Category: Movie Dramas (Page 98 of 188)

News flash from Hollywood — it’s raining!

We Southern Californian’s are easily freaked out by this occasional phenomenon where water inexplicably falls from the skies. It’s a good thing so many of us like to ski or snowboard up at Big Bear or Tahoe, or there’d be a vast wave of weather-related depression unsettling the entire area. Of course, those of us who live on hillsides have something to worry about, but since L.A.-area seasons are basically labeled as “fire” and “flood,” it’s not like this is a surprise. Still, a good chunk of the town is going off to Park City, Utah for Sundance and its sisters festivals, where you actually need boots and overcoats and stuff like that.

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And now, here’s the big movie news, assuming this half of the state doesn’t simply slide into the ocean or anything overnight.

* Jolly Carl DiOrio writes on THR’s Heat Vision blog that Warner Brothers is trying to decide whether or not to do a 3-D retrofit on Louis Leterrier’s upcoming version of “Clash of the Titans.” This 3-D madness for genre films has been spreading. Some months back, “The Cabin in the Woods,” a collaboration between TV cult king Joss Whedon and his one-time staff writer, Drew Goddard (“Cloverfield“), was delayed from February 2010 to January 2011 to three dimensionalize the meta-horror film — and perhaps help stabilize Universal’s depleted coffers by delaying the marketing costs for eleven months.

* Despite some of the setbacks the Weinstein Company has been suffering lately with a number of commercial disappointments and too few hits and some layoffs, they’re still bringing in new people for acquisitions prior to tomorrow’s Sundance kick-off, writes La Finke.

* Meanwhile, over at CinemaBlend, Josh Tyler contemplates the possible 3-D status of “Ghostbusters 3.”

Johnny Depp
* In case you haven’t heard it already, no, Johnny Depp will not be starring in Terry Gilliam’s upcoming second attempt at filming his “The Man Who Killed Don Quixote.”

* The Oscar’s announced their nine film short list for the foreign language film category today. It’s basically a bunch of movies you have almost no chance of having seen, or even heard all that much about, if you’re not a pretty serious film festival goer — and Michael Haneke’s Golden Globe winning dark period drama, “The White Ribbon.” Even the folks at The Playlist had only seen “Ribbon” and were only familiar with a total of three of the films.

If an outstanding foreign film you’ve seen recently is not on the list and you’re wondering why, you can likely blame the extremely byzantine and highly politicized rules in this category, which involves countries selecting official entries, which often exclude seemingly obvious choices. Romania’s “4 Months, 3 Weeks and 2 Days” was an extraordinary work that recently made it to the top of many Best Of lists for the entire past decade. It was not nominated last year, — along with two other widely acclaimed non-English-speaking movies of 2007, “Volver” and “Persepolis.” At least the latter film was nominated in the animation category.

Mission to TCM

If I may delve into hardcore cinephilia for one post, Turner Classic Movies is doing a very funny thing this month, they’re letting a movie blogger — along with a better known film critic — mess with their nightly schedule.

To be specific, the wondrous Self Styled Siren, who recently emerged as one Farran Smith Nehme of New York City, is co-curating with Lou Lumenick of the New York Post, Shadows of Russia. It’s a series of classic and rarities dealing with the former Soviet Union and it’s complex relationship with the United States and the West. Tonight’s centerpiece, showing at 10:00 Eastern/7:00 Pacific, is “Mission to Moscow,” one of a few pieces of World War II-era wartime propaganda requested by the U.S. government in order to create a better image of our wartime ally to the East. Despite the fact they had basically been made to please the U.S. government and assist the war effort, these films later came under suspicion from the notorious House Un-American Activities Committee (HUAC) as the Cold War heated up again almost immediately after the end of the war.

I’ve never seen “Mission” but it’s apparently a faux-factual, completely absurd whitewash of the very real evil of Josef Stalin’s Soviet Union. Making it a lot more interesting is the fact that this was no cheapy, but a glossy A-picture directed by Michael Curtiz and written by Howard Koch, both of whom had extremely illustrious careers on their own and whose most famous effort together was arguably the best American propaganda film of all time, “Casablanca.” No one thinks it’s a great movie or even a particularly good one in any normal sense of the word, but apparently its sheer wrongness makes it a really interesting movie experience. If you even one bit interested in mid-century history, this is one you won’t to miss.

The Siren and Lou Lumenick have more on “Mission to Moscow,” another interesting sounding tale called “The North Star” which you’ll have to be very quick on the trigger tonight if you want to see it (it’s 5:00 Pacific/8:00 Eastern) and some other possible goodies showing later on, including “The Kremlin Letter,” a hard-to-find 1970 spy thriller directed by John Huston I’ll have a hard time resisting.

(500) days of bad puns and other items of interest

It’s been a weird day for me, and not only because I’m a politically junkie and my side sustained a bit of a loss today (if you don’t know what I’m talking, well, let’s just keep it that way). Still, the movie news beat never stops and there are certainly days when Hollywood makes a lot more sense than politics, relatively speaking.

Spiderman
* It’s official and Nikki Finke has claimed another “toldja.” Newcomer Marc Webb of “(500) Days of Summer” will, it appears, direct the 2012 Spiderman reboot that’s been bandied about since Sam Raimi stepped aside from the now never to be filmed “Spiderman IV.” Even though, as I’ve made clear here several times, I’m not a particular fan of Webb’s feature debut, I think Anne Thompson‘s analysis is probably correct:

Webb’s “(500) Days of Summer” is a deliciously commercial hit movie: witty, breezy, defying romantic comedy formula while not straying outside the realm of accessible entertainment. That’s what studios want: that sweet spot between “original and fresh” and “accessible and commercial.”… He will be eager to prove himself on a big-budget VFX franchise, so he’ll do what he is told.

All she left out is the gift they’ve given us pun-crazed headline writers and bloggers because of Webb’s spider-suggestive last name. I guess Eric Nid was too busy on other projects.

* You knew it had to happen: Here comes “Paranormal Activity II” — from the director of “Saw VI.” (Via Bad Guy Wins.)

* I don’t know why they waited until after Martin Luther King day to announce this, but a long-planned biopic on the single most effective civil rights leader in American history is underway, and veteran playwright and screenwriter Ronald Harwood is penning the screenplay with Steven Spielberg and Stacey Snider coproducing. The more recent films in Harwood’s long career include “The Diving Bell and the Butterfly” and “The Pianist.” His best known play, the semi-autobiographical “The Dresser,” was nicely filmed back in 1983. Harwood migrated to England from South Africa in 1951 and he’s proven himself a fairly able cultural chameleon over the years. I’m not sure it’s an inspired choice, but it’s not a a bad one. The tricky part now is choosing the director.

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* Some time back, I was not thrilled to report that Danny Elfman’s orchestral score was being removed from “The Wolfman” and was being replaced by a not at all promising sounding, possibly synth-driven rock, score. Well, as I’m still kind of looking forward to the apparently trouble-plagued film, I’m happy to report that Elfman’s score is apparently back in. Yeah, I’m kind of a traditionalist about things like that. I don’t like to hear futuristic sounds with my 19th century gothic chillers anymore than I want chocolate syrup on my pizza.

* It’s probably not at all fair, but I can’t help but think of this concept as “Tim Burton’s ‘Wicked’.”

* The zombie-centric romantic comedy (“zom coms”) is a subgenre that threatens to take over the planet, devouring us all. Latest to be bitten: “The Wackness” writer-director Jonathan Levine, so says Devin of CHUD.

* In China, Chow Yun Fat and the nation’s most venerated philosopher push out the Na’vi, writes Krystal Clark.

* Today we also had a trio of sad deaths of important contributors primarily to other arts whose work also impacted the movies film, singer Kate McGarrigle, and novelist Erich Segal famously of “Love Story” and less famously of “Yellow Submarine,” and mystery writer Robert B. Parker of “Spencer for Hire.” RIP all.

Blu Tuesday: Gamer, Magnolia and Whiteout

It’s another busy week in Blu-ray, but despite the wide selection of titles to choose from, there aren’t too many standouts. In fact, two of the films I’ve decided to highlight wouldn’t even make the final cut most weeks, so before I talk myself out of finishing today’s post, let’s jump right into it.

“Gamer” (Lionsgate)

Fans of Mark Neveldine and Brian Taylor’s “Crank” series will no doubt enjoy their latest film, but despite a pretty cool premise that shamelessly steals from cult classics like “The Running Man” and “Death Race 2000,” “Gamer” fails to impress. A big reason for that is the script, which is definitely more restrained than the “Crank” movies but still pretty batshit crazy. (Case in point: “Heroes” star Milo Ventimiglia cameos as a “Sims”-like character named, wait for it, Rick Rape.) One thing that does work is the look of the film. Neveldine and Taylor may not know how to censor their own twisted imaginations, but they’re talented filmmakers with a great visual style. They also put together some great extras for the Blu-ray release, including an audio commentary, a making-of featurette, and a behind-the-scenes look at the RED camera technology used on the film.

“Magnolia” (Warner Bros.)

Paul Thomas Anderson might not be as prolific as his fans would like him to be, but whenever he does decide to make a film, they usually turn out pretty well. “Magnolia” has been called overrated by some, and whether or not that’s true, it’s hard to deny the brilliance behind it. For starters, Anderson reportedly wrote the movie in only a few weeks, which is quite the achievement when you consider the complexity of the narrative. It also boasts a great cast including Philip Seymour Hoffman, Julianne Moore, John C. Reilly, and Tom Cruise in his Oscar-nominated role, and some of the best editing of the last decade. Clocking in at just over three-hours, “Magnolia” may be Anderson’s longest movie, but it glides by faster than any of his films. Warner Brothers’ Blu-ray release delivers a solid HD transfer, while the included video diary offers an intimate look at the making of the film.

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A Martin Luther King Day movie moment

It became fashionable for a while to downplay the contribution of Sidney Poitier to movies — the charge was that too many of his characters were overly schematic responses to racist caricatures of the past (in other words, they were too perfect). Still, his characters were never plaster saints, he was simply too good an actor to ever allow that even if some of his parts were written that way, and there’s never been any denying that he fought the civil rights battle on the cinematic front with as much grace and charisma as anyone could even ask for.

Here he is the gently humorous and moving final scene from the 1964 comedy-drama “Lillies of the Field,” in which he teaches some German nuns a little bit of soulful gospel.

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