And “Showgirls” video means some sexily NSFW content below along with the cleverness, so be warned/alerted.
Showgirls | Black Swan Trailer MASH UP from Jeffrey McHale on Vimeo.
H/t /Film.
Category: Movies (Page 93 of 498)
The single most crowded genre in the history of film, television, literature, theater, and most definitely popular songs is getting a little bit more crowded next year.
First, “Tree of Life,” the new film from talented but way-too-contemplative-for-my-taste director Terrence Malick, threatens to be dramatic enough that I might actually like it — assuming he doesn’t spend 3/4 of the film shooting sparrows nesting in nearby trees and if can keep his reliance on endless, pretentious narration under control. (I’m still scarred by the drama-free-war-melodrama-cum-nature-documentary that was “The Thin Red Line.”) Or maybe he can make another serial killer film some day, because “Badlands” was pretty great. The pictures are very beautiful, however.
Tree Of Life
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So, handsomest-man-in-the-world Brad Pitt and willowy Jessica Chastain have a baby and he grows up into Sean Penn. Boy, and I thought I didn’t fare too well in the genetic lottery. A big h/t to Film Drunk and commenter Larry:
Malick has the worst narrators since the voice in my head that tells me to burn things.
Next, we have the first starring role in a while from Topher Grace. I think Grace is a hugely underrated actor with a gift for comedy. The movie, however is called “Take Me Home Tonight” and what you are about to see is even more familiar than the title of a bad hairband song. Also, why do people want to relive the 80s? I wasn’t so crazy about them the first time.
The good news is that, at 32, Grace is getting a bit old for this kind of material. I’m also fairly sure the very hot (I mean career wise) Anna Faris could probably do a lot better than this. Dan Fogler, on the other hand, is at approximately the correct level. Actually, the scene with the cuckold guy and the glamorous but slightly strange looking redhead was the first small chuckle he’s elicited from me so far, so there’s always hope for improvement.
Can you name all the major actors from the “Godfather” movies? If you’re missing one, it’s probably John Cazale. He played the initially minor character of Fredo, the tragic runt of the gangster litter who figured so prominently in “The Godfather: Part II.” An accomplished stage actor, Cazale appeared in only five moves before his death from lung cancer in 1978 at age 42, but since they also included “Dog Day Afternoon,” “The Conversation” and “The Deer Hunter” — all nominated for Best Picture Oscars — it is slightly strange he isn’t better known. It’s definitely not for lack of esteem from his peers. This short HBO documentary from director Richard Shepard (“The Matador“) proves that point with testimonials from friends, colleagues and fans including Al Pacino, Robert De Niro, Francis Ford Coppola, Sidney Lumet, Gene Hackman, Olympia Dukakis, Richard Dreyfuss, Steve Buscemi, Sam Rockwell, and Meryl Streep, who was Cazale’s girlfriend at his death. It seems that, aside from his ability to submerge himself into a role and raise the game of his fellow actors, the unglamorous and good-natured Cazale also had a way with beautiful women.
Though the packaging of this DVD is first-rate if overly elaborate, it also attempts to hide the fact that “I Knew It Was You” is only 40 minutes long, not counting about an hour’s worth of special features. Nevertheless, this is a sincere, well-made, and entirely laudable labor of movie love.
Click to buy “I Knew It Was You: Redisocovering John Cazale”
3.5 / 5 Stars
I never thought a movie from Gore Verbinski would be one of my most anticipated movies of any year, but the the third really effective trailer in a row for “Rango” is having the effect I’m sure Nickelodeon and Paramount desires. The first movie I’m looking actively forward to in 2011 stars a lizard.
Of course, I’m a sucker for the western tropes, but it’s really the wonderfully detailed and engaging character designs and great site gags cooked up by screenwriter John Logan that’s selling me. I’m not saying it’s going to be Pixar quality, but it might be close. I also love the fact that this is also subtle propaganda to get kids ready for classic westerns.
Johnny Depp leads the all-star voice cast here. As for the earlier trailers you see can them here and here.
H/t /Film.
Okay, so we know the Golden Globes are strange.
Nikki Finke will give you a vision of low-rent corruption that, for all I know, is entirely true. It sure seems to match the often bizarre-to-inexplicable nominations and awards at times. One thing is sure, few of us will ever let the Globes live down that infamous 1982 award to Pia Zadora when she won “New Star of the Year in a Motion Picture” award for a movie called “Butterfly.” People make fun of the fact that the less than superb actress won the award, but it’s a lot more shocking when you consider that her competition was probably two of the more exciting movie performances of the entire 1980s, Howard E. Rollins in “Ragtime” and, more famously, Tim Hutton in “Ordinary People.” I guess they split the pro-talent vote. The category was dead within two years.
Meanwhile back here in 2010, the dramatic “Best Picture” list is mostly in line with the movies that are generally getting a lot of awards and nominations, though I’m sure people will have the usual disagreements. (I know I do). Also, no big surprise, “The Social Network” and “The King’s Speech” did very well in the nominations. “The Fighter” and “Inception” also got a bit of a boost that might Academy voters keep them in mind as Oscar dark horses.
This year’s “Comedy or Musical” Best Picture category is, however, a real doozy. It really looks like the foreign press thinks that comedies don’t really have to be good to be nominated; it’s a sort of twisted semi-reverse snobbery. I know reviews and awards are not the same, but the critically drubbed “The Tourist” got a “Fresh” rating of 07% from “Top Critics” and 20% from critics overall at Rotten Tomatoes. Could the reactions of Hollywood Foreign Press members be that different from domestic press?
I know there’s been some quibbling about whether it qualifies as a “Comedy.” That doesn’t really bother me. I’m sure it’s trying to be funny and probably has a happy ending. That makes it a comedy in my book, though not necessarily a good one. Also, I have nothing against contrarians who laud movies others deride, but the Hollywood Foreign Press isn’t some group of freethinking cinephiles in the tradition of Pauline Kael and Manny Farber.
As for the other films in the category, only “The Kids Are All Right” has been generating the kind of overall appreciation that makes it awards material. “RED” is a reasonably well-liked, successful film, but this will probably be it’s only award nomination outside of genre-specific groups. “Alice in Wonderland” did very well but got a “meh” critical reaction overall and will probably get some technical Oscar nominations. “Burlesque” is a movie that people barely liked as a sort of guilty pleasure and pretty clearly is only on the list because the Golden Globes people really want Cher and Christina Aguilera to drop by.
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