Category: Movies (Page 339 of 498)

And, When We Rebuild it, We’ll Call it the Freedom Tower

Just yesterday, via Anne Thompson, I had another look at the “G.I Joe” trailer in which, at about 0:37, a certain international landmark gets destroyed…

G.I. JOE trailer in HD

And that reminded me of this near-masterpiece, which managed a more creative fate for la Tour Eiffel. (The key moment in this video is at 4:17… and it’s in French!)

Gustave Eiffel’s creation also meets a less than kind fate in 1965’s “The Great Race,” which I rewatched this morning for the first time in decades for an upcoming feature you’ll be reading about right here. So, I took that as a sign — of what I’m not sure — but close enough for blogging. Anyhow, if you know of any other Eiffel Tower destruction movies, please do give me a shout in comments…

Saturday Morning Quick Hits

Movie bits and pieces from around the web. Today, our writers are an all female group, for some reason.

* Kim Masters has the scoop on GATE, the latest bit of ammunition for people who think Hollywood is filled with New Age lunatics. Not that there’s anything wrong with that. And did you know that, according to Jim Carrey “Dumb and Dumber” is “a study of pre-egoic innocence.”

* Anne Thompson has some news on a project I’ve literally been expecting since I was 13 (ah, 2003 was such a great year….), “John Carter of Mars.”

* The phenomenon of the almost cartoonishly ugly guy whose a chick magnet — what I would have once called “the Rolling Stones effect” — gets explored cinematically by Monika Bartyzel.

* Farmer Hoggett declines to run for SAG prexy (I love Variety speak!), sayeth the Finke. Also Fox has a new movie guy.

And here’s a movie moment….

When a Double-0 Does It, It is Not Illegal + “G.I. Joe,” F**k No!

A couple of items hot off the action film presses…

* As per Cinematical, writer Peter Morgan has been hired to work on the as-yet-untitled 23rd (!) James Bond film. If the name rings a bell, he’s the playwright and screenwriter best known for the slam-bang action fests “Frost/Nixon” and “The Queen.” (Yeah, I know, but they cut out the lengthy sequence where Helen Mirren as Queen Elizabeth II dons a cat suit and tears a bunch of foreign agents limb from limb as she foils a plot to blow up Buckingham Palace before tea and crumpets with the French premier.)

It’s actually not a big change in strategy. Both “Casino Royale” and “Quantum of Solace” were written by the team of Robert Wade and Neal Purvis with a “polish” from Oscar-winning veteran scribe Paul Haggis (“Crash“, “Million Dollar Baby“). After what many perceived as a bit of a let down on “Quantum” both in terms of story and direction, apparently the idea was to get a fresh Oscar-nominated, if not actually Oscar-winning, writer on board. So, no need to worry that “Bond 23” will be an earnest examination of the legal and ethical issues created by giving random blokes a license to kill people — though I’d pay to see that. As usual, interesting choices are being bandied about for the Bondian director’s chair, but in 22 films, for better or worse, a director with a strong personal vision has yet to be hired, so no reason to think the Bond producers will break the pattern now.

* Rumors have been flying all over the place about a supposed disastrous screening of “G.I. Joe” — a movie that wasn’t exactly being awaited with baited breath at least in my corner of the geeksphere. Anyhow, the upshot is that helmer Stephen Sommers, best known as the writer-director behind the Mummy films, or other heads may or may not roll or be diminished creatively.

For insight, I hereby direct you to Anne Thompson‘s refreshingly FACT-ual approach to the matter. Looking at the trailer, I can’t help thinking that this movie has somehow already been made….

Drum Boogie

Continuing our A Blog Supreme-inspired series of great jazz-on-film moments, here’s a sequence featuring Barbara Stanwyck and legendary jazz/swing drummer Gene Krupa — pretty much the Keith Moon of his day — from one of my personal favorite classic-era comedies, Howard Hawks’ 1941 “Ball of Fire.” You’ll also notice Gary Cooper in there, playing an extremely sheltered professor researching the urban slang of the time.

One hallmark of classic era films is that you can be watching a noir mystery, a western, or a non-musical screwball comedy, and sometimes things will just stop for a song.  As you’ll see here, that wasn’t a bad thing if the right talent was available. And, whatever you do, don’t stop watching before seeing what Krup could do with a matchbook cover, starting at about 4:17 or so.

In case anyone’s wondering, no, that’s not Ms. Stanwyck singing. The terrific vocals are by Martha Tilton.

And here’s a bonus — Krupa with the Benny Goodman band in an amazing performance of their signature tune, Louis Prima’s “Sing, Sing, Sing.”

A Chat with Antonio Elias

Can you imagine being an actor who’s worked in TV for the past few years and, when you finally score your first movie gig, it’s “Star Trek”? Nice work if you can get it, as the song says, and Antonio Elias – who plays one of the officers of the Kelvin in the opening sequence of the film – will be the first to tell you that the work was very nice, indeed. We chatted with Elias about how he got into the acting game, got the story on how close he came to picking up a series-regular gig with Dylan McDermott a few years ago, found out a bit more about how “Star Trek” originally would have opened, and learned about his next film, “Spoken Word.”

Stay tuned for…

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