Category: Movie DVDs (Page 47 of 100)

The Films of Michael Powell

England’s Michael Powell was a rare twofer as a director – both a great visual stylist and one of filmmaking’s most adept and original storytellers. While movie history played some very nasty tricks on Powell, depriving him of his rightful status alongside such contemporaries as Alfred Hitchcock and David Lean, his cult continues to grow. Indeed, after a day or two watching this package of two rare films making their long-overdue DVD debuts, you might be joining me for some genius-spiked Kool-Aid.

The first of half of this stunning double bill is 1946’s “A Matter of Life and Death,” one of a number of classics Powell made with Emeric Pressburger, his long-time filmmaking partner with whom he shared writing, producing, and directing credits. Originally released in the U.S. as “Stairway to Heaven,” this post-war romantic fantasy features a young David Niven as a downed RAF pilot whose apparently impossible survival and subsequent love affair with a sweet-natured American (Kim Hunter) arouses celestial interference from the heavenly powers that be – or, perhaps, that what he’s imagining, as a brilliant neurologist (Powell/Pressburger favorite Roger Livesey) grows increasingly concerned about his apparent hallucinations. This might sound like familiar romantic comedy-drama material, but there is a reason this was Powell’s personal favorite of all his films. It is a cinematic brew so rich and strange that on some levels it feels like a rom-com “Pan’s Labyrinth”; this one sneaks up on you.

“Age of Consent” isn’t on the same exalted level, but despite a shaky start and some unfortunate choices, it’s still aces. This rapturous, and often very funny, 1969 tale of initially semi-platonic May-December love stars then-newcomer Helen Mirren (“The Queen,” “Prime Suspect”), as a 17-year-old Aussie island waif, and aging star James Mason as a painter in need of inspiration. Far less giggle or squirm inducing than you could possibly imagine, “Age of Consent” appears to have been the first major-studio film to feature significant nudity (provided, of course, by Ms. Mirren). Despite hitting it big in Australia, it was butchered for its worldwide release and has been almost impossible to see ever since. Fortunately, this DVD does Powell’s last feature proud, including charming reminiscences from the now Queen-aged Ms. Mirren and Powell’s close late-life friend and number one fan, Martin Scorsese.

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Protégé

Hong Kong has one of the most prolific movie industries in the world, but while they have no problem cranking out films by the hundreds, a vast majority of them are rarely ever good. Consider “Protégé” an exception to the rule, because even though it’s just another undercover cop thriller, stars Daniel Wu and Andy Lau help elevate the material beyond the typical fare. Wu stars as Nick, a young cop who, after spending seven years undercover as part of a drug ring, is finally seeing results. When his boss (Lau) names him as the next in line to take over the business, however, Nick is forced to choose between bringing down the empire and running it. A subplot involving a drug-addicted neighbor (Jingchu Zhang) and her deadbeat husband (an underused Louis Koo) would usually feel like dead weight in a movie like this, but director Tung-Shing Yee does a great job of making it feel relevant to the bigger picture. And though there’s not as much action as you’d expect (save for a particularly memorable sequence involving a drug bust), “Protégé” is still one of the best titles that Dragon Dynasty has released. Then again, that’s to be expected from any movie featuring a star like Andy Lau. The veteran actor’s award-winning performance is the best part about “Protégé,” and though it doesn’t hold a candle to some of his other films, it’s worth seeing for that alone.

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A Chat with Lance Henriksen

In the midst of our discussion with Lance Henriksen, I unabashedly called him out for having carved himself a career as a “that guy” in Hollywood. You know what I mean. He was part of the supporting cast of the original “Terminator” flick, he played Bishop in two “Alien” movies (and even turned up in one of the “Aliens vs. Predator” films), and he played Frank Black…not the one who fronts the Pixies but, rather, the lead character in “Millennium.” And, yet, when I told people I was talking to Lance Henriksen, only a handful knew who I was talking about before I started numbering off the items on his resume…and as soon as I did, they immediately said, “Oh, right: that guy!” On a related note, if you’re a fan of “Screamers,” then you might already be aware that there’s a sequel to the flick – “Screamers: The Hunting” – that’s on video store shelves at this very moment, so when you see Mr. Henriksen’s name on the cover, try to remember this discussion, so you don’t have to wait until he appears on screen to say…well, you know.

Bullz-Eye was fortunate enough to score the opportunity to talk to Henriksen on the occasion of “Screamers: The Hunting” hitting video, and in addition to asking about his experiences on the film, we also did the requisite quizzing about his latest projects (did you catch him on “NCIS”?), his work on “Millennium” and the chances of seeing any new adventures of Frank Black, what it’s like to be under the direction of James Cameron, and how he came to appear in – of all things – a Brazilian soap opera.

Sit back and stay tuned for…

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Futurama: Into the Wild Green Yonder

“Futurama” goes out with a bang on “Into the Wild Green Yonder,” their fourth and supposedly final full-length movie. As Leo Wong begins construction on a galaxy-wide miniature golf course that will require the destruction of a dwarf star, Leela joins a group of eco-terrorists to stop him, while Fry inherits mind-reading abilities that enable him to battle the Dark Ones as they plot the star’s destruction. It’s a typical, gleefully labyrinthine “Futurama” story, but for the first time in these DVD movies, they’re more focused on having fun than being overly clever (compared to, say, “Bender’s Big Score,” where the writing staff was just showing off). They also have a great time setting up the apparent deaths of several characters, and gave the fans a happy, though open-ended, finale. Bravo, gentlemen. Oh, and the smooth crooner that sings the opening number? That would be Seth McFarlane. Yes, that Seth McFarlane.

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Alien Raiders

Direct-to-DVD releases are tough to gague. Are we supposed to grade them using the same criteria that one would use for a theatrical release because a movie’s a movie, or should we cut it some slack because by the very fact that it’s being issued straight to DVD. even the studio knows that it’s B-grade material at best? Either way, despite the familiarity of the material and its dreadfully generic name, “Alien Raiders” is a decent little flick for fans of monster sci-fi. Carlos Bernard (Tony Almeida on “24”) leads a group of well-armed renegades into a supermarket in the middle of rural Arizona in order to stop an alien infestation, and once their “spotter” is killed, the group has to use less pleasant methods in order to determine which hostages are infected. It’s basically the plots for “The Thing,” “The Mist” and “The Negotiator” thrown into a blender, though it’s wisely but frustratingly stingy with the details on the alien species they’re battling. The acting is actually pretty decent (though a little of Rockmond Dunbar’s bluster goes a long way), but the story is rather thin, leading to the predictable “shocker” finale. Still, we’ve seen far worse movies than this at the multiplex.

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