Category: News (Page 132 of 401)

Old Show, New Season: “Scrubs”

When “Scrubs” wrapped its eighth season earlier this year, it did so with the presumption that it was offering viewers a final farewell to its characters. J.D. (Zach Braff) and Elliott (Sarah Chalke) spent the season finally settling into a groove as a couple, and in the 2-part finale, we watched J.D. make the most mature decision of his life: to leave Sacred Heart in order to take a job which would allow him to live closer to his son. If you followed the show throughout its run, it’s hard to imagine that you didn’t get misty as he took his final stroll down the hospital’s corridors, revisiting the memories of former friends, lovers, colleagues, and patients, and even if you did somehow make it through without dry eyes, the combination of having Peter Gabriel’s cover of the Magnetic Fields’ “The Book of Love” play over a montage of J.D.’s possible future was enough to kickstart anyone’s tear ducts.

It was, most fans agreed, the perfect way to close out the “Scrubs” story.

As such, when it was announced that 1) ABC had offered Bill Lawrence the chance to continue “Scrubs” for a 9th season, and 2) he had accepted their offer, fans immediately split into two camps: those who felt that Lawrence was betraying the legacy of the series by not leaving well enough alone and leaving them with their perfect ending, and those who were excited at the prospect of seeing the series continue. The phrase “legacy shmegacy” quickly became a staple of Lawrence’s interviews (such as, for instance, this one), and he soon revealed that Season 9 of the show would feel almost like a spin-off, taking Drs. Cox (John C. McGinley) and Turk (Donald Faison), turning them into med school professors, and exploring the world of first-year medical students…or, as he said to Michael Ausiello when the announcement was first made, “It’ll be a lot like ‘The Paper Chase’ as a comedy.” But while that’s a great reference to endear TV critics to its premise, is the concept enough to bring back those who were quite happy with the show reaching its logical conclusion at the end of Season 8?

If it isn’t, then maybe Zach Braff will be.

At first, it was implied that Braff would only be returning for a few episodes, with rumors abounding that ABC was pushing for the show to add a “big name” to its cast to keep the ratings momentum moving along; instead, he will actually appear in half of the episodes this season, with Lawrence rationalizing that, all things considered, Braff is a pretty big name in his own right. At the very least, his presence will surely inspire some of the on-the-fence fans to give the new version of the show a shot, and the same goes for Sarah Chalke, who will be turning up on a semi-regular basis as well. Although we saw Dr. Kelso (Ken Jenkins) drive off into the sunset at the end of Season 8, he must have turned around at some point, since he’ll also be teaching a class at the medical school, and as the ever-abrasive Denise (Eliza Coupe) was deemed way too good a character to leave behind, she’ll be working with Professors Cox, Dorian, Kelso, and Turk as a teaching assistant.

But, wait, now you’re wondering about everyone else, too, so I’d better get them out of the way, too.

What of Carla? Well, since Judy Reyes was reportedly only interested in reprising her role in a full-time capacity, we apparently won’t be seeing her for the foreseeable future, but we were given the impression that Carla was probably going to be transitioning from nurse to homemaker, anyway, so it’s easy enough to buy that. Christa Miller’s pretty busy over on “Cougar Town,” so there’s no sign of Jordan at the moment, but given that she works for the same network and that she’s married to the man behind both shows, let’s just say that it wouldn’t be impossible that she could turn up. (In fact, the word probable might even be appropriate, but you didn’t hear that from me.) Neil Flynn’s gig on “The Middle” is keeping him hopping, too, but The Janitor will rear his head briefly tonight, and Ted the Lawyer (Sam Lloyd) will turn up in the near future, with his significant other, The Gooch (Kate Micucci), in tow.

Okay, now you know that there’ll be plenty of old faces around to make you feel at home. So how about the new faces? ABC kicks off the return of the series with two new episodes, but if you can’t wait ’til then to find out if “Scrubs: Med School” – yes, Lawrence won his fight with ABC to add an era-differentiating subtitle to the series – will permanently taint your memories of the preceding eight seasons, then you’ll probably want to read on. Be forewarned, however, that there are SPOILERS in your immediate future, so those who wish to remain blissfully ignorant until 9 PM should bail out now. Just be sure to come back later to offer your thoughts about the show’s return.

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Fox likes the taste of “Bob’s Burgers”

Fox animation

Just after signing on with Matthew McConaughey to produce the animated series “Rooster,” Fox has given “Bob’s Burgers” the green light. From the mind of Loren Bouchard, co-creator of “Dr. Katz” and “Home Movies,” “Burgers” is an animated series based on an East Coast family who runs a fast food joint.

“One of the great things about telling a story is that (the show) could be a workplace and family comedy at exactly the same moment,” said Bouchard, who originally thought of doing a comedy about a family of cannibals running a restaurant but dropped the cannibalism part.

Bouchard, who is executive producing/co-showrunning “Burgers” with Jim Dauterive (“King of the Hill”), said he chose a burger place versus a traditional restaurant because “it feels very iconic.”

Although “Burgers” will have a similar look and tone to the rest of the comedies from Fox’s Sunday animated block, it will be “a little more urban,” said Bouchard, who spent several years working in bars and restaurants during his 20s.

The original voice cast included H. Jon Benjamin as Bob, John Roberts as wife Linda and Kristen Schaal, Eugene Mirman and Dan Mintz as the kids. Fox gave the series a 13-episode order after viewing a 12-minute presentation. It’s unclear whether the cast will return, but Bouchard is optimistic.

As am I. “Dr. Katz” is one of my favorite series of all time and Bouchard was an integral part of its success.

Look for the show to premiere in early 2011.

Post-Turkey Day film news bites

A few items as Hollywood finishes digesting its turkey and stuffing.

* Paramount has picked up “Area 51,” the science fiction follow-up to the ridiculously profitable “Paranormal Activity” from writer-director Oren Peli. Somewhat to my disappointment, this one will also use the “found footage” gimmick, though I guess we can assume that with an exponentially larger budget — $5 million (about enough to pay for craft services on some films) as opposed to $15,000 — Peli will at least attempt to spread his wings creatively. One reason to give him props, however, is that the film has already wrapped principal photography. We can’t accuse the Israel-born former video game designer of failing to strike while the iron’s hot!

Matt Damon and Julia Styles in * It appears that The Playlist broke the story that it appears that the very talented Paul Greengrass has left the helm of “Bourne 4” and if he goes, Matt Damon may not be far behind. Still, at this point it’s a tale without an ending in more ways than one

* Kim Masters considers “Avatar” and Robert Zemeckis’s motion capture and 3-D work as featured currently in “A Christmas Carol.” To me, they’re creatively too different beasts in that James Cameron‘s creations aren’t trying so hard to be realistic, which I think is the real reason for the “ugly” problem with the creator of Roger Rabbit’s more recent work. As for the “Avatar” characters, I’m not sure I’m going to love them yet, either, but we’ll see when the movie’s out. I’m also not at all sure that movies need to be revolutionized in quite this way.

* Over at Film Threat, Gary Morris of the highbrowish Bright Lights Film Journal is interviewed. Among the topics: interviews like this one. Don’t fear the meta. (H/t The Auteurs on Twitter.)

* It technically ended yesterday, but the Boris Karloff Blogathon, hosted where else but at Frankensteinia, lives on with tons of material still coming in submitted by innumerable bloggers about the late, great character actor who originated the role of Frankenstein’s monster in 1931. Definitely worth many looks.

The vocal there is quite obviously reconstructed using the original recording by Bobby “Boris” Pickett. If you want to hear the actual vocal from the 1965 episode of “Shindig” featuring the real Boris Karloff, you may hear it here.

“New Moon” rises while sinking; Thanksgiving box office gets hit on “The Blind Side”

My Wednesday prediction that this would be a healthy Thanksgiving weekend at the box office certainly proved true — and it was nice to see it wasn’t at the rest of the economy’s expense: holiday shopping actually went up slightly this year and went up a lot more virtually. Also, the movie everyone expected to hit number actually did one hit number one. However, looking beneath the surface just slightly, movie consumers were making some interesting choices.

The argument prognosticators were making last week was that Summit’s “The Twilight Saga: New Moon” pretty much had to come out on top because, considering its $142 million+ opening weekend, even if it suffered a catastrophic drop in its second weekend, it still would be ahead of everything else, and that’s pretty much what happened. The vampire-werewolf-human love triangle dropped a massive 70% but, as reported by Box Office Mojo‘s weekend chart and trade mag writers jolly Carl DiOrio and Pamela McClintock, it still earned an estimated $42.5. That was a mere $2.375 million ahead of this week’s surprise #2 film, “The Blind Side,” which not only actually won the box office race on Thanksgiving day (which is not included in the weekend tallies) but came refreshingly close to winning the weekend with $40.125 million. The five day total for the films offer a bit more air between the #1 and #2 spots, with an estimated $66 million for “New Moon” and just over $57.5 for “The Blind Side.”

blindside

The impressive aspect of the Sandra Bullock-led sports film/cross-cultural family drama combo is that it did something I don’t remember seeing whenever I’ve been paying close attention to grosses.  In a world where we think it’s good if a film drops less than 45-50% on its second weekend, “The Blind Side” actually climbed 17.6% on its second go-round without a significant expansion (it went from being in 3,310 theaters to 3,340). I haven’t seen the film but I will say that this seems to be a sign that it’s possible what attracts most audiences today isn’t so different from what attracted them 50 or 75 years ago.

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A Preview of Bullz-Eye’s Chat with Stephen Lang of “Avatar”

Stephen Lang is having a heck of a good year. Not only did “Public Enemies” find him once again teaming up with his old buddy Michael Mann (the two worked together back in the day, on “Crime Story” and “Manhunter”), but he also picked up a plum role in “The Men Who Stare At Goats.” And how’s he going to be following those two solid gigs? By turning up in one of the most anticipated films of the year: James Cameron’s “Avatar.” Bullz-Eye had a chance to chat with Lang about his experience as a a player in those films, as well as some of the many other roles he’s played in his career, including his work “Gods and Generals,” “Last Exit to Brooklyn,” and others, and you’ll be able to check out that chat in its entirety next week. But as a Thanksgiving treat, here are a few quotes to get you psyched for the full feature…

* On finding his way into “Avatar”: “I’d auditioned for ‘Aliens’ about 20+ years ago, and (James Cameron) talked about that in our conversation, so, y’know, I’ve kind of gone on record as saying that this was the world’s longest callback. But what happened was Margery Simkin, who is his casting director on Avatar, showed him…for my show (‘Beyond Glory’), the ad in the New York Times and other papers is this kind of really hard-nosed military shot, very macho, and Margery said, ‘Hey, Jim, look at this!” And he went, ‘Huh. Lang. Huh.’ And then at the same time, they both kind of went, ‘Quaritch!’ So that was it. It was very fortuitous, you know?”

* On first reading the script: “Because he’s an excellent writer and extremely descriptive and specific, (James Cameron) paints a very, very clear picture of what’s happening and what this world is. And, you know, it never for a moment entered my mind to doubt that he would make it real. I mean, that may be because I have a good kind of reader’s imagination, in a way. You know, I’m able to visualize. Like, I believe magicians. I’m a good audience for magic and stuff. I tend to make that bargain with a writer quite easily, and so it just never occurred to me that it would be anything less than what it said it was going to be on the page. And I look at that now, and I think, ‘God, that was kind of lamebrained of you. This is weird, difficult stuff that doesn’t exist.’ But he’s got such a great team of colleagues and people who are committed to his vision on this thing that it’s all come together.”

* On his character, Col. Quaritch: “He’s an old Marine, and he’s very hard and tough, he’s very skilled, he’s very ironic, he’s very sharp. And he’s something of a cynic, which is never a good thing to be, but he is. He’s got kind of a jaundiced view of the mission now, because it seems doomed to failure on a daily basis, and his job is basically to keep his people alive. It’s a flat-out hard thing to do, y’know? And there’s kind of a hearts-and-minds attitude that he really can’t cope with. It’s difficult to do your job when you’re interested in preserving more than protecting. So I think it’s kind of brought some hardness and change in him. It just makes him into a pretty tough guy. But at the same time, there’s so much that’s admirable about him, which makes him kind of intriguing, because I don’t think you doubt his resolve, you don’t doubt his personal qualities or his courage or honor. He kind of carries the vestiges of the Marines with him.”

* On getting in shape for the role: “I was relatively buff, because I was working in a tanktop half the time on stage, anyway, but I just went kind of into hyperdrive after that and really worked to beat that old body into shape, to get that carcass where…I didn’t want to be looking at it and see anything hanging where it shouldn’t be hanging.”

* On what he’s seen of the film thus far: “When you see it in its final form…and there are many pieces that I’ve seen in their final form…it’s quite stunning. You just kind of go, ‘Oh, yeah. That’s it.’ But, still, even what I’ve seen it in its final form, I haven’t seen it in, say, IMAX, let alone IMAX 3D. I haven’t seen it on the big screen. I haven’t seen it with Horner’s music. You know what I mean? So there are things that I haven’t seen. But what I have seen…I mean, I remember looking at pieces of it over two years ago, when I was looking at some of it in fairly rudimentary form, just sort of animation templates, and even that stuff was exciting to me. You could just imagine what it was going to be like, and to watch the metamorphosis has been totally cool.”

* On how people should approach “Avatar”: “Just approach it like a movie and enjoy it. Buy your popcorn, put on your 3D glasses, and take the ride. And then when you’re done, come out, talk about it, and then go back and see it again, because there’s a lot to see, y’know? (James Cameron) makes films that are popular for everybody, but they’re also very, very much for audiences of sophistication and discernment. There’s a lot to see on his pictures. I mean, look, I think it is unrealistic to think that you can do kind of ‘Titanic’ numbers on it, but nevertheless, that’s what you strive to do. But for my part, I just wanted to play my role in this whole process as fully and as well as I could. I just wanted to hold up my end of it.”

Check out the latest “Avatar” trailer – the three-and-a-half minute one – by clicking here, and be sure to keep your eye on Bullz-Eye for the full-length chat with Stephen Lang!

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