For some reason clever net prankster(s) at a site called “Fuck Yeah, Ryan Gosling” have been picking on the excessively skilled and excessively pretty actor Ryan Gosling with a ‘net meme featuring the words, “hey girl.” If you have seen them, then you’ve got some company and that would include Ryan Gosling. Check out this bit of high-end junketeering for the formerly NC-17 rated “Blue Valentine.”
H/t to Film Drunkard Vince Mancini.
While Bernie Sanders did his thing on the floor of the senate today, Hollywood liberals, and a few conservatives too, we’re busy doing their thing so that the guys who owned all the studios would have all the more money to save from their big, big tax break. To wit…
* Robert Rodriguez and the other makers of the modestly budgeted “Machete” got a nasty surprise from the Texas Film Commission, which appears to be reneging on $1.7 million in tax rebates. As reported by the Wall Street Journal, It has something to do with a law against providing the incentives to films portraying Texas and/or Texans negatively. Every film portrays people negatively. This reeks of political selectivity, probably related to the film’s deliberately nonpartisan lampooning of anti-immigrant hysteria and demagogic politicians. “Machete” goes out of its way to avoid naming the evil politician played by Robert De Niro as a member of either party, in fact.
If Texas doesn’t change it’s tune, and fast, I agree for once with the L.A. Times‘ Patrick Goldstein and seriously hope nobody from outside the state shoots a single foot of film in Texas until such time as the state seeks to elect non-mouthbreathers to statewide office. They have, indeed, fucked with the wrong Mexican.
The trailer for the first 100% 3D live-action superhero movie — at least that I can think of — starring Christopher Helmsworth, Natalie Portman, Anthony Hopkins and a bunch more folks is online.
According to earlier slightly spoilery reports, Thor’s funny book alter ego, Donald Blake, shows up at the end of the movie somehow. Neither hide nor hair of him here, however. Also, it looks like maybe a bit more of it is set on earth than those earlier reports indicate.
We have two new major releases and which one will be on top is a pretty clear cut case. Even so, it will be relatively muted victory.
“The Chronicles of Narnia: The Voyage of the Dawn Treader” is the third installment in the adaptation of C.S. Lewis’s immensely popular fantasy novels. Though it was helmed by veteran filmmaker Michael Apted, it’s not entirely smooth sailing for the family-friendly adventures. Disney dropped the series after the somewhat disappointing showing of “The Chronicles of Narnia: Prince Caspian” back in 2008. Since then, as discussed by both Ben Fritz and jolly Carl DiOrio Fox has picked it up and trimmed the budget in partnership with Walden Media to an oh-so-thrifty $155 million (!).
That’s probably a good thing because it doesn’t seem to be generating a huge amount of excitement, at least from critics. On the other hand, Narnia fans are a sure bet to turn out and, as the first 3D installment in the series, “Dawn Treader” could enjoy a bit of a bump from those inflated ticket prices. DiOrio’s guess of $35-45 million seems reasonable.
From everything I’ve seen today, Sony’s “The Tourist” looks like it may be one of those movies that comes with the finest pedigree but just turns out to be a bit of a dog. Not only does this remake of a French thriller little-seen in the U.S. boast the truly enormous star voltage of Johnny Depp and Angelina Jolie, it’s the follow-up film to the Oscar winning worldwide success, “The Lives of Others” by German writer-director Florian Henckel von Donnersmarck. I saw von Donnersmark introduce that film before its domestic opening. He turns out to be an extremely fluent and completely unaccented English speaker who, even before his film opened in the U.S., was not shy about his lust to take on American films.
The maker of the compellingly dour political thriller has taken on an attempt at a sophisticated, lighthearted thriller along the lines of such non-Hitchcock Hitchcock films as “Charade.” And, where that film had a screenplay by the great Peter Stone, this one has one credited to von Donnersmark, Christopher McQuarrie (“The Usual Suspects”) and Julian Fellowes (“Gosford Park”). You can’t blame a guy for trying.
The review by our own David Medsker was entirely unenthusiastic, but it was a rave compared with the highly negative reaction of critics overall. The same scribes who rhapsodized over “The Lives of Others” largely found “The Tourist” an exercise in high-gloss boredom. While audiences will be lured by the appearance of an ideal date movie the first weekend, you’ve got to wonder how the film will do once people see it for themselves. Still, about $20 million seems to be figure for the first weekend. We’ll see about the legs later on.
There’s also a bunch going on in the realm of limited releases. Looking at Box Office Mojo, we have a significant expansions of “Black Swan” after its boffo opening weekend. One brand new entry this weekend in five theaters is a new version of Shakespeare’s “The Tempest” which, despite starring the great Helen Mirren in a bit of gender-altering casting is getting pretty dismal reviews for famed/infamous director Julie Taymor. A Shakespeare adaptation with bad reviews is a movie in trouble. “The Fighter” debuts also on four screens, though you can expect many more later.
Apparently it wasn’t just the Cold War that made John F. Kennedy so anxious to reach the moon. He apparently wanted some big, ugly toy robots even more than he wanted sex with Marilyn Monroe.
Boy, I’m already so not a fan of this franchise and then they go and mess with both Apollo 11 and my man Walter Cronkite, whose too seriously dead to complain that they used him to advertise a (most likely) crappy science fiction film from Michael Bay. Of course it’s in 3D.
Oh, and the first person to post a Pink Floyd joke in comments gets an extremely special No Prize. (Note: I don’t like Pink Floyd very much either. I just felt like mentioning that.)
H/t Deadline.
© 2026 Premium Hollywood
Theme by Anders Noren — Up ↑
