Category: Movie Dramas (Page 151 of 188)

RIP Karl Malden (updated)

Like all character actors, Karl Malden never got quite the same level of attention as costars like Marlon Brando, Vivien Leigh, Steve McQueen, Anthony Perkins, Montgomery Clift, Michael Caine, and George C. Scott. Even the seventies TV series he starred in, “The Streets of San Francisco” found him being overshadowed in the eyes of the teenybopper set by his young punk of a male ingenue costar, Michael Douglas. That was largely because Malden was the kind of performer who understood that acting is a team sport. His best scenes were like great duets with near perfect communication between him and his scene partners. The exception were American Express travelers’ checks; those, he wiped off the screen.

Karl Malden died today at age 97, having been more or less fully retired since appearing in a 2000 episode of “The West Wing.” While he was never precisely an A-lister, he was a go-to actor for secondary leads, president of the Motion Picture Academy, and as far as I can tell a universally respected figure among actors and everyone else associated with the movie industry. He was also married to the same woman for seventy years, a rare enough Holllywood achievement to merit it’s own special Oscar. Not a bad life.

Below the fold is a video tribute I found that, from the misspellings, I gather may come from Serbia. (Malden, whose real name was Mladen Sekulovich, was the son of a Serbian father and a Czechoslovak mother.) The image quality could be better and some of the clips are a little too brief, but it does give you an excellent overview of his truly diverse film career, which included work with some of the greatest Hollywood directors including Elia Kazan, John Frankenheimer, and Alfred Hitchcock. It also includes some interesting moments from two oddball spy films, “Murderer’s Row,” which I haven’t seen, and the underrated “Billion Dollar Brain,” which included some pretty amazing scenes between Malden and Michael Caine as his old spy buddy, Harry Palmer, as well as Françoise Dorléac as his treacherous spy girlfriend (though he’s pretty tricky himself).

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Will “Transformers” make “Dinosaurs” of us all?

With the ongoing box office behemoth that is “Transformers: Revenge of the Fallen” seemingly devouring everything in its path, the studios are nevertheless allowing two potentially vulnerable major productions to venture out of the nest a couple of days ahead of the big July 4th holiday weekend.

For the family trade, we have a 3-D CGI animated sequel, “Ice Age: Dawn of the Dinosaurs,” which will be showing on a record number of 3-D screens. (Which I guess means that if you haven’t seen “Up” in 3-D by now, which I finally managed just last night, you may be SOL until at least such time as we start seeing 3-D retrospectives.) In a saner world, this would be the #1 movie this week because of family appeal, I think it’s safe to say. Carl DiOrio of The Hollywood Reporter is calling it at between $45 and $50 million for Friday through Sunday (not counting weekdays), which he thinks will be somewhat below the “Transformers” take based on a very modest 50% drop-off.

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Wrapping LAFF

The Los Angeles Film Festival ended Sunday and I’m not sure what I want to say about it. I saw several films and wanted to see more, but circumstances, and trying to blog about most of what I did see, kept me to a one or two movie per day average on the days I attended. Most of the films were as good as their buzz at least, but most of them had already screened at Sundance.

For me, the highlights were “Black Dynamite” — which was by far the most fun screening all around despite happening within hours of Michael Jackson’s death (which happened to be a less than a mile from where I was working on my posts) — and “We Live in Public” which was simply the most interesting film with the most interesting post-screening discussion. “Branson” was a highlight of another sort for the electrifying performer/one-man-drama, Jackson Cash. The film geek/native West Angeleno in me went moderately wild for a film I haven’t written about here, Curtis Harrington’s melange of romance and dark fantasy “Night Tide,” which was shot in late fifties Santa Monica and Venice.

Los Angeles is, of course, an extremely large city with strong neighborhoods but no true urban core (which is not to say that we aren’t trying to grow one) and a place where all kinds of movies screen all the time, if you know where to find them. It’s also, of course, the place on earth with the largest concentration of people involved with actually making movies or doing things related to making them. Getting them to spend a lot of time actually watching new films probably requires enticing them to go elsewhere and break their usual, already way too busy, routine.

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Blu Tuesday: Do the Right Thing, Street Fighter and Jonas Brothers 3-D

Much like last week’s disappointing selection of high-def titles, today’s pick of the litter isn’t quite as fresh as one might hope. There’s definitely a good variety among the movies available, but there’s nothing here that exactly screams “Buy me.” Still, while my personal collection will remain unchanged for another week, other Blu-ray enthusiasts might find something they’ve been waiting to pick up, or at the very least, take for a test drive.

“Do the Right Thing” (Universal)

I’ve never been a fan of Spike Lee, save for the uncharacteristic crime thriller, “Inside Man.” His fabricated racism is annoying, and it never fails in ruining an otherwise good story. Though it’s admirable to want to address a serious issue like racism through film, the way in which he tries to achieve it is nothing short of scandalous. Take Danny Aiello’s character in “Do the Right Thing,” whose life is ruined when a brawl inside his pizzeria leads to the accidental death of Radio Raheem. Not only is he completely warranted in his actions, but he isn’t even responsible for Raheem’s untimely demise. Of course, Lee wouldn’t have the ending he so desperately needs if he doesn’t lay the blame on Aiello, and instead of pointing a finger at Raheem (who refused to turn off his boom box after being asked nicely) or Giancarlo Esposito’s Buggin Out (the real culprit of the altercation), he decides to cook up a theory that even the much-loved (but still white) owner of the local hangout is a racist. Personal thoughts aside, the 20th anniversary Blu-ray release looks incredible, and the addition of a new retrospective documentary and audio commentary by Lee is a nice treat for fans of the film. You really have to love Lee’s work to want to sit through “Do the Right Thing” more than once, but if you do, you might as well watch it in HD.

“Street Fighter: The Legend of Chun-Li” (20th Century Fox)

Go ahead and file this one under Reasons Why Fanboys Hate 20th Century Fox. It’s not that the studio does a bad job of choosing properties to adapt. In fact, it’s quite the opposite, because they often make movies that no other studio would even bother with. Unfortunately, they don’t put nearly as much thought into the actual making of the film as they do into how much money they might make it if it’s a hit. I didn’t think it was possible to outdo the first “Street Fighter” film starring Jean-Claude Van Damme in terms of sheer crappiness, but “The Legend of Chun-Li” wins hands down. This is a movie that is so determined to ground the world of “Street Fighter” in reality that it loses all connection to the source material except for its characters’ names. The end result is just another generic martial arts movie with some of the worst acting you’ll ever see. It’s difficult to single out just one performance (take your pick), but when all is said and done, Chris Klein is practically guaranteed to walk away with a Razzie. “The Legend of Chun-Li” is a guilty pleasure at best, but unless you’re a fan of the game, and don’t mind seeing your a piece of your childhood ruined, you’d be best to stay away.

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“Public Enemy” awaits a verdict; other stuff happens

* There seems to be some concern out in the world about just how well Michael Mann’s new Johnny Depp/Christian Bale vehicle, “Public Enemies,” will fare when it’s released on Wednesday. Mixed reviews, like the one posted today by Den of Geek’s Michael Leader seem fairly typical and it’s possible audiences will feel mehish on the project. (The Tomatometer is currently at a fair-to-middling 64%, but even some of the “fresh” reviews don’t read as outright positive.) Anne Thompson specifically wonders about just how Depp’s huge star power will register and Mann’s decision to shoot a period film in digital, though it’s not the first period action film to be shot that way (“The Last Samurai” comes to mind). Those still reasonably jazzed about the nouveau-gangster flick (and that includes me, even though I’m not a super big Michael Mann fan), may want to check out our “Between Good and Evil” feature over at Bullz-Eye.

* Speaking of Anne Thompson, she has a festival wrap-up posted (looks like we saw a pretty different selection of films). I’ll be writing about it one-more time tomorrow.

* Nikki Finke has the “actuals” in from “Transformers: Revenge of the Fallen.” It’s $390 million worldwide. I guess that’s enough. She’s also upset over some impending Oscar changes, including a rule that might limit the number of “Best Song” entries and having a separate, non-televised dinner for the humanitarian awards like the Thalberg, which I’ll personally miss, because I’m weird.

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