Category: Movie DVDs (Page 48 of 100)

Extreme Movie

Only the Weinstein Company would sink so low as to advertise Michael Cera as the star of “Extreme Movie.” Though it makes sense to highlight his involvement because he’s the biggest name in the cast, his role is so small that it doesn’t deserve more than a special guest credit. Granted, his brief appearance is the funniest thing about the film (a cybersex chat turned rape fantasy gone wrong), but it’s shady marketing nonetheless. If anyone is the star of “Extreme Movie,” it’s former “Punk’d” player Ryan Pinkston, who plays a geeky virgin looking to score with his high school crush. His story is the closest thing to a plot in the movie, but even that’s stretching it. Most of the film’s 75-minute runtime is made up of a series of sketches involving a group of sexually active teenagers. Andy Milonakis falls in love with an adult sex toy in one of the more clever vignettes, while Matthew Lillard plays himself in a series of uncouth “The More You Know”-styled sex education commercials. With the exception of Cera’s portion, though, most of the film is a mess – which isn’t surprising when you consider that no less than 10 different writers have been credited for the screenplay. Directors Adam Jay Epstein and Andrew Jacobson may be responsible for one of the best spoof movies of its generation (“Not Another Teen Movie”), but now they’re guilty of making one of the worst.

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What Else Ya Got? “Body of Lies”

Movies starring Leonardo DiCaprio and Russell Crowe are usually expected to do big business at the box office, so how did “Body of Lies” only manage to earn $40 million during its domestic release? Chalk it up to post-9/11 fatigue, as Ridley Scott was clearly late to the party when choosing a political thriller set in the Middle East as his next project. Still, even though the movie didn’t do well stateside, it made nearly twice as much overseas, proving that both actors still have major star appeal. And as a result of its overall performance, Warner Bros. has produced a well-balanced collection of special features for the film’s Blu-ray release.

Body of Lies

Audio Commentary

Director Ridley Scott, screenwriter William Monahan and author David Ignatius all sit in on this audio commentary to discuss the film, but unlike your typical track, each participant has recorded their thoughts separately. At first, it may seem a little strange to have the commentary jump back and forth between those involved, but it actually works better than most tracks because you don’t have to worry about people getting cut off or having the discussion pushed in another direction. Scott ends up dominating a majority of the commentary anyway, but sadly, he has very little to say about the actual making of the film, and instead just explains everything that’s happening on screen.

Actionable Intelligence

The Blu-ray version allows you to access this collection of nine mini-featurettes as you watch the film, but they can also be viewed individually via the special features menu. Running 79 minutes in total, this is the closest you’re going to get to a making-of featurette, including a behind-the-scenes look at production and costume design, stunts and special effects, and profiles on the lead actors. The best of the bunch, however, are two in-depth featurettes dubbed “Field Operation” that go into greater detail about the making of two crucial action sequences.

Interactive Debriefing

Scott, DiCaprio and Crowe sit down to discuss their thoughts on the film’s story, collaborating with one another, and the CIA. I’m not exactly sure what’s “interactive” about the feature aside from the ability to choose what order you view the interviews, but they do provide great insight into the film. Crowe’s interviews, in particular, are worth checking out, as it’s the only time he appears anywhere in the bonus material.

Deleted Scenes

Of the five deleted scenes included, only one is worth checking out – a lengthy sequence where Golshifteh Farahani’s character discovers what Roger Ferris really does for a living – while Scott’s optional commentary proves just as frustrating as the movie track. The fact that none was recorded for the alternate ending is only more maddening – especially because it’s superior to the one that appears in the theatrical version.

That may not seem like a lot, but trust me, by the time you’re finished with the single-disc release of “Body of Lies,” there’s nothing more you’ll want to know. Plus, as always, a digital copy of the film has also been included for your convenience. Just a quick note to Warner Brothers: you guys have done a great job on your Blu-rays, but in the future, can you please take us to a static menu instead of auto-playing the movie? It’s pretty annoying.

Soul Men

Considering just how little soul Malcolm D. Lee’s “Soul Men” has for a movie starring two of the industry’s most charismatic actors, it probably should have been called something else instead. Perhaps a more appropriate title would be “Motherfuckers,” because co-stars Bernie Mac and Samuel L. Jackson utter the word at least a hundred times throughout the course of the film. Now, I’m all for Jackson channeling his inner badass, but it doesn’t have the same comedic punch when everyone around him joins in on the fun. Mac and Jackson probably had the time of their lives playing two has-been back-up singers who agree to participate in a reunion performance honoring the death of their former frontman, but the audience wouldn’t know it from watching the film, which is littered with old fart jokes circa 2002. An all-too-familiar buddy comedy that hinges entirely on the chemistry of its two stars, “Soul Men” is mediocre at best, and I shudder to think at how bad it would have been had neither actor been involved. God rest Bernie Mac’s soul, because while he wasn’t exactly what you’d call a great actor, he certainly deserved a better sending off than this.

Click to buy “Soul Men”

Gospel According to Al Green

Al Green’s angelically seductive voice is unequaled in R&B, and perhaps all of popular music, and the hits he made with legendary producer Willie Mitchell include some of the most evocative songwriting of the early seventies. He might have reached the same heights of mass acclaim as such R&B contemporaries as Stevie Wonder, Marvin Gaye, and Smokey Robinson were it not for a disturbing incident in which an obsessed girlfriend badly scalded him with boiling grits and then committed suicide. Within a few years, the singer became the Reverend Al Green, bought his own church, and for a time abandoned secular pop music entirely.

This fascinating 1984 documentary details the period in which Green became a deliberately obscure figure, allowing the singer to tell his own story in addition to performing some astonishingly good gospel and also preaching at his Memphis Full Gospel Tabernacle. He even deigns to break his own no-secular-music rule and performs a transcendent version of his love song supreme, “Let’s Stay Together” – a performance strong enough to almost make us forget “Pulp Fiction” and that bandage on the back of Ving Rhames neck. Director Robert Mugge’s film captures Green at his musical best – still only in his late thirties and absolutely at the top of his game. A must for fans of both classic soul and gospel music, “Gospel According to Al Green” reveals a conflicted, slightly eccentric, but always utterly sincere performer, while presenting an awe-inspiring reminder of the musical and emotional power of the African-American church.

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Killer Movie

Ever since 1996’s “Scream,” it’s been tough for filmmakers to do subtle parodies of the horror genre without being greeted with a bored “it’s been done.” Kudos to Jeff Fisher, then, for deciding to take a slightly different approach by mocking reality TV and horror movies but managing to get a few laughs without sacrificing the scares. (He has the right resume for it: he used to work on “The Simple Life.”) Although “Killer Movie” can’t be called a groundbreaking scary-movie entry, it has a wittier-than-average script and a strong cast, including Nestor Carbonell (“Lost”) as a sleazy agent who looks sharp but doesn’t think twice about sacrificing morality in favor of a big paycheck, Kaley Cuoco (“The Big Bang Theory”) playing the middle ground between Paris Hilton and Lindsay Lohan, and Leighton Meester (“Gossip Girl”) in what can only be described as a glorified cameo.

The premise of the film involves a reality-show director – played by Paul Wesley, late of ABC Family’s “Fallen” – who gets drafted for a gig covering a high school hockey team in White Plains, ND, but ends up battling with the show’s executive producer (Cyia Batten), who’d rather go sensational and focus on the death of the team’s former coach, who had just gotten out of prison after having had his murder conviction overturned. It will not surprise you that the coach’s death soon becomes only one of many within White Plains, but you probably will find yourself unexpectedly impressed by Cuoco’s performance in the film, which gives one hope that she may yet have a film career ahead of her…not that we’re hastening the end of “The Big Bang Theory,” you understand. Beyond the blood, what keeps the film moving is the decision to intersperse interview footage with the characters between scenes. Though there’s a decent amount of typical horror stuff here, it’s those bits which raise “Killer Movie” a bit above the ordinary.

Click to buy “Killer Movie”

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