-violence.

And that leads us to Matthew Vaughn, a director who has a lot less luck than talent and smarts, is no doubt thanking his reasonably lucky stars for keeping the budget on “Kick-Ass” reasonable.  The controversial black-comedy action flick dropped by 52%, roughly average for genre films that aren’t setting the world on fire. Still, the total gross is actually already $4 million above the $30 million budget. Assuming  the budget number is correct and what I can only imagine will be a long and healthy life on home video, he’s actually done rather well even as a something of a disappointment. Hope for the best, prepare for the worst.

Oh, and I guess I should see “Kick-Ass” myself before it leaves theaters. I always seem to catch Vaughn’s films after they’re declared failures and find myself really liking them. I guess I like underdogs.

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