Category: Movie Dramas (Page 40 of 188)

Hard days at the office #4: But the pink actually tastes worse to me than the blue

Another Labor Day inspired clip.

It’s rare that a movie about something you’ve personally experienced actually gets something right, but then one thing a lot (but by no means all) filmmakers know well is the movie business. I never worked for directly anyone quite as powerful or as mean-spirited as Buddy Ackerman, but what I did experience was close enough. This (ironically NSFW) scene from George Huang’s “Swimming with Sharks” definitely brings up the old unpleasant goosebumps. Feel free to skip to 00:20.

Yeah, sure, Kevin Spacey is great at this sort of thing, but I tell you that no actor in the world does scared better than Frank “Check Out the Big Brain on Brad” Whaley.

So maybe “The American” f**ked with the correct Mexican

George Clooney is

Hey, we’ve got ourselves a modest surprise that diverges substantially from what I wrote back on Thursday night. Though the weekend is still ongoing, apparently, a lot of people didn’t get the memo that “The American” is a rather dry if eye-filling European-set arthouse style thriller, rather than the intelligent but plot-heavy action film a la the original “Day of the Jackal” they might have felt like seeing. That’s what the dreadful D- Cinemascore rating Nikki Finke is reporting would seem to indicate, in any case. Also, George Clooney‘s star power still counts for something. Even La Finke has stopped her bitter attacks on him.

Box Office Mojo reports that the “one last job” thriller about an assassin and gun-maker earned an estimated take of nearly $13 million. Finke has her estimated numbers a bit larger than that, and her guesses about the film’s total take including Labor Day and it’s early opening reflect that. (The estimate she has has the film making a total of 19.2 million.) Assuming all that’s true, it’s just possible that the adult-oriented thriller could outgross the roughly $32 million “Vampires Suck” has made so far, perhaps there is a movie God, but I wouldn’t bet on it.

Danny Trejo is
All of this is not to say that this weekend’s tongue-in-cheek Mexploitation geek fave starring the very cool Danny Trejo, “Machete,” did at all badly on this somewhat underwhelming weekend. It was outgrossed slightly by this weekend’s predicted #1 film, “Takers,” which netted an estimated $11.45 million in its second weekend. It’s $11.3 million really isn’t that bad, however even if it is ranked at #3. I don’t have a budget for the film, but Nikki Finke’s argumentative commenters were throwing around a $25 million figure — a bit high for Robert Rodriguez but quite cheap for a movie with this kind of all-star supporting cast, including Jessica Alba and Robert DeNiro. Considering the way movies like this tend to have a long and healthy life on DVD, that strikes me as a very good start. And that’s not counting the inevitable New Beverly Cinema double-bill with “Black Dynamite.”

“The Last Exorcism,” as predicted, suffered a large 62.5% drop in its second weekend, perhaps largely due to an ending most audience members hated, with an estimate of over $7.6 million. I’m convinced it was the vagueness of the premise that did in this week’s week’s third wide new release, “Going the Distance.” The raunch-infused rom-com came about Justin Long and Drew Barrymore having a long-distance relationship, I guess, wheezed across the finish line at the #5 spot with an estimate of slightly under $6.9 million. Yeah, I know, I wrote “6.9.” Grow up already.

Drew Barrymore and Justin Long try

It’s your pre-Labor Day end-of-week movie news dump. Yay.

As the madcap summer movie series ends, just a few items to wrap up the silly season.

* Not silly at all and quite possibly tragic. It appears there was a very serious stunt-related accident on the set of “Transformers 3,” or perhaps it was a not so stunt-related “freak accident,” says Nikki Finke.

* L’affaire Depardieu et Binoche est tres bizarre. (If my French is incorrect and it almost certainly is, please send complaints to the UCLA languages department.)

* The concept art from the canned Pixar film, “Newt,” is beautiful. Maybe someday we’ll get to see the abandoned footage. Their discards are probably at least twice as good as most finished films.

newt3

* I have a feeling we’re going to hear a lot about “The Black Swan” through Oscar season. It apparently wowed them in Venice though the thoughtful and quirky cinephile critic emeritus J. Hoberman of Village Voice finds it “borderline risible.” To me, remaking “The Red Shoes” with a dash of Dario Argento and even DePalma (not my favorite) sure sounds pretty cool.

* Christopher Rosen may be a doubter, but I say keep hope alive, Kristen Bell!

* Director Tomas Alfredson, who did such a great job on “Let the Right One In,” is shifting genres from very young vampires to depressive real-world style spooks like George Smiley (Gary Oldman this time ’round) in “Tinker, Tailor, Soldier, Spy.” Michael Fassbender, however, left to be a superhero so now Tom Hardy of “Inception” is stepping in. That should work okay, too. (I finally saw “Inception,” by the way, and…I’m too tired to talk about it now, which is sort of how I felt as I was watching it, actually.)

* Is “Hunger Games” really “The Running Man” with teens or more like “Battle Royale” made safe for an American audience? Sam Mendes, Gary Ross and David Slade duke it out to see who’ll realize whatever it is. Interesting to see the name of the talented writer Billy Ray involved here.

* Crocodile Dundee may now roam free in the Outback — I mean the branch of the steakhouse chain in Burbank.

Summer to end with a bang-bang and some kiss-kiss, but perhaps not so many bucks

Say what you will about this labor day weekend’s cinema offerings, you can’t complain that they haven’t covered the twin cinema poles of traditional gender preferences. For mega-manly geeks, Danny Trejo finally gets his big Hollywood close-up courtesy of Robert Rodriguez and “Machete.” For more refined males who like their action thrillers to be a bit more arthouse than grindhouse, we have the latest vehicle for George Clooney. Set in Italy, “The American” sounds as dry as a Bunuel martini’ and likely to be about as popular with the masses when set against the cinematic Long Island ice teas and daiquiris usually served during this time of year. Finally, we have a romantic comedy broadly (and, Dave Medsker says, awkwardly) spiked with raunchy gags, “Going the Distance,” testing the box office appeal of stars Drew Barrymore and relative newcomer Justin Long.

None of these movies are expected to burn up the box office. Jolly Carl DiOrio seems to figure that last week’s narrow box office winner, “Takers,” will take this weekend as well. (Presumably, the #2 “The Last Exorcism” is expected to suffer the usual large drop for horror pictures, exacerbated perhaps by disappointment in the film’s ending.) Still, assuming everyone kept their budget nice and low things shouldn’t be too disastrous. I’m guessing that director Rodriguez’s famed gift for squeezing his pennies combined with some support from the underserved and powerful Latino audiences as well as the geek-American community should assure a reasonably profitable outing for the the tongue-in-cheek quasi-parody, “Machete.” I’m feeling less confident for “Going the Distance,” which seems to suffer from a vague premise and marketing campaign.

George Clooney IS
“The American,” which was released on Wednesday to no particular box office earthquake,  is splitting critics in a way that makes me want to see it even more than I already do. In any case, it is almost inherently a small audience picture in a marketplace this strongly geared to younger viewers not known for their patience with thrillers stronger on atmosphere than action or plot. It’s title might be dull, too, but wouldn’t it be nice to live in a world where it at least outgrossed “Vampires Suck”?

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