Category: Movie DVDs (Page 40 of 100)

Blu Tuesday: Do the Right Thing, Street Fighter and Jonas Brothers 3-D

Much like last week’s disappointing selection of high-def titles, today’s pick of the litter isn’t quite as fresh as one might hope. There’s definitely a good variety among the movies available, but there’s nothing here that exactly screams “Buy me.” Still, while my personal collection will remain unchanged for another week, other Blu-ray enthusiasts might find something they’ve been waiting to pick up, or at the very least, take for a test drive.

“Do the Right Thing” (Universal)

I’ve never been a fan of Spike Lee, save for the uncharacteristic crime thriller, “Inside Man.” His fabricated racism is annoying, and it never fails in ruining an otherwise good story. Though it’s admirable to want to address a serious issue like racism through film, the way in which he tries to achieve it is nothing short of scandalous. Take Danny Aiello’s character in “Do the Right Thing,” whose life is ruined when a brawl inside his pizzeria leads to the accidental death of Radio Raheem. Not only is he completely warranted in his actions, but he isn’t even responsible for Raheem’s untimely demise. Of course, Lee wouldn’t have the ending he so desperately needs if he doesn’t lay the blame on Aiello, and instead of pointing a finger at Raheem (who refused to turn off his boom box after being asked nicely) or Giancarlo Esposito’s Buggin Out (the real culprit of the altercation), he decides to cook up a theory that even the much-loved (but still white) owner of the local hangout is a racist. Personal thoughts aside, the 20th anniversary Blu-ray release looks incredible, and the addition of a new retrospective documentary and audio commentary by Lee is a nice treat for fans of the film. You really have to love Lee’s work to want to sit through “Do the Right Thing” more than once, but if you do, you might as well watch it in HD.

“Street Fighter: The Legend of Chun-Li” (20th Century Fox)

Go ahead and file this one under Reasons Why Fanboys Hate 20th Century Fox. It’s not that the studio does a bad job of choosing properties to adapt. In fact, it’s quite the opposite, because they often make movies that no other studio would even bother with. Unfortunately, they don’t put nearly as much thought into the actual making of the film as they do into how much money they might make it if it’s a hit. I didn’t think it was possible to outdo the first “Street Fighter” film starring Jean-Claude Van Damme in terms of sheer crappiness, but “The Legend of Chun-Li” wins hands down. This is a movie that is so determined to ground the world of “Street Fighter” in reality that it loses all connection to the source material except for its characters’ names. The end result is just another generic martial arts movie with some of the worst acting you’ll ever see. It’s difficult to single out just one performance (take your pick), but when all is said and done, Chris Klein is practically guaranteed to walk away with a Razzie. “The Legend of Chun-Li” is a guilty pleasure at best, but unless you’re a fan of the game, and don’t mind seeing your a piece of your childhood ruined, you’d be best to stay away.

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Rip! A Remix Manifesto

A movie about the art form of mash-ups that features mash-ups of the movie within the movie itself? We’re pretty sure we just heard the space/time continuum begin to rip at the prospect. Director Brett Gaylor attempts to make sense of the intellectual property laws that allow some musicians to steal riffs and make millions (Led Zeppelin, the Stones), while other, more cutting-edge musicians are branded as criminals (Girl Talk), and the end result is “Rip! A Remix Manifesto,” a wake-up call to Big Media that, whether they like or not, the rules have changed. Gaylor declares Walt Disney to be the first mash-up artist, and absolutely pummels publishing company Warner-Chappell for refusing to let “Happy Birthday” to enter the public domain (it’s true: if you sing that song, ever, you’re a thief), and for suing Radiohead fans for mash-ups once W-C acquired the rights to In Rainbows. Truth be told, the doc isn’t quite a five-star affair – we were frankly surprised that he didn’t mention when John Fogerty was sued for ripping off one of his own songs – but we’re giving it an extra star because “Rip!” addresses an issue that needs to be sorted out sooner rather than later. Indeed, one could argue that the music industry’s very survival depends on it.

Click to buy “Rip! A Remix Manifesto”

Blu Tuesday: Waltz with Bashir, Confessions of a Shopaholic and Inkheart

I’m not exactly sure how movie studios decide when to release their films on DVD and Blu-ray, because sometimes (like last week, for instance), competition can be so stiff that titles get lost in the background, while if they were released just one week later during a day like today, they’d likely be the highlight of the all the new releases. Whatever the reason, it really makes it hard to be a consumer, because though there are few decent titles available on Blu-ray this week, the selection could have been so much better if some smarter planning was involved on the studios’ end.

“Waltz with Bashir” (Sony)

It might not have won the Oscar for Best Foreign Picture like many industry insiders had it pegged for, but “Waltz with Bashir” would certainly have been deserving of such an honor for its innovative fusion of documentary and animation. Equal parts interview and flashback reenactment, “Waltz with Bashir” is the latest from Israeli filmmaker Ari Folman who, after a friend tells him about a recurring nightmare involving the First Lebanon War, decides to reconnect with old acquantainces in order to recover lost memories of the 20-year-old event. Though the movie isn’t as potent as 2007’s likeminded “Persepolis,” “Waltz with Bashir” is a cinematic achievement that’s only downfall is its incorporation of news archive footage at the end. Though this is the kind of film you can really only watch once, cinephiles will love the extras included on the Blu-ray release, including a making-of featurette that not only debunks the general belief that the film’s visual style was achieved through rotoscoping, but details the advanced method of how the movie was actually animated.

“Confessions of a Shopaholic” (Walt Disney)

Completely undeserving of its critical lashing, “Confessions of a Shopaholic” might not be the most original romantic comedy to come down the pipeline, but what it lacks in originality it more than makes up for with a great cast, a solid script, and the manic energy of star Isla Fisher that is so captivating, you could bottle it up and sell it in stores. Of course, it’s hardly a movie you can expect a lot from in the special features department, but Disney has still done a pretty good job of putting together a decent collection of extras. The Blu-ray exclusive six-part “Behind the Fashion” may only run a scant 13 minutes long, but it covers everything from costume and production design to filming on location in New York. That’s hardly going to convince anyone to buy the film, but if you’re looking for a fun little date movie that won’t have you scratching out your eyeballs, you’ll be pleasantly surprised to discover that “Confessions of a Shopaholic” isn’t quite as bad as you were lead to believe.

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Nobel Son

Writer/director Randall Miller must be a great guy to work with. That’s the only possible explanation for how he managed to snag such an amazing cast for “Nobel Son,” a headache-inducing thriller every bit deserving of its direct-to-DVD sentence. Though Miller isn’t exactly new to the business (he directed his share of bad comedies in the 90s), it’s still quite a feat to go from the land of made-for-TV movies to working with the likes of Alan Rickman in back-to-back projects. Their 2008 film, “Bottle Shock,” was one of the best reviewed entries at Sundance last year, but just because “Nobel Son” is about an award doesn’t mean it’s on the same level.

Rickman plays Dr. Eli Michaelson, a narcissitic college chemistry professor who is delighted to discover that he’s won the Nobel Prize. While away in Stockholm to accept his award, his disappointment of a son, Barkley (Bryan Greenberg), is kidnapped and ransomed for $2 million. The kidnapper (Sean Hatosy) claims that Eli stole the award-winning idea from his own father, and he’ll do whatever it takes to make him pay. Of course, it’s what happens after the initial kidnapping that really matters, but to say any more would be to spoil the film’s only redeeming quality: the web of twists that begins to unravel around the midway point. Unfortunately, the movie is so damn irritating during the first hour – from the shaky camera movements and blazing fast edits to the Paul Oakenfold techno club soundtrack – that it never has the chance to win back the audience. Miller should stick to more low-key projects like “Bottle Shock,” because his embarrassment of a Guy Ritchie impersonation just isn’t going to cut it.

Click to buy “Nobel Son”

Blu Tuesday: Friday the 13th, Dr. Strangelove and Morning Light

Those who saved up a little extra pocket change from the lack of Blu-rays released over the last few weeks will probably want to grab a hammer and break open the piggy bank, because there are a slew of must-own titles hitting stores today. Even better is the variety, from new horror films and old classics to cult television shows and HBO mini-series, this week features one of the best HD line-ups that you’re likely to see all year.

“Friday the 13th” (Warner Bros.)

The new adventures of Jason Voorhees may just be the latest in a long line of mindless sequels (in fact, one might even argue it’s little more than a compilation of greatest hits from the first three films), but it does serve as an excellent reboot of sorts that horror fans should appreciate. While Jason’s ninja-like stealth is a bit ridiculous, it’s but a minor obstacle in an otherwise entertaining slasher flick. The kills are just as inventive as they were 30 years ago (there’s even a Blu-ray exclusive featurette that takes an in-depth look at the seven most memorable ones), and at the end of the day, that’s all anyone really cares about. Whether or not it truly revitalizes the franchise is a whole another matter, but at least Warner Bros. is willing to stand behind their product. The Blu-ray release is one of the studio’s best yet, and includes an extended (but still R-rated) cut of the film, as well as a making-of featurette, deleted scenes and a picture-in-picture video track.

“Dr. Strangelove” (Sony Pictures)

Stanley Kubrick’s 1964 Cold War satire isn’t exactly the kind of film that benefits from high definition, but it still looks remarkably good for its age. Though I’ve never really been a fan of black-and-white cinema, “Dr. Strangelove” is one of the few exceptions. It’s probably because the movie would seem absolutely ludicrous in color. Not only are many of the characters (like George C. Scott’s General Turgidson and Peter Seller’s Strangelove) already so outlandish that they’re practically cartoons, but the monochrome effect lends a certain seriousness to the film that only makes the events that follow even funnier. The “Inside Dr. Strangelove” retrospective included on the disc – which covers everything from Kubrick’s original idea of making a serious political thriller to an 11th hour legal coup designed to delay the release of the similarly-themed “Fail-Safe” – should be of particular interest to fans of the film, while the addition of never-before-seen pages from the screenplay sheds new light on the infamously deleted cream pie fight ending.

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