Category: Movie DVDs (Page 25 of 100)

The Escapist

There have been a wealth of jailbreak films throughout the course of history, but only a few can be considered true classics. Rupert Wyatt’s directorial debut, “The Escapist,” doesn’t quite make the cut, but it’s definitely one of the better entries in the genre. The always reliable Brian Cox stars as Frank Perry, a prison convict serving a life sentence who devises a plan to break out when he discovers that his daughter is dying. In order to do so, however, he’ll have to convince the right players (including Joseph Fiennes, Liam Cunningham and Seu Jorge) to join his crew and outwit the cell block’s brutal kingpin (Damian Lewis). There’s nothing here you haven’t seen before, but the cast does well enough to keep things interesting – especially Cox, who delivers yet another fine performance in an otherwise underrated career. Though “The Escapist” begins to drag towards the end, the film’s killer twist ending makes it more than worth sticking around for. It might not have gotten the U.S. release that it deserved, but this old-school jailbreak film is a smarter, better acted, and much more realistic version of FOX’s hit drama, “Prison Break.”

Click to buy “The Escapist”

What Elsa Ya Got? “The Invention of Lying”

For a movie that didn’t exactly perform well at the box office, Warner Bros. has put together a pretty strong collection of extras for the Blu-ray release of “The Invention of Lying.” You’ll get all of the same material on the DVD version, though, so unless you care about the added incentive of a digital copy, you might be better off just saving a few bucks on what isn’t exactly a must-own film.

Prequel: The Dawn of Lying

Originally conceived as a pre-credits sequence, this alternate opening details evidence of the very first lie in history. Narrated by Patrick Stewart and starring the film’s principal cast as their prehistoric counterparts (including Ricky Gervais, Rob Lowe and Jeffrey Tambor), the scene is mildly entertaining, but was rightfully cut during post-production. It might sound great on paper, but it just doesn’t work tonally.

Meet Karl Pilkington

Anyone who’s ever listened to the Ricky Gervais podcasts is already familiar with his friend/punching bag, Karl Pilkington. This 18-minute video diary documents Pilkington’s trip from England to Boston to serve as an extra on the film. It’s not exactly the most economical thing to do, but if nothing else, it proves just how far Gervais is willing to go for his own personal amusement. The fact that Pilkington’s scene just so happens to be the one that was cut (see above) only makes the investment seem that much more senseless. Hey, at least they got a funny extra out of it.

A Truly ‘Honest’ Making of Featurette

It’s not quite as advertised, but this short 7-minute featurette does offer interviews with the cast and crew about working on the film, as well as a few exclusive outtakes and a behind-the-scenes look at the many variations of Gervais’ infectious laugh.

Continue reading »

Blu Tuesday: Gamer, Magnolia and Whiteout

It’s another busy week in Blu-ray, but despite the wide selection of titles to choose from, there aren’t too many standouts. In fact, two of the films I’ve decided to highlight wouldn’t even make the final cut most weeks, so before I talk myself out of finishing today’s post, let’s jump right into it.

“Gamer” (Lionsgate)

Fans of Mark Neveldine and Brian Taylor’s “Crank” series will no doubt enjoy their latest film, but despite a pretty cool premise that shamelessly steals from cult classics like “The Running Man” and “Death Race 2000,” “Gamer” fails to impress. A big reason for that is the script, which is definitely more restrained than the “Crank” movies but still pretty batshit crazy. (Case in point: “Heroes” star Milo Ventimiglia cameos as a “Sims”-like character named, wait for it, Rick Rape.) One thing that does work is the look of the film. Neveldine and Taylor may not know how to censor their own twisted imaginations, but they’re talented filmmakers with a great visual style. They also put together some great extras for the Blu-ray release, including an audio commentary, a making-of featurette, and a behind-the-scenes look at the RED camera technology used on the film.

“Magnolia” (Warner Bros.)

Paul Thomas Anderson might not be as prolific as his fans would like him to be, but whenever he does decide to make a film, they usually turn out pretty well. “Magnolia” has been called overrated by some, and whether or not that’s true, it’s hard to deny the brilliance behind it. For starters, Anderson reportedly wrote the movie in only a few weeks, which is quite the achievement when you consider the complexity of the narrative. It also boasts a great cast including Philip Seymour Hoffman, Julianne Moore, John C. Reilly, and Tom Cruise in his Oscar-nominated role, and some of the best editing of the last decade. Clocking in at just over three-hours, “Magnolia” may be Anderson’s longest movie, but it glides by faster than any of his films. Warner Brothers’ Blu-ray release delivers a solid HD transfer, while the included video diary offers an intimate look at the making of the film.

Continue reading »

“Flipper” discs debut with The Bourne Trilogy

One of the problems that people have with the adoption of a new format (most recently, Blu-ray) is that the format in question isn’t universal, sometimes even within a single household. For example, a family might have a Blu-ray player in the living room, but still have DVD players elsewhere in the house (or in the minivan). Universal Studios Home Entertainment has addressed this problem by releasing dual-format discs that have a Blu-ray version of the movie on one side and a DVD version on the other, allowing consumers to use the disc anywhere they can play Blu-ray or DVD. Consumers that haven’t yet adopted the Blu-ray format can buy these discs knowing that their collection will be ready when they eventually do. It’s an ingenious idea for those in the process of switching over to Blu-ray.

The so-called “flipper” discs debut with the Jason Bourne series: “The Bourne Identity,” “The Bourne Supremacy,” and (the not available for review) “The Bourne Ultimatum.” [Read the Bullz-Eye review of the trilogy.]

This should go without saying, but the picture quality of the Blu-ray version is unparalleled. When watched in 1080p, the films look about as good as they can possibly look, at least at this point in time. For example, in one of the Zurich scenes in “The Bourne Identity,” little details like falling snow really jump out.

“The Bourne Identity” features a load of special features, including U-Control (allowing the viewer to examine character dossiers, location analyses and spy gadgets while watching the movie), a Bourne card strategy game, BD-Live (allowing BR and PS3 users chat with friends and family while watching the film), deleted and extended scenes, an alternate opening and ending, along with a series of featurettes: “The Bourne Mastermind: Robert Ludlum,” an interview with Tony Gilroy about the challenges of adapting Ludlum’s book for the silver screen, interviews with Matt Damon and Franka Potente, an interview with a UCLA psychologist about the Bourne’s amnesia, an interview with CIA liaison officer Chase Brandon about the real-world making of a super spy, a look into the making of a fight sequence, and feature commentary with director Doug Liman.

“The Bourne Supremacy” bonus features include U-Control (picture in picture, Bourne dossier, Bourne orientation), BD-Live, deleted scenes (including an alternate ending), and featurettes about the casting of the principal characters, how Paul Greengrass was chosen as director, the demolition of a suburban home in Munich, on location in Berlin, Moscow and Goa (India), Damon’s fight training, the Moscow chase scene, the bridge chase scene, Josh Powell and the film’s score, a profile on Robert Ludlum, and a psychological diagnosis of Jason Bourne.

“The Bourne Ultimatum” bonus features also include U-Control, BD-Live and deleted scenes, as well as featurettes about the film’s exotic locations (Berlin, Paris, London, Madrid and Tangier), the Tangier rooftop chase scene, fight training with Matt Damon and co-star Joey Ansah, Damon’s training and the shooting of the New York chase scene, and feature commentary with director Paul Greengrass.

Click to buy “The Bourne Identity”
Click to buy “The Bourne Supremacy”
Click to buy “The Bourne Ultimatum”

Blu Tuesday: The Hurt Locker, Moon and 8 1/2

After the craziness of the holiday shopping season, the home video market tends to slow down considerably for a few weeks. Now that we’re all back in the swing of things, however, the studios have commenced their usual release schedule, and with the holidays leading to a significant increase in Blu-ray ownership, it’s going to get really crazy. This week’s selection features two of the year’s best films, an old favorite, and much more.

“The Hurt Locker” (Lionsgate)

Director Kathryn Bigelow’s Iraq war thriller is one of the most suspenseful movies I’ve ever seen, piling on the tension so high that you’ll literally spend the entire film on the edge of your seat. It also happens to be one of my favorite movies of the year and is a highly considered favorite to take home this year’s Academy Award for Best Picture and Best Director. Jeremy Renner is a marvel to watch as the bomb squad thrill junkie at the center of the story, but the real star is Bigelow, who takes an otherwise barebones script and transforms it into a series of memorable set pieces that continually upstage the one before it. The included special features aren’t as great as they probably could be, but the audio commentary by Bigelow and screenwriter Mark Boals (not to mention the Q&A track that plays over a 23-minute photo gallery slideshow) is definitely worth a listen.

“Moon” (Sony)

It wasn’t that long ago that Sam Rockwell was being hyped as the next big actor of his generation, and although his career never really reached the level that many expected, the guy has been turning out great performance after great performance for years. However, in Duncan Jones’ directorial debut, “Moon,” Rockwell delivers the performance of a lifetime as a contract astronaut working on a moon-based space station where he monitors the mining of a green-energy source called Helium-3. The indie sci-fi flick takes a trippy but exciting turn when Rockwell’s character discovers a doppelganger tasked with the same mission. With no one else to play off but himself (and Kevin Spacey’s voice as a HAL-like computer called Gerty), Rockwell takes an already good story and makes it that much better. Yet another great sci-fi film to add to 2009’s ever-growing list.

Continue reading »

« Older posts Newer posts »

© 2026 Premium Hollywood

Theme by Anders NorenUp ↑